Arc

2006
5.8| 1h53m| PG-13| en| More Info
Released: 20 October 2006 Released
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Synopsis

Set in the belly of Los Angeles' criminal underworld, Arc is the story of Paris Pritchert, a former police officer turned drug dealer and addict, who embarks on a quest to find a missing child in the hope of redeeming his eroding character. The only catch is, like all addicts, Paris' confidence completely relies on the drugs in his system and -- in this case -- his firm belief that he can succeed in his mission if he can just stay high 24/7 and alive long enough to see it through. To aid in the endeavor, Paris enlists the help of Maya Gibbs, an African American prostitute versed not only in the language of the street, but also in the words of Maya Angelou and Nadine Gordimer. And together, the path of this dysfunctional duo crosses with those of the child's parents, a doctor with a penchant for soliciting "Street Boys", a self-ascribed King Of Porn, a drug supplier with a gift for making impeccable hors d'oeuvres, and a hardened cop with more scams than the most adept street hustler.

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Reviews

Moustroll Good movie but grossly overrated
Cem Lamb This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
Sienna-Rose Mclaughlin The movie really just wants to entertain people.
Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
john_twigger-1 Arc started very slowly, with the look of a pretty typical drug-life low budget indie movie. Something to watch with half an eye while going through the paperwork. Then it started to pull me in. Somewhere along the way I stopped working through the accounts and became glued to the screen. Sure it has a few clichéd set pieces and a few moments of wooden acting, but after the first 30 minutes or so it pans out to be a nicely put together movie. I'm giving it an 8 based on the way that it managed to involve me in the characters and the story. Don't expect any fabulous Hollywood sets, this obviously hasn't got a huge production budget, but the story arc is well done and satisfying. For some reason it reminded me a bit of Running Scared. Worth watching.
dbborroughs Ex-cop, now drug dealer and addict tries to redeem himself by finding a missing kid with the aid of a hooker. Low budget film that strives to be more than a run of the mill story of a man reaching for redemption. Shot in a variety of different color schemes and styles the film makes the effort to be more than it well worn plot would lead you to believe it is. Peter Facinelli in the lead is merely adequate in a role that requires him to be stoned much of the time. I don't think the film really succeeds in what its trying to do, but I will give the filmmakers points for at last trying to spice things up. I think that one of the problems with the film is that its way too long at around two hours since its slender clichéd thread of a plot doesn't really have the strength to support the tale. I can't recommend it unless you're someone like me who is tired of seeing these ultra-low budget direct to video films that all look and sound the same.
BanaTheMan Forget whatever it is you know about Peter Facinelli from "Can't Hardly Wait" or the canceled series "Fastlane" -- neither of those projects even hinted at the depth he taps into here. Under the direction of Robert Ethan Gunnerson (this is one of the strongest debuts in recent memory), Facinelli is born again as an actor. Equally impressive is the debut of Raina-Simone Moore, who brings refreshing earthiness and wit to what could have been a stock character.There are a lot of preconceived notions about "drug dramas," but this film should be seen first and foremost as a human drama. Instead of going for the trippy style of "Requiem for a Dream" or the barebones realism of "Drugstore Cowboy" -- Gunnerson wisely doesn't aim for one extreme. He also makes striking use of selective coloring, with colored objects popping out of black-and-white frames. In the hands of a lesser director, this could be a distracting gimmick, but here it works beautifully, speaking volumes about each character.Funny how the film's budget was well under a million dollars, and yet it is has so much more heart and soul than the $150 million "Miami Vice." Seek it out, and you'll feel like you've made a great discovery. Days after seeing it, I can't shake it -- and I don't want to.
cjsouth After seeing the Film ARC at the Indie Gathering in Ohio, I'm convinced that I'm in the right profession. This is the first time I have ever commented on a film at IMDb.com... and let me tell you... God Damn Amazing.Robert Gunnerson, I applaud you. This is your first feature film and you stole the show. Passionate and Raw. Dark and humorous. One man's journey to claw his way out of the self-loathing, drug induced, pathetically convenient Pit he fell into. I was more involved in watching ARC than Lord of The Rings or X-Men. The beautifully framed shots and artistic use of spot coloring make it impossible to keep from losing yourself in the film.I'm glad I had a chance to see it, and it was great talking to you about it. For anyone that hasn't seen this Movie... GO SEE IT! Pay huge money to have Rob send you a copy! Do Whatever it takes to see this film! YOU MUST SEE IT!Independent film at it's finest!

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