2000 AD

2000
5.9| 1h49m| en| More Info
Released: 03 February 2000 Released
Producted By: MediaCorp Raintree Pictures
Country: Singapore
Budget: 0
Revenue: 0
Official Website:
Synopsis

The Y2K Bug. Real Warfare vs Electronic Gaming. Peter Tong, a carefree Hong Kong youngster, finds himself drawn into the web of a deadly espionage conspiracy. A clandestine organization schemes to use the Y2K Bug to cause mayhem throughout Asia. To survive, Peter has to call on reserves of courage and stamina he has never needed before.

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Reviews

Incannerax What a waste of my time!!!
Nonureva Really Surprised!
Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
Clarissa Mora The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.
Leofwine_draca This Chinese cyber thriller takes absolutely ages to get going. The entire first half of the film is filled with the machinations of a rather uninteresting cast of geeky characters, of whom there are far too many including lots of extraneous types (like the hero's girlfriend). Then, after a set-piece ambush, the story finally starts moving and it all gets rather better from that point in.The plot, involving cyber crime at the turn of the millennium, is inevitably rather dated by today's standards, and watching people chase around and downloading data onto disk is a little cheesy. The inclusion of some ultra-low budget CGI effects, such as a plane explosion, doesn't help things. But when it comes to the action, director Gordon Chan doesn't disappoint, filling the latter half of his production with a series of hard-hitting shoot-outs that really make an impact, utilising bloody squib hits to their maximum advantage. Okay, so the ensuing martial arts fights aren't quite as well choreographed as the gunfights, but who cares? Young, dashing hero Aaron Kwok leads the proceedings, transforming from a geeky-type character into a rather unfeasibly tough, battle-scarred hero. A subdued Daniel Wu plays his friend, confidante and business associate, but doesn't have a great deal to do, although beautiful Malaysian actress Phyllis Quek is a welcome addition to the cast list. One of the best characters is an investigating cop, played by Francis Ng, who steals every scene with his layered performance of real depth. And watch out for Jackie Chan's former bodyguard, Ken Lo, playing an evil sniper.
JoeytheBrit Hong Kong used to be seen as the home of unintentionally comical chop-socky movies of interest only to kung-fu freaks and those too lazy to reach for the remote and, while that's not a fair assessment of that country's current output, it's not a totally undeserved one concerning its past. So it makes a refreshing change to see that Hong Kong – along with other Asian countries – has begun producing stylish and energetic efforts like 2000AD. Hollywood is obviously a major influence on this film – not least in the fact that the writing credits are shared between director Gordon Chan and American screenwriter Stu Zicherman (Chan took Zicherman's English screenplay and translated it into Chinese, although chunks of English dialogue remain). The storyline is typical Hollywood high-tech nonsense, but it's engaging and exciting, and injects high-adrenaline action sequences that match anything that has come out of the States – or anywhere else for that matter – in the last ten years.The complicated storyline focuses on Peter Li (Aaron Kwok), an immature, bespectacled computer geek, who quickly matures after witnessing the assassination of his older brother while in police custody, and finds himself sucked into an ever-widening morass of lies and deceit as he struggles to identify the killers. Able to trust only a handful of the numerous characters offering him support in the aftermath of his brother's murder, Peter soon finds himself the target of the assassins, and becomes immersed in a world that mirrors that depicted in the video games at which he is so adept.The core of the plot regards the search for a computer program that can destroy the world's computer network with the press of a laptop button, but that's really just a plot device from which an explosive cocktail of explosions, shoot-outs, car chases and fist fights are developed. The story starts slowly, introducing us to a bewildering array of characters that take some little while to sort out, and it's only after the first thirty minutes that the action kicks in. Despite this, it has to be said there's not a lot of character development going on in those first thirty minutes: Peter transforms into a grim-faced avenger, mysteriously jettisoning his geeky spectacles, and adopting a sort of Bruce Lee persona that never quite rings true; but, apart from thirty-eight-year-old Kenneth Ng, who