Steineded How sad is this?

Senteur As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Married Baby Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

TBJCSKCNRRQTreviews In an alternate time-line, in the near future(with some nifty tech), a young cop finds himself questioning why he and his men are fighting a group of... well, are they terrorists or are they freedom fighters? The story-line is nice and does get resolved, if there are subplots and events that either don't affect anything or, at least to me with my Western eyes, looked strange and unexplained. Maybe it would help if I knew more about Korea, because this is definitely a jingoistic piece on there, from there. Japan has taken over the aforementioned country, and is suppressing their independence. This leads to some melodrama, and though the two hour, 14 minute running time sans credits would be shorter if these instances were mercifully removed, this does really get to you, you find yourself caring and feeling the impact of bullets, and the grip of tension. The acting is pretty good. I watched this with subtitles, not dubbed, and while I had to read along to understand what they were saying, the power of the way they deliver the lines came through quite clearly. The action is all shoot-outs, it's quite well-choreographed, it's stylized(with slow-motion, and "frame-chopping") and it's cool. This has some well-done visuals. The FX are reasonable. There is a lot of bloody violence in this. The DVD comes with 8 and a half minutes of behind-the-scenes footage and four trailers. I recommend this to fans of Asian cinema, and John Woo type flicks. 7/10

p-stepien Set in an alternate history, where Japan never lost control over its Korean colony and keeps its population under its grip. Its 2009 and Koreans even have Japanese names and in the most part have been successfully molded as part of the great Japanese Empire. The few that oppose this state of things call themselves the Hureisenjin. Two special ops from opposing backgrounds - a Japan and a Korean - join forces trying to break down this terrorist organisation. The movie has a lot going for it. Great action sequences, interesting plot, nicely written script, great twists and some very likable characters. That said the movie tries to be cool too much and in the end self-destructs because of this. Slow-mos are tiresome, whilst the prolonged action sequences with people dying long enough for me to go and make myself a snack, got on my nerve and frustrates strong enough for me to contemplate fast-forwarding. The director fell over stereotypical solutions and brought the movie down with it, in the end not fulfilling the huge promise this movie has.

AwesomeWolf Version: Korean / Japanese audio, English subtitles.Its funny how things work out. I submitted a review for 'The Big Swindle' - a 2 hour long Korean heist move - and mentioned that I always seem to find winners while watching random Korean movies. I must have jinxed myself, as I ended up coming across this dud at a friends house. A bad Korean movie? I don't know what to believe in anymore."What if?" time! In '2009: Lost Memories', the assassination of Ito Hirobumi (a Japanese official in occupied Korea) was foiled, and the course of history takes a very alternate route. World War Two was never fought in the Pacific and Korea has remained as a Japanese territory until 2009. Masayuki Sakamoto (Dong-Kun Jang) and Shojiro Saigo (Tôru Nakamura) are JBI (Japanese Bureau of Investigation) agents investigating an apparent terrorist attack on a Japanese museum in Seoul. The objective of the attack was the Lunar Soul - or as I like to call it: "The Boomerang of Death", that way it doesn't sound like something stolen from a 'Final Fantasy' game - and it is up to Sakamoto and his plucky little sidekick to find out why the Haruseijin are desperate to steal the Boomerang of Death.Like a few other Korean films floating around, '2009: Lost Memories' plays heavily to Korean nationalism: Seoul is presented as a very Japanese city, the Japanese characters appear good but are really evil, and vice-versa for the Korean characters. I'm sure '2009' would strike a chord with Korean viewers, but I was left stranded and constantly checking the time. 'Shiri', 'JSA, and 'Phantom: The Submarine' are all based in Korean nationalism. What makes them better than '2009'? Well, for one, they are not totally boring.'2009: Lost Memories' seem to be lost in between drama and action. The first action sequence is heavy on melodrama. It tries to be powerful, but why should I care when I still don't know the names of the characters, let alone their motivations. The action scenes only get worse from then on. They're all very clunky and shot in slow-motion, and some of them display camera-work so poor that you can only be impressed. Like the rest of the movie, the action is over-powered by the strong orchestral score. Apparently when being shot at from all directions, you will be magically protected by violin music. If you have not fallen asleep by the 90 minute mark, you will be screaming "Yes, the main character cannot be killed by conventional weapons! I GET IT!". I know I was.What links the drama with the action? Why, it must be the incessant tear-jerking! In dramatical scenes and gun-play scenes alike, '2009' is constantly trying to jerk tears. When people aren't dying, the film is trying hard to present a story that is lacking in logic and fairly predictable. If you're familiar with the history, you may find it hard to suspend disbelief about the whole what-if thing. It is predictable, so you don't need to pay too much attention to figure out what happens next. Most of time the only thing happening next is a cliché or a scene in which the film tries to make the viewer cry. I was so bored that I was crying.I've seen another Korean movie about time-travel. It was a drama movie called 'Il Mare'. Strangely enough, I liked that, but '2009: Lost Memories' is incredibly boring. 'Nuff said - 1/10

drwnutt I picked a copy of the DVD up at the local blockbuster thinking I was in for another "B" sci-fi flick. After watching the film I read other reviews and agree with several points. It wasn't about Japan being on the winning side in WW-II. It was about a pivotal assassination in 1909. Yes, it is hard to see how this lead to Japan being on the wrong side in WW-II, but I suspended my disbelief for this point. The action scenes were well paced and had impact, although they did become a little repetitive. The agonizing the hero went through over the theatric death of the child and his girl friend (who mysteriously came back) were a little over the top. And it was flagrantly nationalistic.However, I did find the film to be well-paced overall, with good action scenes and interesting characters. I liked the method they used to unveil the time-travel scheme. It was good enough that I accepted it as inevitable. It had enough little twists to make it a memorable film and one that I find myself mentally revisiting it. I liked it.