InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Leoni Haney Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Hattie I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

clintparsons Annie Hall was one of the big hits of Woody Allen's career and in my opinion his most mainstream work. This film is classic Allen right from the hilarious debates between LA and NYC to his neurotic self. Of course the star is Diane Keaton as the titular character and she is excellent in the role. The scene where Allen visits her family and meets amongst others Christopher Walken is subtle humor redefined. If you aren't aware of why Woody Allen is such a cultural icon I suggest you rent Annie Hall. I think this is one of the finest comedy-dramas out there.

Mr-Fusion Hey, I'm not gonna lie, I watched "Annie Hall" to see what beat out "Star Wars" at the Oscars. And I can see why; it's a critical darling, and has left its own imprint on popular culture. Everything from sitcom to romantic comedy owes a debt to this movie.I liked this movie well enough, primarily for the script. It's playful with staging and multiple fourth-wall breaks (Woody Allen at his funniest here), and written for an adult audience. And Diane Keaton's ditzy performance added a necessary dose of sweetness. On the other hand, It was Allen's presence that sucked a good deal of enjoyment, at least for me. Had I seen this movie forty yeas ago, his neuroticism would've probably seemed a lot fresher to me. As it is, it feels overplayed and grating. But I also know I'll revisit this someday, and I'm probably in store for an epiphany. This just feels like one of those movies. 6/10

zhongzl-kelley2014 I am writing this because I am totally infatuated with Woody Allen and his talkie style. When I first saw this movie, I felt like a loser stroke by middle-life crisis mentally masturbating to me, which made me zoom out of the movie. But when I watched it again today, I feel like finding the soulmate of my life, even though I would be super fortunate if I ever meet him someday. The Jewish intellectual that carries an overwhelming charm and humor gradually gets me and fixated himself in my mindset, and I feel like as if he has already been a part of my personality. I like him immensely, and I also feel like Annie Hall, whose insecurity and clumsiness with words when being nervous are actually adorable. I ABSOLUTELY LOVE the part when Alvy Singer drags Marshall McLuan out behind a poster frame and confront the Columbia professor that teaches his ideology. Because Marshall McLuhan claims that the content doesn't matter, it is the medium itself that matter. In another world, what Woody Allen says in Annie Hall doesn't matter, the only thing that matters is that I am watching Annie Hall in a foreign website through my phone, which undermines Woody Allen's whole existence in my experience with Annie Hall, yet all I can think of is Woody Allen's mysterious character when I watch this movie. And I love it when Annie's soul is detached from her body and sit on the chair talking about drawings when Alvy is trying to make love to her. When Annie said:"It's OK, you have my body." Allen said:"No, but I want the whole thing." I think that's the most romantic thing you can say to a girl.There are only several films I can clap and laugh to, and this is one of them.

oOoBarracuda I am, unapologetically so, a big fan of Woody Allen's work. Annie Hall, directed by Allen in 1977, was one of the great masterworks of his career. Starring Woody Allen, and Diane Keaton in the titular role, Annie Hall presents the lives of socially awkward, incredibly neurotic individuals, who are perfect only for each other, from the beginning to the end of their relationship. Woody Allen always injects a bit of himself in each film he has directed, Annie Hall, however, may be the most self-actualizing of Allen's films that audiences have ever seen. Idiosyncracies and nuances commonly known to be those of Allen's himself, give the audiences an insight into one of the most famed directors of our time.Alvy Singer (Woody Allen) has the only career he could possibly have, he is a comedian. Not that Alvy isn't intelligent, he is, or that he isn't capable of doing anything else, he would be, it's just that Alvy is an incredibly introspective and pensive individual who uses his own self-realizations to influence his comedy. At the beginning of the film, the audience learns that Alvy has broken up with the titular character and the succeeding film is his exploration of that relationship, in hopes to discover why it ended. Alvy is so stricken by the ending of his relationship with Annie because he truly believes that his 15+ years of psychological analysis has solved his problems which should have ensured his relationship with Annie would last. On the surface, the high-brow New Yorker Alvy, and the flighty Midwestern-born Annie would have no success in a union, yet, their peculiarities were such that they ended up being perfect for each other, or so it seemed. Perhaps it's his much discussed Jewish guilt or just his introspective nature, but Alvy just can't let go of his relationship with Annie Hall until he has come to a logical reason for why it ended. The introspective nature which Allen used as a vehicle for Annie Hall was brilliant and surely added to the host of reasons in which Annie Hall took Oscar's top prize for 1977. Annie Hall does something movies rarely get away with by breaking the 4th wall. Annie Hall breaks the wall so perfectly because the breaks add to the film, rather than take the audience away from the film. The technical aspects of this movie make it a dream to watch. The film is done almost exclusively using long takes, which are gutsy, but suited the conversational nature of Annie Hall to perfection. Another great technical attribute of mention is the title cards to input English on the "foreign language" scene on the roof. The script in which Allen penned in cooperation with Marshall Brickman was pure cinematic gold. One of my favorite scenes of all- time is contained within this film; the scene in which Alvy and Annie are in line at a movie theater and a guest behind them is loudly giving his sanctimonious opinion of the film in which they are about to see. Alvy is unable to hold his tongue any longer as the diatribe continues and he interrupts the gentleman to give his opinion, point out the flaws in his argument, and introduce him to the writer of the source material to further prove how wrong he was. This moment, though it happened only in Alvy's mind, was perfect, because who hasn't this happened to? Speaking of relatability, Alvy's character is one in which most everyone can relate to. Though probably not all of Alvy's mannerisms are present in one person at any given time, there are certainly many idiosyncracies one can identify in themselves that is present on screen in Allen's Alvy. As noted, I am a huge fan of Woody Allen's work. His ability to pull the worst parts of himself and humanity from his own being and put it on screen for others to realize they also possess are extraordinary. I can't think of any other modern director who nails the human aspects in their films like Allen can. Everything about Annie Hall works, even the parts that shouldn't. The split-screens, the breaking of the wall, the "meeting the past" it all works the way Allen puts it together. Has there ever been any criticism of this film? I'm sure there has been, I'm just not aware of it. It is for good reason Annie Hall won Best Picture, Best Director, a Best Actor nod for Allen, and Best Original Screenplay; and one doesn't even have to be a fan of Allen's work in order to appreciate his master work, Annie Hall.