delivers a superbly understated performance in the regrettably small role of Officer Ng, a senior police officer approaching his sixties, the other characters are nothing more than cardboard cut-outs – especially Janet (the wonderfully named Gigi Choi), Peter's girlfriend, who is given absolutely nothing to do throughout the entire picture.But, then, since when was characterisation allowed to get in the way of an action flick? Chan hasn't set out to create true-to-life people in a true-to-life world; he's attempted to recreate the breathless, high-speed pace of a video game, one in which his hero has to ascend various levels before the game can be completed ("This isn't a game", says Ng at one point, "you can't start over again").Director Chan, an insolent little brother to the Hollywood high-rollers, delivers the breathtaking action sequences with no little style, eschewing the slow-motion ballet so beloved of John Woo and his many pale imitators (who now, ironically, count Woo amongst their number) for furiously kinetic displays of concentrated carnage. Chan's gun-battles somehow manage to illustrate the brutal violence and terrifying confusion of the moment without confusing the viewer, and he stages each massacre with flair and purpose and attention to detail that is unusual (the car park shootout is actually a homage to the notion of the samurai's sacrificing of their lives in Kurosawa's Ran). True, he overplays his hand, leaving little for the disappointing showdown with the villainous 'cowboy' (another dig at Hollywood?), and some loose ends are left hanging (presumably for a sequel that has so far failed to materialise), but if what has gone before hasn't left your appetite sated then you've probably never seen an action movie you've liked.
Wilson W Ever since John Woo, Tsui Hark, and Ringo Lam left Hong Kong for Hollywood, there's been other directors trying to fill their shoes (even though Hark and Lam came back to Hong Kong recently). Gordon Chan is one of the directors to fill in the shoes along with Wong Kar Wai to make Hong Kong films just as good as their predecessors.I read an interesting article about Gordon Chan. It talked about the shooting a movie in Hong Kong is really quick and fast. A lot of the action movies would be heavy in action sequences but lacking in character development and story. For example Tsui Hark's "Time and Tide" and Benny Chan's "Gen X Cops". Chan wanted to bring back the slower approach of filmmaking that was done by John Woo. John Woo would take months compared to the other directors who would take a few weeks to direct a film. With the slower approach, there would be more depth in the story and the action scenes. This film is a good example of that.The action scenes are incredible! The shootouts remind me of the shootout in Michael Mann's "Heat". The characters were very intriguing like Aaron Kwok's character Peter, who is introduced as a guy who doesn't seem to have direction in his life. Peter's computer company is failing, but doesn't seem to care because he spends his time playing video games and wasting his money. His older brother, Greg would look after him and from time to time give him money so Peter can get back on his feet again. Later in the story, Greg gets killed and you see the transition that Peter makes. He quickly grows up and becomes more responsible. What drives him is to found out who killed his brother and why. The other character I found intriguing was Francis Ng's character as a GSU agent. He's a cop with morals and has a lot of experience. The score really sets the mood of the movie and it reminds me a bit of "Heat". Overall very good performances by everyone.The only flaws was the realism. I know it's a Hong Kong action flick but why does everyone seem to know Martial Arts in this movie? Peter who is suppose to be a computer programmer and how the hell does he know Kung Fu? The other thing that bugged me was it seem to be too many characters sometimes. It was a bit hard to follow what's going on but not as bad as "Time and Tide". I really enjoyed "2000 AD" and I'm looking forward to watching Gordon Chan's "Beast Cops". I heard that it was better than this one. So I really can't wait. So if you wanna enjoy a solid Hong Kong action flick go watch this one.
Rainsing It's been so excited after viewing this movie. The story is good and the gun fighting scene is excellent. It's probably the best after the bank robbery scene in "Heat". The action is so realistic and make you can't breath. The characters are also real. Like most of us, we spent most money on buying video game, hi-fi, etc. We like to play game but when the real horrible thing come true, we may not be able to handle it.This movie will definitely become my all-time favorite action movie,