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Take One False Step

as Professor Morris Avrum

1949
Portrait of Jennie

as Pete

1948
I've Always Loved You

as Frederick Hassman

1946
Her Sister's Secret

as Pepe

1946
The Thrill of Brazil

as Ludwig Kriegspiel

1946
Ding Dong Williams

as Hugo Meyerheld

1946
Without Love

as Prof. Ginza

1945
Dangerous Partners

as Professor Budlow

1945
The Seventh Cross

as Poldi Schlamm

1944
Song of Russia

as Petrov

1944
Above Suspicion

as Mr. A. Werner

1943
Three Hearts for Julia

as Anton Ottoway

1943
To Be or Not to Be

as Greenberg

1942
Crossroads

as Dr. Andre Tessier

1942
Mr. and Mrs. North

as Arthur Talbot

1942
The Shop Around the Corner

as Pirovitch

1940
Comrade X

as Igor Yahupitz / Vanya

1940
Edison, the Man

as Michael Simon

1940
It All Came True

as The Great Boldini

1940
Bitter Sweet

as Max

1940
Ninotchka

as Comrade Buljanoff

1939
Swanee River

as Henry Kleber

1939
Bridal Suite

as Maxl

1939
Felix Bressart Felix Bressart

Birthday

1892-03-02

Place of Birth

Eydtkuhnen, East Prussia, Germany [now Chernyshevskoe, Russia]

Biography

From Wikipedia, the free encyclopedia. Felix Bressart (March 2, 1892 – March 17, 1949) was a German-American actor of stage and screen. Felix Bressart (pronounced "BRESS-ert") was born in East Prussia, Germany (now part of Russia) and was already a very experienced stage actor when he had his film debut in 1928. He started off as a supporting actor, e.g. as the Bailiff in the box-office hit Die Drei von der Tankstelle (1930), but had soon established himself in leading roles of minor movies. After the Nazis seized power in 1933, Jewish-born Bressart had to leave Germany and continued his career in German-speaking movies in Austria, where Jewish artists were still relatively safe. After no fewer than 30 films in eight years, he emigrated to the United States. One of Bressart's former European colleagues was Joe Pasternak, now a successful Hollywood producer. Bressart's first American film was Three Smart Girls Grow Up (1939), a vehicle for Universal Pictures' top attraction, Deanna Durbin. Pasternak also selected the reliable Bressart to perform in a screen test opposite Pasternak's newest discovery, Gloria Jean. The influential German community in Hollywood helped to establish Bressart in America, as his earliest American movies were directed by Ernst Lubitsch, Henry Koster, and Wilhelm Thiele (director of Die Drei von der Tankstelle). Bressart scored a great success in Lubitsch's Ninotchka, produced at Metro-Goldwyn-Mayer. MGM signed Bressart to a studio contract in 1939. Most of his MGM work consisted of featured roles in major films like Edison, the Man. He combined his mildly inflected East European accent with a soft-spoken delivery to create kindly, friendly characters, as in Lubitsch's To Be or Not to Be, in which he sensitively recites Shylock's famous "Hath not a Jew eyes?" speech from The Merchant of Venice. Lubitsch also directed Bressart to similar effect in The Shop Around the Corner. Bressart soon became a popular character actor in films like Blossoms in the Dust (1941), The Seventh Cross (1944), and Without Love (1945). Perhaps his largest role was in RKO Radio Pictures' "B" musical comedy Ding Dong Williams, filmed in 1945. Bressart, billed third, played the bemused supervisor of a movie studio's music department, and appeared in formal wear to conduct Chopin's "Fantasie Impromptu." After almost 40 Hollywood pictures, Felix Bressart suddenly died of leukemia at the age of 57. His last film was My Friend Irma (1949), the movie version of a popular radio show. Bressart died during production, forcing the producers to finish the film with Hans Conried. In the final film, Conried speaks throughout, but Bressart is still seen in the long shots. Description above from the Wikipedia article Felix Bressart, licensed under CC-BY-SA,full list of contributors on Wikipedia.
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