All the Pretty Horses

2000 "Some passions can never be tamed."
5.8| 1h57m| PG-13| en| More Info
Released: 11 December 2000 Released
Producted By: Columbia Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://alltheprettyhorses.com/
Synopsis

The year is 1949. A young Texan named John Grady finds himself without a home after his mother sells the ranch where he has spent his entire life. Lured south of the border by the romance of cowboy life and the promise of a fresh start, Cole and his pal embark on an adventure that will test their resilience, define their maturity, and change their lives forever.

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Reviews

Spoonixel Amateur movie with Big budget
Manthast Absolutely amazing
Kailansorac Clever, believable, and super fun to watch. It totally has replay value.
Ava-Grace Willis Story: It's very simple but honestly that is fine.
getsmartoc-54421 Crazy that this movie only got a 5.8...I ask you: what gives folks?I've read the book and like many just loved it and, I feel it must be said, that this is an excellent screen adaption of the book, let no one tell ye any different. If you don't like the story and it's not for everyone, and it would seem to me that some didn't, fair enough but it would also seem that some folk got an axe-to-grind with this movie for some reason, the production gets flack, the story or director some as well, also I figure some were never going to give this one a fair shake, I don't know why though. Personally I couldn't fault the directing one bit, Mr. Thornton did a great job with the story, the acting was spot on as was the cast (a young Mr. Black steals the show for me) and the editing was near perfect as far as I was concerned. Now having read the book I knew the story so maybe I find it hard to see what a person that didn't read the book might see in regards to understanding the plot and all, I can't say...as I seen it though the story's all there, the sparse dialogue is all there, thankfully nothing added, and the feeling of the adventure/brotherhood/growth/injustice/justice is all there, just the way Mr McCarthy intended them to be.Note: It gets an extra point from me for still being "good" even though it was made on the cusp of the '90's (for me, a notoriously bad decade for movies aging well). That's just personal, call it a 7 out of 10 if you don't agree.Anyway, folks, check it out, it's worth the time and I reckon you'll be well surprised.
Kirpianuscus I do not know if it could be considered a good film. maybe, a correct one. because it has many virtues who define a beautiful storytelling, smart trip across delicate themes, the meet with real admirable actors - Miriam Colon is an example, the great performance of Lucas Black. a western who preserves a special air. not always credible, not always coherent, but giving that beauty who determine you see it again. for a specific scene, for a specific actress/actor or , maybe, for the flavor of a state of soul. so, a film full with virtues. this is all !
Dennis Potter The book is great and Billy Bob was a good fit for it, but producer Harvey Weinstein screwed it all up. He wanted a two hour cut, even though from the offset it was clear the story needed a three hour epic sweep.So you really shouldn't watch this obviously truncated version (35% was cut). Scenes are rushed and a film that was supposed to capture the feel and romance of the landscape falls flat. Apparently Billy Bob has the correct edit on VHS in his home. Matt Damon says this cut is the best film he's ever been involved in. Eventually this film will be released, so you all should just wait for it. Billy Bob talks humorously about all this on cinemablend.The Weinsteins of this world are by no means villains, it takes a lot of hard work and guts to get where they have. But the same brute force that makes them successful can prove fatal where artistry is involved. Producers can be right - sometimes directors do need reigning in. Just not in this case. Harvey wasn't dealing with a wayward, self-indulgent director, and the story really did demand more time in its telling.
bkoganbing Just as Matt Damon was able to cast aside his New England accent for a Tennessee one in The Rainmaker and use it to great affect in Good Will Hunting, he cast aside again for the Texas tones needed for All The Pretty Horses. The man's got a good ear for speech idiom, he could be a worthy successor to Robert Mitchum in that department.From a novel by Cormac McCarthy and directed by Billy Bob Thornton who also has a good ear and feel for idiom and mores of the Southwest, All The Pretty Horses is about a couple of friends who go across the border into Mexico for work. Damon's been cheated out of a ranch he was expecting to inherit and he and friend Henry Thomas go south. They find both work and trouble and Damon finds romance. How they all intertwine is the story of All The Pretty Horses.Damon's romance is with Penelope Cruz, the daughter of Ruben Blades the owner of the ranch they find work on, breaking mustangs. The two come up against both Latino culture and Texas culture and how they really clash. Trouble starts for Damon and Thomas though when they pick up young runaway kid Lucius Black who's got some real issues with authority and a bad upbringing. His actions start the trouble for everyone involved.But Black in fact steals the film from the more well known stars. I'm surprised he wasn't considered Oscar material for Best Supporting Actor. His performances succeeds on so many levels as likable, goofy, but definitely trouble riding a horse.All The Pretty Horses is a good film where director Billy Bob Thornton does a great job with his cast and with capturing the mood and ambiance of that Rio Grande border country on both sides.