GamerTab That was an excellent one.

Nonureva Really Surprised!

Griff Lees Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

Billie Morin This movie feels like it was made purely to piss off people who want good shows

calvinnme ...the original version of Dirty Rotten Scoundrels, a 1988 comedy. I just saw the original again for the first time in years and found this tale of two competitive French Riviera con artists fleecing rich women a charming, polished delight.David Niven is perfectly cast, bringing his charm and droll humour to the role of the wealthy, well established con artist, working in collaboration with the corrupt captain of police, to suavely pluck the rich female tourists arriving in his affluent but small Mediterranean town, without their ever knowing that they have been plucked. Along, though, comes a brash American con artist interloper (Marlon Brando), threatening to spoil the pickings for Niven. From there the story takes off.The film looks like parts of it may have been filmed in the Riviera, adding considerably to the sunshine kissed affluent atmosphere of this handsome production. And there is often some rather clever dialogue. At one point Brando, in talking to the French town police officer, says, "She caught me with another woman. You're French. You understand." "To be with another woman, that is French," replies the Frenchman, "To be caught, that is American." That same line of dialogue, by the way, would re-appear in the remake (Stanley Shapiro has writing credit on both films).Niven brings his expected aplomb to his role. Did any actor ever look more at home in a white tuxedo? But Brando is an unexpected pleasure to watch in this film, as well, gleefully leaping into the role of the lower class brash Yankee ready to exploit the gullibility of innocent women. At one point Niven says to him, "By no stretch of the imagination would I associate myself with someone like you. You're crude." "Well, so is oil until you refine it into high octane gasoline," says Brando, wanting to be taught all the tricks of sophisticated film flammery at the hands of an old master like Niven.Both Bedtime Story and its Dirty Rotten Scoundrels remake are well worth viewing. Where the remake has an edge over the original, though, is in the casting of Steve Martin, who has a few sequences of physical comedy brilliance when he poses as "Ruprecht," Niven's brain addled "brother," who acts, at times, like he's almost half monkey. These scenes are hysterically funny, thanks to Martin. Michael Caine plays the Niven role in the remake, and he's more than fine.The real difference - the ending of the original shows the remaining romance of the production code era, that love can flourish even under the most lurid of circumstances. The remake's ending shows all the cynicism that you would expect in a post-Watergate, post-Vietnam world. Both endings work well. I'll let you watch and find out what I mean.

bjshoes Between this and Guys and Dolls and the Godfather parody w/ Mathew Broderick, Marlon showed that he could be very funny. Sort of like Errol Flynn, I wish he had been given more opportunities.I have looked in vain for this on DVD it was supposed to have been released a couple of years ago, I'm not sure what happened.As noted many will be familiar with the remake (Dirty Rotten Scoundrels), though I prefer the original. There is a priceless scene where Marlon (as Freddy)is caught with his pants off after seducing the burgomeister's daughter in a German town. He explains that he is part of the new Exercise instruction program and he begins doing calisthenics as he makes his exit.I also liked when David Niven and Brando first meet and realize that they are competing in the same line of work albeit at different levels.Highly recommended.'shoes

