Afouotos Although it has its amusing moments, in eneral the plot does not convince.

DipitySkillful an ambitious but ultimately ineffective debut endeavor.

Sienna-Rose Mclaughlin The movie really just wants to entertain people.

Payno I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

warren-232-934862 Seeing John Clarke in the cast was one of the main reasons that encouraged me to see 'A month of Sundays'. On that score, I wasn't disappointed, Clarke gave a polished performance with a few of his usual sarcastic/humorous one liners perfectly delivered. While obviously a film of redemption, son's trying to justify and/or prove themselves to their elders, to me the movie lacked a real plot or something to bond it together. It meandered along in its own way, much like the main character, struggling real estate salesman Franks, played by Anthony LaPaglia who did do a great impression of a Real estate agent, albeit not an over enthusiastic one ! Overall it was watchable, but for me fell a little short of being memorable.

Tim Johnson We saw this great film at Luna Essex several days ago and both of us relished the film; it was superbly completed with an equally superb cast of film experts working at their best in all aspects of movie construction. I should not demean any one of them by mentioning our favourites; however, the actors led by LaPaglia, Julia Blake as Sarah, plus the two Clarkes bring Australian actors centre stage for this marvellous Australian movie.We were moved by the humanity of this movie; albeit, the plot may stretch the credulity of some viewers but do not worry, it is a simple movie that examines simple life conflicts. The pieces of the plot fit very snugly together and lead to a satisfying completion.The movie's examination of our life's passages will be reflected in viewer's acknowledgement that these instances are prevalent in the simple act of being alive. Those pieces are manifestly part of the human condition and it was a pleasure to see them handled so gently in this sweet movie.

rainer-curcio I attended a preview screening of this film, which was followed by a Q and A with director Matthew Saville along with stars John Clarke and Anthony LaPaglia.To condense this film's monumentally mind-numbing existence into one word, it's 'terrible'. In fact my entire experience was terrible. The film was bad enough with its incompetent script, non-existent character development, irresponsible pacing, average performances and stock-standard cinematography. But, it was the Q and A that supplied the icing on this unpalatable cake. It provided evidence that the team behind this cinematic catastrophe have no place in the industry. Saville was unable to answer any of the questions posed to him regarding his inspiration or creative process, despite, apparently, writing and directing the film.The post-screening session divulged into a chummy, self-indulgent exercise of recalling the good-times back on set with absolutely no informed discussion about filmmaking or acting. All this was despite insightful questions from the three audience members who were given the chance to have their voices heard.To speak positively, the film's one element of quality would have to be its score. It offers a refreshing shift from a traditional soundtrack, containing unique instrumentation and motifs. What's sad is that it accompanies an absolute bomb of a movie."A Month of Sundays" is a clumsy attempt to comment on a cluster of clichéd themes. Themes including death, illness, family, divorce, disability, fame and (somehow) homosexuality, are conspicuously injected into it's clinically malnourished structure. However, beneath this wafer-thin surface lies the fact that this film is nothing more than a prolonged advertisement for Adelaide and, I would argue, an incredibly weak one.What continues to puzzle me about Australian films, this one being no exception, is how they are green-lit and approved for funding when the ideas are fundamentally flawed from their inception.

andrewbunney Real estate agent Frank Mollard (Anthony LaPaglia) can't move on. Divorced but still attached, he can't connect with his teenage son. One night Frank gets a phone call from his mother who died a year ago. This leads him to explore his grief with wise elder, Sarah played by Julia Blake ('Man of Flowers', 'Prisoner', 'Innocence', 'Wolverine').Set in the leafy suburban streets of picturesque Adelaide, it's a gentle tale of modern life during a real estate boom and of the human connection that makes a house a home. It is really about everything; parents, children, regrets, love, work, grief and ordinary people finding improbable salvation.Adelaidey-odlians will find it especially poignant because it involves a nostalgic nod to the ¼ acre block with fruit trees that is rapidly being consigned to history. But with the superb cast, it's a very fine film, regardless. LaPaglia (ex-Norwood High School) and Julia Blake (at 79 years) are note perfect in the lead roles.LaPaglia's real estate agent, Frank, is a sad sack with his rut deeply, sharply cut. All locations are described with his realtor's double-speak, even when he comes home to his Linden Park unit after work; "Needs a little attention, decorator's dream" etc.Mixed with the serious themes, there's plenty to laugh at in Frank's interactions with his newly successful ex-wife played by Justine Clarke, and in his clumsy interactions with his son and potential home-buyers. His boss is played by ex-Kiwi, the beloved comic John Clarke who inevitably steals all his scenes with hilarious dead-pan contributions. There's also a hearing impaired element to the story which can make this film that rare, rich experience for the deaf community (in its closed caption version) and the wider audience.With equal parts comedy, tragedy and heart-warming wisdom, writer director Matthew Saville (Tim Winton's 'Cloudstreet', 'Roy Hollsdotter Live' & Chris Lilley films) has created an understated masterpiece to sit alongside great suburban Adelaide films such as 'Travelling Light', 'Return Home' and 'Look Both Ways'. (Snowtown is in another genre!) Cinematographer Mark Wareham throws our streets and backyards onto the big screen with great understanding and skill, so best get yourself secure housing in Adelaide if you can, before the whole world sees this big-hearted film and comes a-bidding. Andrew Bunney, Let's Go to the Pictures, 9-11 AM Thursday, 3D Radio, Adelaide 937FM, Digital, iTunes