Matcollis This Movie Can Only Be Described With One Word.

Flyerplesys Perfectly adorable

ChicDragon It's a mild crowd pleaser for people who are exhausted by blockbusters.

Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.

thinker1691 This is one of those modest films about life in the Marine corps during War time. Directed by Ron Winston, it's depiction is that of a select group of specialized soldiers, sent on a top secret mission to destroy a specific target which threaten the U.S. Navy's amphibious assault. The movie stars tough guy Hugh O'Brian as 1st Sgt. Steve Corey. Mickey Rooney follows as Gunnery Sgt. Ernest Wartell, as an equally tough as nails non-com who is convincing as a career soldier. James Mitchum is interesting, though irritatingly naive as Pfc. James Grenier who joins the elite group at the last minute. Their mission is dangerous, indeed nearly impossible as they are required to land on a heavily guarded island held by the Japanese, traverse a dense jungle and to destroy their radar station controlling a hidden underwater mine field awaiting the unsuspecting Americans. Despite the minor flaws in the film, the acting is top notch and the drama is consistent with true war like Military action. The movie is easily recommended to war buffs and fans of the main stars. ****

Ospidillo Hollywood simply did not make enough of these great color, letterbox format, Pacific Theater, WW II films! Director Ron Winston did a fine job with this one which is one of the best I've seen. Baby Boomers, in particular, will be hot on this one.A young James Mitchum, (talented brother of Robert and John Mitchum), holds the starring role here over Hugh O'Brian and Mickey Rooney. Mitchum plays Private Grenier, a smart-aleck rookie U.S. Marine who has gotten himself shanghaied into a top secret special operation in the Phillipines during the Japanese occcupation. All the other marines, about a dozen of them, are highly-trained and experienced specialists in their respective fields. Mitchum, the radio guy, was grudgingly brought along as a last-minute replacement for the regular top communications specialist who came down with illness just prior to this imperative guerilla operation.They are secreted to the island by float-plane at night. Soon after entering the jungle, the Captain of the operation is killed during a desperate scuffle with some Japanese soldiers at their campfire. Hugh O'Brian, playing the Lieutenant, takes over command and he doesn't much like Mitchum, viewing the Private as trivial and immature. Mitchum is eventually told the purpose of the operation: A Phillipine guide will take them across the jungle island to the Japanese base where their contact person, a covert Allied agent, will provide information that is critical to MacArthur's immanent Allied re-invasion of the Phillipines. Thus, it will eventually fall on Mitchum, the most important member of the team in terms of duty, to convey this critical intelligence by radio.In yet another early confrontation with a small platoon of Japanese infantry, who are also equipped with a very cool little army tank, more Marines are killed and this also sets the Japanese hot on their trail through the jungle. Just before their destination is reached the Marine's native guide, the only person who knew who the identity of the contact agent, is killed -- Hugh O'Brian is forced to sneak into the Japanese-infested village and ferret out the contact agent at great risk. I'll have to stop here to avoid a SPOILER! One of the best features of this movie is the superb filmscore, composed and conducted by Richard LaSalle. It's one of those atmospheric sixty-ish scores reminiscent of those fine soundtracks previously conveyed by Hugo Friedhofer and Les Baxter. It really adds to the suspense and to the ambiance of this fine film.The abundance of tropical flora, great locations and sets, the super cinematography, and, the great casting additionally support the superb quality of the movie. Compare this film to yet another of these singular film treasures: "Never So Few" It's all really just first-class. If you enjoy World War II films, especially those concerning the Pacific Theater, you'll love this terrific 1966 entry. My highest recommendation!

J Keith Montz For standards of movie making decades later, the movie has its flaws but if you look past that, the plot is good and so is the acting. I enjoyed the nostalgia look at war movies where it was made close / somewhat close to when it happened and present day mannerisms, colloquial expressions and revisionist haven't taken too much of a overriding theme.The actors in this movie are thin which to me reflects what a true soldier living on rations would look like, they don't use foul language in every sentence nor do they talk about sex. The plot shows Americans with dedication to duty, callous to the death around them and respect for each other except for the character, Pfc James Grenier, played by James Mitchum. As you watch the movie you go from disliking Grenier to rooting for him as all of the members of the mission are killed off.