theowinthrop This film has a history of name confusion to rival Hitchcock's SECRET AGENT, SABOTAGE, and SABOTEUR, or HERE COMES MR. JORDAN, HEAVEN CAN WAIT, and HEAVEN CAN WAIT. There is a 1941 comedy with Loretta Young and Frederic March called BEDTIME STORY about Broadway theater people. Then this film was created in 1964, and marked the only time David Niven and Marlon Brando co-starred in a comedy. Then the 1964 comedy was remade in 1988 with Michael Caine and Steve Martin in the Niven and Brando film, but was now called DIRTY ROTTEN SCOUNDRELS. That is the title that shall always be recalled with this story, especially since it has been turned into a successful musical show in London and New York City. Truth be told, I favor the 1988 version, because the two male leads manage to squeeze more reality out of their characters than Niven and Brando did. Brando had too much intelligence for playing the slovenly conman Freddy Benson, while Steve Martin showed his intellectual limitations far better. Niven got carried away showing Jamieson's intellectual philanthropy (from the proceeds of his swindles), while Caine took the same material and showed it for what it really was - an emotional hobby. That said the 1964 film was good within it's own limits (not notable for nearly a quarter century). The only other alteration was a final surprise which makes the remake much superior.Lawrence Jamieson has set himself up in a mansion on the gold coast of the Riviera, and attracts wealthy women (with the assistance of the local police chief - who is in his pay). He convinces wealthy women (pretending he is doing it in a noble cause) to give him thousands of dollars for the purpose of freeing his country from the tyrants (it is obvious he is supposed to be a deposed Balkan monarch, fighting the Communists). The con is perfect, and the machinery is well oiled. But along comes Freddy Benson, an American conman, who threatens to ruin the con Jamieson sets up. They try to work together for awhile, but Jamieson sees Freddy as an apprentice (at best a junior partner) and that irks Freddy. So they set up a bet - winner takes over the local Riviera town as his preserve. They will both go after a new target, and whoever gets $10,000.00 from her first wins. Soon, a young American woman (Shirley Jones) shows up as "the American Soap Queen". Freddy pretends that he is a soldier suffering from some psychological shock that has left him crippled (he is actually spoofing, in part, his serious performance in his first movie THE MEN where he was a crippled war hero). Jamieson pretends he is a famous Vienese psychologist who Freddie claims he has tried to contact. And the film gets into a series of feints and pretenses that both men play on each other (to get them out of the way while they work out their wiles on Jones). Jones is a perfectly decent type, who gradually is very attracted to Brando. SPOILERS COMING UP.It turns out that Jones is the winner of a big contest from the American Soap Company, and she is not a millionaire. Niven learns this first and then Brando. But Brando has slowly gotten to like Jones too, so he ends up returning to America with her as her husband. Niven accepts that he must struggle on as a bachelor to the end - and heads back to the glittering life of the Riviera.That is not how the remake ended. Jones' character turned out to be a very successful female con-artist, who beats Caine and Martin. Caine, of course, fully appreciates the artistry of the woman (Martin's just angry), but she returns, as she sees both men can be useful partners to her schemes (especially the smarter Caine). So the three of them go after their rich prey with glee at the end.The remake had the better ending...hand's down! It kept the surprises coming up to the conclusion of the film. But the original had some nice moments. Brando playing the silent assistant to Niven as his apprentice has to play a half-wit brother Prince to Niven's exiled King (Prince Rupprecht), who wears "Napoleon" suits. He also, towards the end, does a nice brief imitation of Niven as the art and culture lover, admiring a "Stradavarius violin". The Chief of Police helping Niven also has an interesting plan to get rid of Brando with a gun whose fingerprints will lead to a weird historical dead end (you have to hear the plan to understand it). So I would recommend the film as a worthy comedy, but one that eventually was far improved upon.

Jack Dallas A young trim Brando as Freddie Benson, shows his comedic talent and versatility in this movie classic. David Niven plays the suave sophisticate role better than Michael Cane. Dirty Rotten Scoundrels was a good comedy, Bedtime Story (the original) was even better. BTS was so good someone thought they could do better. It's a shame that the many people I have talked to who love DRS didn't even know it was a remake of this excellent film. Brando's scheme at the beginning of the movie to seduce the beautiful peasant girl by aging a Poloroid picture of her farmhouse claiming it was the home his grandmother lived in gives some insight to his character. The fact that Brando is just in it for the sex and Niven is doing it for big money sets the plot for the rest of the movie. Niven sees this interloper as a threat and we are off to the races for the rest of the plot. Both Michael Cane and Steve Martin did a good job in the remake but the Brando/Niven combination is unforgettable. Too bad it is not available on DVD for the US market. A British PAL version was released in 2004. I hope the US-DVD is not far behind.