Aloma of the South Seas

1941 "Pagan love - in an exotic, exciting tropic paradise!"
5.4| 1h17m| NR| en| More Info
Released: 27 August 1941 Released
Producted By: Paramount
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Budget: 0
Revenue: 0
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Synopsis

A young South Seas native boy is sent to the U.S. for his education and returns to his island after his father dies to try to stop a revolution.

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Reviews

Interesteg What makes it different from others?
Boobirt Stylish but barely mediocre overall
ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
Salubfoto It's an amazing and heartbreaking story.
cynthiahost This was a part of a series of Technicolor remakes ,of the 1937 Hurricane, that Dorothy Lamour Starred in.although this was made before America got into the war,by Now many people were beginning to know who Hitler was ,movie like this provided an escape for the moment about worrying to get into another war.This time Dotty portrays Aloma,daughter of her Fathers Twelfth wife,as Her Aunt Tarusa ,played by Ether Dale,reminds her when she's about to scold her,and end sup scolding Aloma cousin Nea,played by Dona Drake instead.Dotty performs a wonderful Hawaii style song,The White Blossoms of Tahani,as she is picking some white blossom .As with Her Jungle love, Lynne Overman shows up again in this film as a visitor of the ,Hollywood Island,for some unknown reason.In this story Aloma ,when she's a little girl,is being chosen for the future king,Tanoa,as a kid played by Scotty Beckett,as the queen,in the future,By his Father the high Priest ,played by Fritz Lieber. Tanoa's friend,as a child played by Willam Roy as Revo ,makes jokes about Tano being a king.Overman is in the island to to take back dark haired and tan Tanoa to The states for an Education.After fifteen years Aloma is grown up and so has Revo,played by Philip Reed,now interested in her and are some what engaged.Her smart Alec pet parrot is still living too.While Revo remains Dark haired and tan skin.Tanaos comes back to the Island ,with Lynne Overman,still the same age too.It seems American education did change him.He's now white with strawberry blond hair,When dotty tells Reed that she has change her mind and loves Jon.This is when the conflict and fight begins with Tanoa and Revo for Dotty.Katherine Demille,Kari,who love Revo,but, he does not love her.When Philip kills a Shepard boy,to threaten Dotty,and Jon find s out,Katherine beg Jon to let him go and they would both leave the Island for good.Jon agrees,and th Shepard boys Parents don't get there avenge.Well he stabs Katherine and go back to the Island ,shooting everyone at the wedding and n missing many,when Revo up sets the volcano god ,causing an eruption.this seems to stop Revo from killing Tanoa and kills Revo instead ,But Lynne ,Dorothy,Donna,Jon,Ether are safe when the volcano eruption come to a halt.Lush Technicolor photography,with just a fair story and plot but still entertaining .07/23/13.07/23/13 Made a mistake Fritz Lieber did not play The king,he played the priest
mark.waltz I would love to spend this entire review quoting the silliest screenplay ever to grace a Polynesian adventure epic. While Dorothy Lamour's presence makes sense (she's certainly lovely in one of her thousand screen sarongs), reunited with "The Hurricane" co-star Jon Hall for this colorful yarn of an American educated Polynesian prince coming back to modernize his country, the supporting cast will have you in stitches.Someone at Paramount must have thought that the idea of putting stern looking character actress Esther Dale into dark make-up and casting her as a Bloody Mary type role would be funny, and it is...as a sick joke. When Dale and other characters start spouting dialog so trite that it sounds like you're being beaten over the head with a Hallmark card, you have to make yourself stop laughing just so you can hear every silly line they say. From a camp viewpoint, this comes with the laughs of a thousand hyenas (just to give you a glint into of what kind of dialog to expect) is pleasant to look at, but also feels some really dreary secondary characters.Ultimately, this is the type of film that seems to probably have better as a silent film, where audiences expected lavish visuals and over-the-top dialog in the titles. To hear it points out how infantile it really is. Still, if you're not crying from laughing by the end, you will be excited by the excellent special effects which erupt towards the end.
xerses13 PARAMOUNT followed up box-office success TYPHOON (1940) with a remake of ALOMA OF THE SOUTH SEAS (1926). Jon Hall (TANOA) replacing Robert Preston as the male lead with Dorothy Lamour (ALOMA) as his romantic South-Seas interest (again). Lynne Overman (CORKY) is along for the ride as the older male-mentor and for comedy relief.THE NUTS; TANOA is prepared for Kingship of his tropical paradise by being sent too the U.S.A. to learn Western knowledge with CORKY as chaperon. ALOMA in his absence is being groomed as future consort and Queen. Childhood friend/rival REVO (Phillip Reed) now is more interested in ALOMA then KARI (Katherine DeMille) who loves him. This creates a complicated love QUADRANGLE! It is resolved, unfortunately for two (2) of them not very happily. Then again Murder and Volcanic eruptions are not really the way to solve such problems.Like THE HURRICANE (1937) and TYPHOON (1940) this film ends with the BIG DISASTER. It is not in there league. Though with Gordon Jennings at the helm of the SFX for PARAMOUNT you get your money's worth, though it only lasts about six (6) minutes. Being in TechniColor it is most impressive. SFX shots were very difficult composites with the Three (3) Strip TechniColor film stock. This is WAY before digital com-positing created seamless effects. Only a master like Jennings can make it credible, he knew the limitations of the time so they had to be over the top and startling, exceeding expectations. The eruption later found itself into other films including WHEN WORLDS COLLIDE (1951) and ATLANTIS THE LOST CONTINENT (1961).Unfortunately it is not possible to judge the film against its silent (1926) predecessor. PARAMOUNT being particularly lax in the preservation of its film library and history. Unfortunately UNIVERSAL the current owner of its library is just as indifferent. No doubt hoping all will rot away so they can just use them for a tax write-off for decades of projected loss income. A typical short-term solution by 'Big Business'.
Neil Doyle Paramount designated DOROTHY LAMOUR their sarong girl and couldn't resist pairing her with JON HALL in another one of those South Seas epics that inevitably ends with the Gods getting angry enough to cause the local volcano to erupt. Well, it does erupt here and there's an earthquake too, but nothing atones for the banal script.Paramount would repeat the story somewhat with RAINBOW ISLAND ('44), three years later, again a South Seas tale in Technicolor with a volcano erupting for the climactic scene but it was more a spoof of Lamour's usual films than ALOMA OF THE SOUTH SEAS, which takes itself seriously.The plot has JON HALL sent off to England for an education (as a tot he's played by Scotty Beckett, another unlikely child performer to turn into Jon Hall). When he returns to the island, he picks up his romance with native gal Lamour until all hell breaks loose to stir things up for the finale. But it's too late to rescue the film from boredom.Summing up: Prettily photographed in Oscar-nominated Technicolor and some Special Effects, also Oscar-nominated, but hardly worth all the expense.