Arabian Nights

1942 "Dashing Thieves of Baghdad...riding out of the magic and splendor of Arabian Nights"
6.1| 1h26m| NR| en| More Info
Released: 25 December 1942 Released
Producted By: Universal Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Two half brothers battle each other for the power of the throne and the love of sensual, gorgeous dancing girl Scheherazade.

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Reviews

Spoonatects Am i the only one who thinks........Average?
Cleveronix A different way of telling a story
Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
Allissa .Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
Leofwine_draca ARABIAN NIGHTS is a rather routine Hollywood adaptation of the Middle Eastern source material, made with a juvenile audience in mind. I guess the film-makers were attempting to distract contemporary audiences from all of the bad stuff going on around the world at the time, hence them making this very 'safe' piece of entertainment.Sadly, ARABIAN NIGHTS is simply too routine to be very entertaining. There's a silly, pantomime feel to the whole thing, a campiness that just wasn't there in other contemporary fare from the era. The film also seems to be a bit miscast in terms of the lead actors. Jon Hall is a dullish hero and Maria Montez, while acceptable, suffers from playing a one-dimensional Scheherazade. The romance stuff is sappy and boring.To my disappointment, there isn't any of the magical/effects type stuff to enjoy here, and nor is there much in the way of action. What we do get are some fun supporting turns from the likes of genre mainstay Sabu (underutilised, unfortunately), Shemp Howard randomly playing a comedic Sinbad, Turhan Bey, Laurel & Hardy comedy actor Billy Gilbert, and Leif Erickson.
rebeljenn This action-packed adventure film is worth a watch, but it is not exactly a memorable film, and the story line suffers - secondary to all of the action taking place. (The basic summary is about a man who ends up getting revenge and banding together with some close friends, including a slave girl who is his love interest.) It is a fun film, and the picture (shot in Technicolour) is beautiful. (Excellent landscapes, colourful costumes, and much more come to life in the vibrant colour that this film was shot in.) If you want to watch something fun that doesn't require much thinking, then this movie won't let you down.5/10
Nazi_Fighter_David After her adoring audience had grown up, they discovered that Maria Africa Vidal de Santo Silas (born 1920, died 1951) hadn't done her own singing (she was dubbed), nor her own dancing; her ability as an actress was also put into question, but her spell was not tarnished...Maria Montez was still the madly glamorous South American 'Queen of Technicolor'. What her roles (all of them variations of Scheherazade) required were ingredients she had a surplus of: statuesque bearing, regal demeanor, fiery beauty and, best of all, an unassailable confidence in herself… When one weighed all the things she couldn't do against the thing she did so well, the balance came out in her favor…Her film, "Arabian Nights," is a well presented oriental adventure which has nothing to do with its source material but entertained multitudes in search of relief from total war and was followed by several vaguely similar slices of hokum with the same stars...
ctosangel-2 I do not understand why the video movie pack shows John Hall when really movie 80% begin to Maria Montez and 20% to Sabu. The story (Boardman and Hogan), an inoffensive comedy in the orientalism way from the 40', the same that decorates and costumes. Very caracterist in that Hollywood era. Splendid technicolor and adequate music from Frank Skinner.