Piafredux Excellent majestic, dramatic location filming in the Philippines is wasted on 'Ambush Bay's' cliché crippled script and on its other, ginsu production values (e.g., very fake-looking fake blood, amateurish explosions, racks upon racks of 1966-modern electronics suites pretending to be WWII Japanese gear, shabbily unsynched post-production dubbing of spoken Japanese over the moving lips of the Filipino actors portraying them). It also doesn't help this film that most of the raiders - those who are given no character development beyond the opening scene's terse narration of each man's combat specialty; and the most laughable of these is for Mickey Rooney's character who is "expert" with a Thompson submachine gun). The DVD image and sound transfer are, however, surprisingly good.Since I first saw 'Ambush Bay' on late-night TV (in the Age Before Cable), and many times thereafter, I've always loved the cheesy scene of the wounded Mickey Rooney sassing his Japanese interrogators before he grenades them along with himself. It's one of the cheesiest bravado scenes ever to have been captured in celluloid - and yet it's the chief reasons I watch this almost painfully cheesy movie every few years or so. That scene, indeed the entire film, is like a 1960's censors'-toned-down-for-macho-blue-language echo of men's pulp magazines, which usually bore full-color cover illustrations that depicted bosomy Nazi women whipping bare chested virile Yanks, or inscrutable sloe-eyed Japanese women bent on seducing square-jawed, and always Caucasian, G.I.s) of the 50's and 60's (see James Lileks's website for amusing samplings thereof). I might add that a man of Rooney's abbreviated stature may not have met the marines' minimum pre-WWII height requirement, which thus casts doubt on the script's revelation that his character is a "career" marine: all I know is that I've NEVER seen a Gunnery Sergeant so short as Rooney's - so diminutive is Rooney that the Thompson gun he brandishes nearly equals his gnomish height. Yet he gives a good effort despite the script's wince-provoking haplessness.Though the marines in the film speak the most lines, it's the Filipino actors (the ones playing Filipinos, not the ones badly playing Japanese) who achieve something like verisimilitude. Plainly, some of those actors, and many of the Filipino extras, retained vivid memories of their pitiless WWII subjugation and occupation by the Japanese.The storyline isn't worth recounting at all, except to say that it's nearly as improbable as that of 'The Guns Of Navarone' - but at least 'The Guns Of Navarone' profited from its nearly high-camp capacity to, again nearly, lampoon itself as it plays out. But 'Ambush Bay' neither has, nor attempts, any such wittiness, overt or underlying, and thus its worst, thoroughgoing flaw is that it takes itself much too seriously. The other inherent flaw is in the plot: the notion that a fixed minefield could have somehow defeated or deflected the massive 1944 U.S. invasion of the Philippines is beyond risible.At least the prop crew got all the personal weapons on both sides, and those "beach camouflage" (that's what the pattern was officially called) gyrene uniforms, right. We even see some Japanese troops toting and firing U.S. M1903 Springfield rifles: which is factual since the Japanese captured large numbers of these when they took the Philippine archipelago in 1942, along with considerable stocks of the proper ammunition for them.Hugh O'Brian - never a contender for acting awards - is stiff, stolid, and wooden almost to point of petrification, and it doesn't help his performance that he was given awful dialogue to try to speak convincingly; in a few instance in 'Ambush Bay,' though, it seems he would have been a perfect casting choice had Hollywood decided to adapt DC Comics' nigh-superhero Sergeant Rock character to the cinema. James Mitchum inherited precious little of his father's superb talent: here as Grenier he's just gawky, awkward, sorely unconvincing every time he recites a line; his only - and scant - saving grace here would seem to be appears to have been a natural, relaxed athleticism.On the whole, however, viewers knowledgeable about WWII history will find 'Ambush Bay' historically lacking; and anyone familiar with the canons of scriptwriting and production technique will find its flimsy plot, hackneyed dialogue, and ginsu special effects almost unendurable. But watch it for the Classic Cheesiness in that one Mickey Rooney suicidal bravado scene, for the lovely location photography, and for some serious and fairly impressive acting by the Filipino actors whose performances, one can't help construing, benefited from their having had their hearts in this story that purports to tell, at least obliquely, of the ordeal they endured and the feats of sacrifice and fortitude they achieved throughout Japan's WWII tyrannization of them and their islands.