Afouotos Although it has its amusing moments, in eneral the plot does not convince.

SparkMore n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Celia A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Michael_Elliott Angora Love (1929) *** (out of 4)Funny two reeler has Oliver Hardy and Stan Laurel walking out of a pastry shop when a goat begins to follow them. They eventually lose the animal but two nights later he's back and the duo has to take them to their hotel room where chaos follows since the landlord is in the room below them.This film was remade by Laurel and Hardy as LAUGHING GRAVY and that there is considered by many fans and critics to be one of the best movies the two men ever made. This one here isn't quite as good as that film but there are still enough funny moments here to make the film worth watching. The one thing I noticed while watching this is how good a sport both men were and especially during the scenes where they're trying to give the goat a bath. They really get their hands dirty so to speak and these scenes get some of the biggest laughs as does the water fight towards the end.

Jackson Booth-Millard Stan Laurel and Oliver Hardy are the most famous comedy duo in history, and deservedly so, so I am happy to see any of their films. A goat manages to snap its rope and escape and the shop owner assumes it has been stolen and tells a policeman. The goat runs towards Stan and Ollie eating ring doughnuts, and a boy thinks that they are the ones that stole it, and the goat keeps following them till Ollie falls into a deep puddle. The goat has followed them for two days, all the way to a hotel room in St. Paul with the Landlord (Edgar Kennedy) sleeping right underneath, and when the goat is being noisy Ollie reminds Stan that they will be thrown out if they bother the Landlord. Ollie tries to relieve his aching foot, but he ends up taking the shoe and sock off and massaging Stan's foot, and the Landlord is bothered when Stan tries to knock a piece of wallpaper that the goat pulls off back in place. They hide the goat under the bed, and the before the Landlord goes back to his room, he reminds them it's a respectable hotel, as a woman and a sailor walk by the door. Just when he gets in bed Stan gets out again to do some exercise with his stretch bands on the door, which wakes the Landlord again, but he catches Ollie demonstrating how to do it quietly. After the Landlord leaves, the boys notice a stink, and they know they have to wash the goat, and getting the tub and water ready they tread on a pin and a mousetrap. Stan makes Ollie accidentally poor water on the floor, and water leaks through a hole in the Landlord's ceiling, and is almost woken by the fuss of getting the goat washed. A Neighbour (Charlie Hall) interrupts them knocking on the wrong door, and the Landlord is awake ringing the police reporting a murder will happen, then goes to deal with the boys. Ollie throws the tub water on Stan for annoying him, and manages to soak the Landlord instead, so a little water fight starts, and the Neighbour joins as well. The Landlord gets the Policeman (Harry Bernard) that comes to investigate the report, and he spots the goat, assuming that the Landlord stole it, so he takes him away, and Ollie says he never wants to see a goat again, but the film ends with three baby goats coming under the door. Also starring Charley Young as Mr. Caribeau. Filled with good slapstick and all classic comedy you want from a black and white silent film, it may a little grainy at times, but it is an enjoyable film. Stan Laurel and Oliver Hardy were number 7 on The Comedians' Comedian. Worth watching!

MartinHafer This was Laurel and Hardy's last silent film for Roach Studios. However, since the public had a real thirst for "talkies", this same short was re-made by the team just a few years later with only a few small plot changes. LAUGHING GRAVY was essentially the same plot except that Stan and Ollie were trying to hide a cute puppy from their grouchy landlord--not a goat like in ANGORA LOVE. This whole goat angle is the worst part of the film. While you could understand the boys wanting to keep a cute little dog (after all, it is snowy outside), why exactly they bring a goat home is just contrived and pointless. According to the plot, the goat followed them home and so they got tired of shooing it away and kept it. Huh?! This just doesn't make any sense--if it had been a giraffe or a cow, would they have done the same thing?! Apart from being an unconvincing plot, the movie itself is pure Laurel and Hardy, with a familiar plot and familiar roles for the comedians. This film features quite a few laughs, but unfortunately isn't one of their better films to wrap up their silent careers. This aspect of their careers just seems to have ended with a whimper.

wmorrow59 Although the title suggests an examination of the twisted obsessions of Ed Wood Jr., 'Angora Love' is in fact a Laurel & Hardy comedy, a diverting short which offers a heart-warming tale of two guys and the goat who refuses to leave them alone. Much of the humor revolves around the boys' efforts to hide the goat, Penelope by name, from their grouchy, goat-hating landlord, Edgar Kennedy, who gives one of his definitive grouch performances here. Apparently the premise held some special significance for Stan & Ollie, for they reworked it twice more with sound, first in the 1931 short Laughing Gravy, in which several of the gags from this film are re-enacted, and then just a year later in The Chimp, which borrows only the basic premise.Angora Love, which was made in the spring of 1929 but not released until December of that year, was the last silent film made by Laurel & Hardy. It was originally accompanied by a music-and-effects track, but, contrary to an earlier post, there was never dialog on the soundtrack.One of the best sequences occurs at the beginning, when the guys and the goat "meet cute." Penelope, having been fed a dough-nut by Stan, fixates on him and refuses to go away. Obviously, she wants more. The boys' attempt to give her the slip is funny and also rather poignant, at least from the goat's point of view. Cinematographer George Stevens helpfully offers us a tracking shot filmed from the goat's subjective P.O.V., or, as we might call it today, GoatCam. Once the trio is holed up in the boys' apartment the atmosphere gets somewhat claustrophobic, but the gags keep on coming. There's some silliness involving Stan's aerobics work-out, and a painful routine in which Ollie repeatedly steps on a tack. There's also an elaborately messy attempt to wash Penelope, and a sequence involving foot-rubbing which, despite the guys' innocent personalities, might strike some viewers as suggestively homo-erotic, or in any event kind of weird. There's also a quick throwaway gag involving a sailor and a prostitute that never would have gotten past the censors a few years later; it's understated but unmistakable, and not typical of Laurel & Hardy, but amusing in a raffish way.In a sense it might have been more appropriate if Stan & Ollie had concluded their silent movie career on a spectacular note, perhaps with one of those rousing, garment-ripping riots that seemed to erupt so frequently in Culver City at the time. Still, while Angora Love is not one of the team's liveliest silent comedies, it did serve as a useful prototype for two of their talkies, and is plenty amusing in its own right.