Annie

2014 "It's a hard knock life"
5.4| 1h58m| PG| en| More Info
Released: 19 December 2014 Released
Producted By: Columbia Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Annie is a young, happy foster kid who's also tough enough to make her way on the streets of New York in 2014. Originally left by her parents as a baby with the promise that they'd be back for her someday, it's been a hard knock life ever since with her mean foster mom Miss Hannigan. But everything's about to change when the hard-nosed tycoon and New York mayoral candidate Will Stacks—advised by his brilliant VP and his shrewd and scheming campaign advisor—makes a thinly-veiled campaign move and takes her in. Stacks believes he's her guardian angel, but Annie's self-assured nature and bright, sun-will-come-out-tomorrow outlook on life just might mean it's the other way around.

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Reviews

LastingAware The greatest movie ever!
Pacionsbo Absolutely Fantastic
SparkMore n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.
Salubfoto It's an amazing and heartbreaking story.
foghorn_clj Seriously it's just bad. How bad you may ask? To paraphrase a quote from Will & Grace, "Mariah-Carey-in-Glitter" bad.This movie is just so awful there is literally nothing good about it. Jamie Foxx's Will Stacks is so unlikeable you find yourself wishing he did get hit and killed by the truck at the beginning. Rose Byrne is grossly underutilised and given horribly vapid dialogue that even she can't make work. Cameron Diaz's performance as an abusive, drunk foster mum began ok and then she opened her mouth to sing and my ears started to bleed. As for newcomer Quvenzhane Wallis (P.S. Your parents should be shot for giving you that first name) seems to have been picked only because she's African American with a fro and a gap between her two front teeth. There really is no acting, singing or dancing talent here. The dialogue is pedestrian and for some reason everyone is speaking at 3x the normal speech rate so it's ridiculously hard to keep up with what's happening. And this is probably the biggest problem with this movie. It's moving so fast there's no time for character development or an emotions whatsoever. AVOID LIKE THE PLAGUE.
annevejb I am finding these stories to be getting better and better. If the 1982 is a good 7, then the 1995 is a good 8 and the 2014 is more like a 10.I noticed some user reviews that objected to this not following the original play. I hope that to many that will seem like missing the point, and not just because of the original being a long running newspaper cartoon series.I find the music to sing. The familiarity of the old music and the new music, too. The only real flaw of the 1995, for me after seeing this, is that it included music when it would have been better without.Armchair tourism. Most stories have elements that are not too clear. North of 96th Street, yes. Try to follow the final chase with Rough Guide and Google Maps, I could not understand it too well. Two bad guys drive to a bridge in New Jersey via the Henry Hudson Parkway, then the George Washington Bridge, then south to Liberty State Park and then to the bridge. Why not the Holland Tunnel? I assume that a New Yorker would know.
Amakoa Akana The 1982 Annie is one my top five most perfectly adorable movies of all time. To me it has a special place in the above ten star category, like fifteen stars. The story, music, choreography acting and flow were perfectly done. So, trying to compare the newer versions is difficult.This version of Annie is modernized, with cell phones and all kinds of electric gadgets. I didn't mind the modernization, it was fun to see the story in a different setting with enough new plot points to keep me wondering what going to happen next. The colors were brilliant, a real feast. The dance choreography is comparatively sparse, particularly "Hard Knock Life". There are additional songs, one of which (a rather quiet solo by Annie from her super-modern bed) I thought was a welcome addition, the others forgettable. The costumes were beautifully done. The movie as a whole was fun. My little nieces (6 & 12) watched it twice with sound full blast. What makes this version a ten star film rests on Quvenzhané Wallis being an absolute perfect Annie. No red hair, but well, her acting is adorable, funny, and lighter than air like the best young dancers. She out-sparkled even the very sparkly Aileen Quinn (Annie, 1982). Jamie Foxx as Stack is an extra bonus, a very funny "Warbucks". Taylor Richardson who introduces the movie as "Red-haired Annie" set the stage perfectly, so let me recommend seeing her more extensive role in Jack of the Red Hearts(2015), and Adewale Akinnuoye-Agbaje. The rest of the cast fine, but nothing to stand out or criticize.
comps-784-38265 Trying to modernise a well loved story/classic film is fraught with danger. If you change things you are damned for changing. If you keep things the same you are damned by comparison to the 'classic' versions that have gone before. This film fails on both levels. Setting it in modern times makes you cringe with embarrassment. Acting kids always have that smiley theatre trained over confident, precocious totally unreal 'fake' sound and look, which is pretty much standard for a group of kids, particularly in a musical. In this offering they actually reach a new level of annoyance. But you can excuse the kids, because the adults are so so much worse. Cameron Diaz cannot act - it was pitiful. Do not waste your time watch this film, you will never get that 2 hours of your life back. You have been warned.