Betrayal

2003 "A deadly game of wits."
4.3| 1h30m| R| en| More Info
Released: 01 August 2003 Released
Producted By: American World Pictures (AWP)
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

When one of her hits goes wrong, a professional assassin ends up with a suitcase full of a million dollars belonging to a mob boss.

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Reviews

Glucedee It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.
filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
Pepper Anne Yes, Betrayal is a B-thriller. Though, the opening sequences hint a sort of 80s made-for-TV movie quality, which this movie might've done better as. That, or, if the writing had been strong enough, a psychopath exploitation movie of the 60s and 70s. Instead, Betrayal is poorly written, and at times, poorly acted.Here, the stories of two groups of people collide. On the one hand is the seductive Jayne, a ruthless hit-woman who settles a contract for a mob boss, but then decides to run off with money meet her partner somewhere in Texas. She's quick with a gun and has a "nuclear weapon between her legs," so the henchmen have no easy task ahead of them trying to get to her. On the other hand, you have a seemingly quaint mother and teen son who are heavily in debt. So, the bonehead son (and this is not his first of flubs), having connections to street thugs, decides to help his mother by delivering some cocaine for a gangster. Only, he is jumped and the stash is stolen. And the gangster thinks that the son tried to rip him off (though, other than a drive-by shooting, he doesn't seem convinced enough to stick around looking for him). So his mother decides that now, they have to flee to Texas to stay with her mother. So of course, they cross paths with Jayne who concocts a story so she can hitch a ride with them. And now they have mafia, crooked cops, and the FBI on their tail... the chase is on.Only, despite the forced meeting of the characters, the movie might've been more enjoyable B-movie fare if the events transpired in a more believable way. Given, the scenes between the mother and son at the train station, you'd think it was just another day they were going to visit grandma rather than the necessity to flee from a gangster looking for his stash of cocaine. There are also several opportunities for them to escape from Jayne just as there are opportunities for the hit men to kill Jayne. As the movie progresses, things proceed almost haphazardly as though it were a light dress rehearsal. In absence of the budget for greater action sequences like chase scenes and the like, the writing should have at least been much stronger.
manuel-pestalozzi Betrayal is a B movie all right, but it has a plot with interesting angles and delivers good entertainment, some suspense and many hilarious moments. The main character is a teenager with a low IQ but a high sense of responsibility – in short an Anti James Dean. His mother, a single mom, is totally broke and he wants to help them get out of their misery. So he takes on a job: delivering bags he does not know what's in them. Even the first delivery goes wrong because the boy wants to help a guy who is writhing and retching on the ground. It's a trap and the boy sees the bag snatched away from him because he showed empathy.He goes back to mom, after a while the gangsters shoot into the house and the boy tells his mom everything and says that he is sorry. Mom says it's bad, but that she is even MORE sorry than he (this exchange seems to be inspired by Dr. Strangelove and is repeated several times throughout the movie). They decide to flee to granny who is living far away, but have not the money to buy a train ticket. Luck strikes as in the queue in front of the railroad ticket office they meet a sexy young lady who says she had her driver's license removed, wants to travel to the same destination and offers them to finance a rental car )which is terribly unreliable, as it will turn out). Big, big coincidences, but not entirely impossible or unbelievable.The sexy lady is, of course, a contract killer who carries millions in cash in her aluminum suitcase and is pursued by the police and the mob she stole the money from. Mom and son are used as a shield, and the son gets some sexual education on the way. That this weird triangle works so well can be credited to the involved actors who do a good job. Especially Jeremy Lelliott is very convincing, he is quite likable and displays the necessary goofiness for the part.A lot more happens in this movie, coincidences abound and the good people win in the end. My favorite scene is the son's coming home to the deserted house he and his mom supposedly have left for an undetermined but certainly pretty long time. He carries the aluminum suitcase with its precious content and is pursued by the mob, the corrupt police, the honest police and the sexy lady who is a killer. But he quietly goes to the fridge, takes out a ready to eat dinner and switches the TV on, where just that moment, just on that channel there is some news about the mob, the sexy lady killer, his mom and their exchange. Speak of an ideal situation. Life really should be that way, sometimes.You single moms out there, take an example from this movie, do hide a revolver in the exhaust hood of your kitchen too – just in case. It might come in handy, as Betrayal amply proves. And the gun will remain well greased over any length of time.
gridoon Julie Du Page, as a sexy, efficient assassin who likes to strip down to her lingerie before killing her victims (well at least they die happy), is a large part of what makes this movie work. She effortlessly switches from sweet to ice-cold to aggressive, and she knows how to use her sensuality to work over Erika Eleniak's teenage son. Erika, as a divorced mother with financial problems who makes the wrong move by giving a car ride to Julie, appears to be a little bland at first, but as soon as the life of her son is put in danger, she turns into quite the wildcat. Given all the build-up, however, the final confrontation between the two women could have been longer. Also, the script seems to be running around in circles for large periods of time. But overall "Betrayal" (or "Lady Jane Killer" - a much better, less generic title) is not a bad little movie. (**1/2)
lawfella Spoilers ahead. Suburban single mom and her teenage son get entangled with a seductive mob hit woman, who is trying to run off with the mob boss's money. Features your usual assortment of corrupt cops and mob tough guys chasing our heroes and trying to get the money back. Sure, a routine plot, but this one is better than average, mostly because of superior acting. Erika Eleniak is totally adorable and convincing as the mother. She is no longer a sexy young thing, but it looks like middle age is really going to agree with her. Best acting honors though go to Jeremy Lelliot, who convincingly plays her son, and carries the film. This character is the hinge for most of the story's development, and a lesser actor in the role would have destroyed the movie.Oh, and of course there is as always one of those Baldwin guys in some role or other. The Baldwins ought to get their own union -- but they probably don't need it, as it already seems to be a rule in Hollywood that you need at least one Baldwin in every movie. Feh!Anyway, the dialogue and action really move this film along. Pleasant and diverting, good for an evening's entertainment.

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