Balalaika

1939 "Where there's wine, women, and song!"
6.2| 1h42m| NR| en| More Info
Released: 15 December 1939 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A Russian prince disguised as a worker and a cafe singer secretly involved in revolutionary activities fall in love.

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Metro-Goldwyn-Mayer

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Reviews

Sammy-Jo Cervantes There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
Tyreece Hulme One of the best movies of the year! Incredible from the beginning to the end.
Brennan Camacho Mostly, the movie is committed to the value of a good time.
Stephanie There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
GManfred "Balalaika" is strictly for fans of Hollywood's Golden Age. If you are one, it's got a great cast of character actors you will recognize pretty quickly and you will appreciate the singing of Nelson Eddy and Ilona Massey. If you appreciate good acting, Eddy is passable and Massey, not so. He is his usual limited self but she comes across as cold and humorless, which is the polar opposite of Jeanette MacDonald.The storyline is thin and unconvincing, sort of like "The Student Prince"; he is royalty, she is not, so he passes himself off as a peasant to win her hand. An interesting aspect of the picture is that it treats the aftermath of the Russian Revolution and the dissolution of the upper class. Here, many of Russian royalty end up in Paris after WWI in menial jobs, much to their sadness and chagrin. Can't recall the subject having been broached on film before.In short, the plot is forgettable, the cast is interesting and the music carries the day. Not for younger audiences but for those of us who appreciate Hollywood's past.
blanche-2 In "Balalaika," Nelson Eddy plays Prince Peter Karagin, an officer in the Cossack army. One night he sees the beautiful Lydia Marakova, who sings in a St. Petersburg café. Lydia is truly of the people, not one to like royalty, so he poses as a voice student in order to meet her. He wins her over. In fact, Lydia, her father, and her brother are part of a revolutionary movement. When Peter and his Cossacks break up a rally and her brother is killed, both learn the truth about one another. However, Lydia is still in love with him. When she learned that the rebels were going to assassinate Peter and his uncle at the opera house on her opening night, she tells him not to come, that she will be too nervous with him and his uncle there.On stage, just as she feels she can relax because they're not there, they show up in their opera box. In the middle of the opera, war with Germany is announced.Not much of a movie - Massey is lovely, kind of a cross between the young, stunning Zsa Zsa Gabor and Scarlett Johansson -- but in order to play opposite the wooden and unexciting Eddy, you need Jeannette McDonald's fire and sparkle. What Eddy had going for him, besides good looks, was one of the greatest voices in film, and he sings here like an absolute dream. Massey had a pretty voice, but her top was screechy, and in the first number she sings, she's flat.The rest of the cast is good - Lionel Atwill, Frank Morgan, Charles Ruggles, and C. Aubrey Smith, all top pros.Mildly entertaining, notable for Eddy's vocals.
Neil Doyle MGM gave NELSON EDDY a chance to co-star with someone other than JEANETTE MacDONALD, but they gave him a lumbering musical about a Russian prince who disguises himself as a commoner in order to woo a princess. It's the kind of story done countless times before and the only distinction here is the music.Nelson sings some rousing Russian numbers and is joined in song by the beautiful ILONA MASSEY, who looks like a younger, blonder edition of Marlene Dietrich, sunken cheekbones and all. Given the complete glamor treatment with glossy MGM close-ups complimenting her vivacious good looks, Massey has what seems a contralto singing voice and not quite the soprano the songs want her to be. Neverthelss, she makes a striking picture opposite the robust baritone who is in excellent voice here.As usual, there are comedy moments to lighten the rather dark story set against the Russian revolution, and these are handled rather indifferently by Frank Morgan, Charlie Ruggles and George Tobias. Sharp-eyed movie fans can catch a glimpse of actor Phillip Terry who is kept mostly in the background during the cabaret sequences.Overall, it's a cumbersome story, with a predictable outcome, that takes too many long stretches between songs to tell a rather tedious story of lovers separated by their politics.
kinder-1 Nelson Eddy and Ilona Massey Make a handsome couple in a gorgeous setting. Ilona portrays an anarchist in pre WW1 Russia who falls in love with a Russian prince, played with strength and humor by Nelson Eddy. Their duets are pleasing, and Nelson sings magnificently in Russian, German, French and English. The black and white photography captures the period and costumes well, and the two stars are so strikingly similar in looks, they could easily be siblings. Nelson demonstrates once again, what a loss he was to opera, but how fortunate to have him on film and hear that magnificent baritone.