ManiakJiggy
This is How Movies Should Be Made
Beystiman
It's fun, it's light, [but] it has a hard time when its tries to get heavy.
mraculeated
The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
bkoganbing
Tom Keene plays a US Deputy Marshal undercover with a pair of raffish sidekicks
Julian Rivero and Ernie Adams who sign on to William Welsh's ranch to find out
who's been doing the cattle rustling. Rochelle Hudson is Welsh's daughter and
she kind of likes Keene. But the next door neighboring ranch is run by Marie
Wells who's boss lady of the rustlers and the ranch is a blind. In fact Keene's cover is nearly blown when he drops his badge. Why would he
not store the badge in a safe place until needed is a mystery best explained in
a seance with the writers.A lot of the comedy is Falstaff like as Rivero and Adams who don't know they've hooked up with a marshal keep padding their outlaw resume. They
can be pretty funny at times.Decent horse opera for the front row kids of 1932.
boblipton
Another decent Tom Keene western in which he must help the pretty gal hold onto the ranch. In this case it's Rochelle Hudson, like Keene a dedicated actor who never quite made the transition to the top ranks, although both are kindly remembered by the fans.These early RKO B westerns (in fact, Radio-Pathe, with the Pathe rooster crowing atop the world) are technically interesting pieces. They are simply plotted and written, but with plenty of real talent behind the camera and the prints that show up on Turner Classic Movies show off the fine cinematography of Ted McCord and daring stunt work of Yakima Canutt. Fans of the singing cowboy subgenre should have a look, because this is how they started, with the rough buckaroos relaxing at the camp fire or serenading a senorita.
