Steineded How sad is this?

Peereddi I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.

Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Hans-56 When it was released this film caused a sensation. I watched it and was thrilled. Beautiful, usually young, naked women filmed in the classy style we knew so well from director Hamiltons photography. His photographs never become porn and the same is true for this movie. Today I saw it again and was bitterly disappointed. The soft core in extremely slow paced scenes, all filmed with some Vaseline on the lenses, actually is all there is. There is no real story, the characters remain beautiful and beautifully filmed bodies, but they are not real creatures with a soul. Actually nothing happens. It is like Hamilton is photographing using moving pictures rather than stills. And this gets so boring after a while. I even didn't watch the whole thing the second time, for I fell vast asleep. That is all that remains of this masterpiece: it is a very good sleeping pill. And you will never become addicted to it!Back then 7 out of 10, now 3 out of 10

lazarillo Sometimes my quest to see every notorious European sex film from the 70's leads me very far afield--and sometimes it just leads to a lot of boredom. I saw this film back-to-back with Catherine Breillat's directorial debut "Un Vrai Jeune Fille" (Breillat was co-writer of this film as well). Both are very pretentious, but while "Jeune Fille" is genuinely disturbing yet also realistic in a strange way, this film is simply dull and rarely rises above the most generic level of male fantasy. The director David Hamilton, depending on who you ask, is either a brilliant photographer or an incorrigible pervert. His main subject of interest was capturing adolescent and post-adolescent females at their most nubile. He's definitely in hog heaven at the beginning of this film which is set at a French girls' school the protagonist is attending. This apparently is a VERY liberal school where the students freely skinny-dip, openly engage in lesbian frolics, and even put on Greek plays for their families wearing nearly diaphanous togas that barely cover their lissome bodies. Naturally, ALL these girls are model beautiful. It's probably best not to wonder how old some of them were at the time, but the lead, American actress Patty D'Arbanville, was actually in her mid-20's, although she looks younger.As questionable as the first half hour may be though, it certainly achieves it effect (it's surpassed only by the "Barthory" section of Walerian Borowzyx's "Immoral Tales" in its sheer gratuitous display of nubile skin). It's really the second hour that's the problem. D'Arbanville's character "Bilitis" goes to stay with her ridiculously young female "guardian" (Mona Christensen) and the latter's unfaithful, brutish husband. "Bilitis" falls in love with the (slightly)older woman and they have a long lesbian sex scene. The guardian spurns her afterwards, but "Bilitis", taking it like a trooper, decides to try to personally "find a man" for her after her husband walks out. "Bilitis" also has a would-be beau herself, a young photographer (just like the director, hmmm). Respected actor Mathieu Carriere also shows up as one would-be suitor for the "older" woman, but I THINK he's supposed to be gay. The film ends with EVERYONE left pretty unhappy, which is really the only place the downbeat influence of Breillat shows through the soft-focus schmaltz of Hamilton.Although he is the polar opposites in his taste in women (Hamilton's actresses rarely have enough fat on their young bodies to make for more than a B-cup), David Hamilton is a lot like "bosomaniac" American director Russ Meyer in a way. No heterosexual male can honestly say he is turned off by bountiful breasts OR nubile 18-year-old bodies, but if you don't happen to share either of these director's obsessive personal fetishes, their work gets kind of tedious after awhile. This movie would have been vastly improved , for instance, if the guardian had been played by a voluptuous older woman instead of another young nymph like Christensen. (It's not that I really advocate inter-generational lesbian sex, but if you're gonna do it, do it right). I'd definitely recommend this for David Hamilton fans, but otherwise, ehhhhh.

Nazi_Fighter_David Bilitis (Patti d'Arbanville) attends an all-girl school that is about to break for summer... Once on vacation, Bilitis comes to hold with her developing sexuality and strikes up a romantic liaison with a local boy… A secondary romance concerns Bilitis' female guardian and her new husband… The treatment of sensuality is soft and beautiful, which is in keeping with Hamilton's style of photography… At the beginning of the film, we see the sweet, sensual bodies of the schoolgirls exuberantly bathing in a mountain lake… When Bilitis is finally seduced, it is exaggerated romance, heavily diffused, implying rather than showing their coupling… The lovemaking between the married couple is equally stylized, but more steamy

ghent1 THis is the debut film of D. Hamilton, a very well known photographer from the seventies. Contrary to the other commentator I found this a marvelous film, but you have to look at it from a certain perspective. If you look at this film searching for a good script, for profundity of conversation, for strong acting (genre "Cat on a ht tin roof"), this film will not appeal to you. But if you look at it like looking at a Monnet painting, listening to Debussy music or reading M. Proust, in essence, if you drink its simple, uncomplicated impressions, listen to the sublime music, watch the beautiful and stylish shots, enjoy the sensuality in the film without too much looking for sense in everything, the film is truly beautiful. In short: if you look at it like you look at impressionist art, not looking for all sorts of plots and hidden messages, but just to enjoy its simple and straight forward beauty, you will be drawn into a wonderful world and afterwards you'll be longing to live in that world of flowers, fresh life, warm summer in the country, swimming in the sea, having your first love etc...