CrawlerChunky In truth, there is barely enough story here to make a film.

SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

Brennan Camacho Mostly, the movie is committed to the value of a good time.

Kayden This is a dark and sometimes deeply uncomfortable drama

ofumalow David Bowie has always been underrated as a dramatic actor, and Alan Clarke was usually a fine director. But this TV version of Brecht's early play is stiff and uninvolving--partly because it's far from Brecht's best and ill-suited to film, but primarily because Clarke's direction is so misguided. Apart from some split screen effects for the transitional song interludes, he shoots almost everything in long-shot, keeping the performers literally at a theatrical distance, the camera stock still. (The film also seems dankly underlit, although to be fair that might be the fault of the transfer I watched.) Bowie throws himself into this irredeemable-scoundrel part with verve and is more than willing to let the makeup etc. crew make him as ugly/unhealthy looking as possible. The other cast members are perfectly adequate. But this "Baal" feels like an academic performance record for the archives rather than a fully realized adaptation of a stage work. Maybe Clarke just didn't relate to the material.

robert_deveau "Baal" was the first play written by German dramatist Bertolt Brecht, one which he constantly rewrote throughout his entire life. David Bowie is perfectly cast in this BBC production of a one-hour version of the play, as the alcoholic, womanizing, murderous itinerant musician/poet title character. Zoe Wanamaker is also terrific as one of Baal's girlfriends. Not everyone's cup of tea, for sure, and difficult to see (try eBay), but for those looking for something different, or for fans of Bowie, definitely worthing searching out.

Christian Carley We have a dramatic masterpiece here and the Music is used very well...both lyrical and instrumental, which has been re-released by Bowie's label.The opening "Baal's Hymn" sets the scene for the protagonist an ex-soldier, explaining his love of "the sky" alcohol, women and mass murder-----during an Orgy ,("When Baal saw lots of corpses scattered round,he felt twice the thrill ,despite the lack of room,space enough ,their not thick on the ground,space enough within this womens womb) - this line sums up the kind of character we are dealing with.The image of "the Sky" is also very important in this play,showing perhaps that Baal is bored with his life and wishes to die. Fantastic