Matcollis This Movie Can Only Be Described With One Word.

Colibel Terrible acting, screenplay and direction.

FrogGlace In other words,this film is a surreal ride.

Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

drednm Clark Gable stars as owner of a legal, small-town gambling house but his heart condition is about to make him quit. It's then he realizes that he's alienated his wife (Alexis Smith), who has retreated to a "memory room," and his son (Darryl Hickman) who is ashamed of how he has become rich.He's also got a sneaky brother-in-law (Wendell Corey) who is married to his wife's sister (Audrey Totter). But he also has loyal employees (Barry Sullivan, Edgar Buchanan, Caleb Peterson), and some women who are quite fond of him (Mary Astor, Marjorie Rambeau).Stealing the film are two longtime MGM players. Franks Morgan plays the gambler who may break the bank, and Lewis Stone plays the has-been who's about to play his last hand. Each is excellent.Others include his doctor (Leon Ames), a couple of thugs (William Conrad, Richard Rober), and dejected woman gambler (Dorothy Comingore), and Art Baker as the nightclub owner.Scotty Beckett was originally signed to play the son and his picture is on Gable's desk, but he was replaced by Hickman.Frank Morgan and Lewis Stone turn in terrific performances, and this ranks as one of Clark Gable's best post-war performances.

JLRMovieReviews Clark Gable is a casino owner who has tried to give all he can to his wife and son, but maybe all they needed was his time. Alexis Smith and Dwayne Hickman is his wife and son, and the movie is peppered with great supporting actors like Frank Morgan, Wendell Corey, Mary Astor and Marjorie Rambeau. The film begins rather slow, but is rewarding to those who like character studies and get into family dynamics. This seems to be the type of film that doesn't rely so much on active plot but on the way the characters relate to each other, which in some ways, puts it ahead of its time. While others may find fault with the film and I do admit it has its faults, I thoroughly enjoyed it and appreciated what it was trying to convey, that in life we have to give a second chance not only to others but also to ourselves. A new beginning is always the best perspective. Watch Any Number Can Play and see what you get out of it.

blanche-2 Clark Gable's immediate post-war films were the weakest of any of the returning stars. For one thing, his wife had died; for another, unlike many of the other actors, he was in his forties. "Any Number Can Play" is a good example of the kind of movie he made. In it, he plays the owner of a gambling house who has developed angina pectoris and is advised to give it all up for a more peaceful life. His son hates him, one of his employees is stealing from him, and a gambler gets on a roll that threatens to bankrupt the house.The stars - Gable, Alexis Smith, Audrey Totter, Darryl Hickman, Marjorie Rambeau, Wendell Corey, Frank Morgan, William Conrad et al. are not at fault, but the script of "Any Number Can Play" is. It's difficult to pin down what the film is actually about - one waits for a definitive clue either in the gambling house or at home. Is it about a dysfunctional family, a sick man, or the activities of a gambling establishment? Hard to tell, as the director, Mervyn LeRoy, seems to focus the film in all three directions.Nevertheless, there are some exciting scenes, particularly Frank Morgan's gambling run. The acting is uniformly excellent, although Audrey Totter is wasted - she plays Alexis Smith's sister - and Mary Astor has what amounts to a cameo. Marjorie Rambeau stands out as a dowager who gambles at the club. Gable, however, is not just the nominal star but the true one. Ruggedly handsome with that beautiful smile, he is wonderful as the world-weary but compassionate Charley. He had such a great presence and charm - fortunately, the quality of his post-war films was to improve.Dull patches but probably worth seeing for the acting.

telegonus A much underrated film from the late forties, it features a middle-aged Clark Gable as the owner of a gambling house, where he plays host to a variety of colorful characters. The plot is fairly foolish but at least two of the actors, Barry Sullivan and Wendell Corey, are quite good, and cast somewhat against type.Mervyn LeRoy directed, and either he or the studio bosses decided that the characters would scarcely venture out of doors for the entire run of the picture. As a result we get to explore the casino, Gable's office and home, a restaurant, a hallway, and a few other places, most of them nicely paneled and well appointed, with no sense of urgency regarding action, as we know that the next scene will also be indoors, perhaps upstairs this time, where we will have an opportunity to observe a lamp or a fine mahogany desk. LeRoy moves his people around nicely, and wisely emphasizes the film's geographical limitations (agoraphobic? agoraphilic more likely)--one might even say he revels in them.There's no sense of reality to the story, which is never the least bit convincing. Yet it has a kind of authority, due largely to the admirable professionalism of the people responsible for giving the film its look. One never mistakes such Hollywood stalwarts as Frank Morgan, Marjorie Reambeau or Lewis Stone for real people. William Conrad, in a small role as a hold-up man, does not seem the least bit menacing. I found myself smiling when he turned up. Good old Cannon.Yet for all its faults the movie has going for it something that many a larger budgeted and more realistic film doesn't have: it is watchable. One likes the people in it. There's a confidence in the way it's done; and a fine sheen to the finished product. While it fails at drama and psychology, it succeeds in being an extremely well-crafted piece of work.