Hellen I like the storyline of this show,it attract me so much

SunnyHello Nice effects though.

Keeley Coleman The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Benas Mcloughlin Worth seeing just to witness how winsome it is.

tohu Like most of the other comments on this film, mine is not going to be a 'review'. People wanting to know what BTK is 'about' won't get much from the next few paragraphs. Rather, this is a personal tribute - a trip down memory lane and a celebration of a film that meant a lot to me in its time.Because Yep. I'm another one! I was a teenage snooker addict of the 80s, greedily watching every shot broadcast (and so many were in those days) who couldn't believe my luck when this film came out. And I remember sitting up bleary-eyed to watch it on Channel 4 that late night sometime in 1986 or 87. I too taped it on my family's old VHS video recorder.... but I went a step further than most here and actually transferred it from there onto a maxell audio tape (yes, by sitting the tape recorder in front of the TV and remaining very quiet while it recorded!) so I could listen to it in my bedroom as well! Well that video has long gone - but believe it or not I still have that audio tape.... somewhere. (not that I need to listen to it. The lyrics and sounds are seared into my memory, so many times did listen to it back then!) And yes, how fantastic it is to come on here and see so many good friends talking of their similar experience. Oh if only the internet had existed back then - we could all have found each other on some online fansite and become friends, rather than believing (universally it seems) that we were isolated; that we were alone in our devotion, that we were, perhaps, "The One"! Ah well. Perhaps it's best that it wasn't submerged in an internet community as films are today. It was frustrating not to be able to share our joy widely (untiol now). But there was something 'pure' about enjoying it alone. It was of its time. It's been a long time to wait. But this board has proved that, to the small number of us who saw it in the mid 80s, this film will always remain a truly unforgettable little gem, with some of the most outrageously delicious dialogue I've ever heard: "This location is not capricious." Superb! :)

neilkendall It's on DVD! (At last I can bin my beta-max tape.)I tried a few years ago to put together a stage version of BTK&GBV but it was quite some task trying to work out who held the performance rights. When I spoke to George Fenton (the EXCEPTIONALLY talented composer) he was flattered by my interest in the score but had no idea if there were any copies still in circulation. Obviously I was disheartened not get any further with the project but worse still is that the film print seemed to have disappeared as well. Thank goodness the DVD has now appeared.The cast is an interesting selection of talent, mostly seen on British TV rather than the movies. Never the less, an highly original musical - performed with GUSTO!

White-3 Nope, you're not alone.. I too loved this film, originally done as part of the Film Four franchise I believe. But after I'd seen it once, it sank without trace and seriously was beginning to believe after 13 years that I'd dreamed it all. I loved the absurd *idea* of a musical about snooker, I loved the songs, I loved Don Henderson's Wednesday Man.. marvellous film. I hope I see it again one day.

nick wass A strange little film that never made it at all. It deserved, perhaps, to develop something of a cult following, but this hasn't happened and the film will now, perhaps, slowly vanish from view forever.Based on a strange and sometimes bewildering snooker match, this musical was never going to make it in the US. Why not? Well, they don't play much snooker in the States for a start but more to the point the film's two main characters are based on Ray Reardon and Jimmie White. These names are very familiar in the UK thanks to extensive snooker coverage on the television, but totally unknown in the USA.I don't think Clarke was ever really at home directing this movie. It just isn't really his thing - a musical about snooker. He attempted to work in many more optical special effects but most of these were taken out in the final cut - a pity as some were so tongue in cheek that they might just have given the film a better chance of gaining a cult following. Clarke seemed, in the end, to err on the side of caution which is, perhaps, the failing of this film.