Black

2009
5.2| 1h55m| en| More Info
Released: 14 February 2009 Released
Producted By: Chic Films
Country: France
Budget: 0
Revenue: 0
Official Website: http://www.blacklefilm.com/
Synopsis

A Senegalese bank-robber born and raised in France is getting over a disastrous heist. As he considers going straight, his cousin calls him from Dakar with an easy opportunity.

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Reviews

Libramedi Intense, gripping, stylish and poignant
Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Griff Lees Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
Michael Ledo The beginning of the story opens with a prophet spouting crazy prophecy about the Snake, the Lion and the Panther. Black (MC Jean Gab'1), our would be criminal ignores them. Eventually he hooks up with his cousin in Dakar about some diamonds being kept in his bank vault. The diamonds are used as a pay off to a dishonest bank president who launders money.As it turns out, Black is not the only person who has an eye on the diamonds. The film becomes a lion and snake movie, the African version of cat and mouse as Black hooks up with Pamela (Carole Karemera). During the film I keep expecting Richard Roundtree to pop out at any moment. It had that 70's feel. Good moving plot. Minor humor. Guys with Russian accents are the bad guys. Some weird stuff tossed in. Parental Guide: f-bombs, sex, nudity.
gridoon2018 "Black" is a slick modern French action flick that tries to put a fresh spin on the genre by including elements of black magic, ancient prophecies, man-animal hybrids, etc. It largely works, until the climactic sequence which is, frankly, disappointing: it's supposed to be "lion & panther vs. snake" (you'll understand), but the panther goes out of the equation early, and the lion vs. snake fight is shot in near-total darkness and with quick cuts, making it practically impossible to see what's going on. But other action scenes are more exciting - one or two huge explosions are impressive. The powerful-looking MC Jean Gab'1 (yeah, that's his name!) and the very sexy Carole Karemera have a fleshy, electric chemistry; other assets to the film are the unusual setting (Senegal), and the 1970s-blaxploitation-style music score. **1/2 out of 4.
kosmasp This movie is not entirely an action movie. It's not a fantasy either. It's a weird hybrid, that might leave people confused, about how they should feel about it. I watched it at the Fright Fest in London and liked it. Despite it's late hour showing (which got even later, due to an unplanned screening of something else), the movie still was great. I could hold my attention, despite me and others being really tired and held us til the end.There are many action scenes in this movie, but there is also a lot of supernatural things going on. The main actor is really strong (in his performance) and almost everybody else falls in his shadow. A movie that bears a second (or more) viewing!
Llakor Black (2009) IMDb Fantasia Directed by Pierre Laffargue Written by Pierre Laffargue, Lucio Mad and Gábor RassovAn African tribal shaman is ranting on a street corner in Paris about a prophecy concerning the rise of the evil Snake and the need for the champions Lion and Panther to come together to beat Snake. While crossing the street, the shaman's eyes lock on the eyes of a garbageman with a lion birth-mark on his right cheek. The shaman declares that this man is Lion while the garbageman humours him to get him out of the way of the garbage truck.The man with the lion birthmark is Black (played by French rapper MC Jean Gab'1 - probably best known to North American audiences for playing Nico in District 13.) Black is disguised as a garbageman, on his way with a crew to rob an armored car. After this heist goes disastrously wrong, Black is hiding out at home when his cousin from Dakar calls to tell him of a briefcase stored in the safety deposit of the local bank filled with diamonds. Black puts together another crew and heads for Dakar to steal the diamonds..."Did you think you could just come to Dakar and steal the diamonds from the stupid Africans?" Black is asked at one point. Black's journey is nowhere near that simple.Director Pierre Laffargue effortlessly quotes other films and genres while keeping Black its own movie. The film literally goes from Dassin's Rififi to Mamet's Heist to Kramer's The Defiant Ones to Peckinpah's The Getaway in dizzying succession, but all these are just masks for what is at its' heart an African story.Black's journey from Paris to urban Dakar and from there deeper into the heart of Africa is punctuated by an amazing soundtrack. From the opening credits, where we follow Black's garbage truck through the highways of Paris while a slow smoky jazz cover of Also Sprach Zarathustra plays, the soundtrack ably serves the film - slowly transforming from cool Parisian jazz to more African beats, mirroring Black's transformation from cool Parisian bad guy to tribal African hero.If MC Jean Gab'1 keeps getting scripts and direction like this, he could become a great film action hero. He has both the charisma and the the acting chops. At least in this film, he also has a flexible definition of action hero, using guns (small and large), grenades, knives and fists to win his fights, taking the weapons that are available to him and using them all with skill. Most importantly, he has the swagger. He truly believes that if he isn't the strongest man in the room or the fastest, he is definitely the smartest. If the film has a weakness, it is that MC Jean Gab'1 is so good that he completely outclasses his adversaries. The only actor to keep up with him and match him is Carole Karemera as Pamela. François Levantal does his best in a part that could have gone dangerously awry and wrestles Lagrande just this side of too over the top, but Anton Yakovlev's Ouliakov is a cartoonish bad guy who wandered in from a Jean-Claude Van Damme film when a more nuanced Peckinpah bad guy was needed.Ultimately, the film is not about the obstacles that Black meets on his journey, it is about the journey itself and I strongly encourage you to hunt out Black to take that journey as well.

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