Blaze Starr Goes Nudist

1962 "A Nudist Starr is Born!"
4| 1h15m| NR| en| More Info
Released: 01 July 1962 Released
Producted By: Juri Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Blaze Starr is tired of performing the duties of a star. At a movie theater, she watches an advertisement for the Sunny Palms Lodge, only 30 miles from where she lives. She joins the place and finally can relax and enjoy nature as a newborn nudist. She drives her agent - who is also her fiancé - to distraction by ignoring scheduled "press functions" and spending her weekends at the nudist camp.

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Reviews

Brightlyme i know i wasted 90 mins of my life.
Edwin The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.
Skyler Great movie. Not sure what people expected but I found it highly entertaining.
Allissa .Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
Flak_Magnet Blaze Starr went nudist, all right, and it was a look that really suited this fit, 38-24-37 Burlesque topliner. Starr is a bountiful physical spectacle in this movie, and less the bizarro caricature (and stunningly inept actress) as otherwise similar Wishman compatriot Chesty Morgan (e.g. "Deadly Weapons," "Double Agent 73"). (Unlike Chesty, Starr was sizzling hot, and her ineptness as an actress is balanced by an endearing, even if hopeless, effort to be presentable). If you like campy acting, ridiculous dialog, and shamelessly naked people, this odd and somewhat charming sexploitation film is worth checking out. As a whole, this is probably Wishman's most polished movie, and the overall experience feels more the work of David Friedman ("Blood Feast," "She Freak," etc.), himself a friend of Wishman, than a typical Wishman film. Scenes flow naturally from one to the next, and the camera-work is heads-and-shoulder's above typical Wishman fare. (We're not talking high art, mind you, but at least scenes are framed and in focus). Similarly, Wishman's patent feet shots and bold-faced filler are largely absent. As expected, the story and acting are deplorable, but the film's innocent spirit and camp factor make for quaint sexploitation vintage. If you are curious about Doris Wishman, the "Female Ed Wood," as she is often heralded, "Blaze Starr Goes Nudist" is a solid choice. ---|--- Reviews by Flak Magnet
glennstg Doris Wishman (the film maker), in this film, managed to do the impossible, something that I thought couldn't be done. She made nudity *boring*! The movie is little more than scenes of naked people in the outdoors, doing mundane things like lounging around the swimming pool, strolling by the pond, playing chess... Zzzzzzzzzz. And since this was 1960, there's no full frontal nudity anywhere. The only part that really got me interested was "Leslie" demonstrating her swimming prowess in the pool. The rest of the film has the flimsiest of plots, something about Belle Starr wanting to get away from it all by escaping to the nudist camp every weekend, as her weasel-like fiancé/manager gets more and more irate. In the end, it all works out -- the final scene, the final meeting with the studio boss, was amusing (though I saw that one coming).
Eegah Guy This film is from director Wishman's less interesting early period of nudist camp movies before she totally wigged out later in the 60s. The unintentionally experimental compositions and editing that Wishman later indulged in are rarely in evidence here. One typical Wishman device that is on display here is the repeated technique of focusing on the person being spoken to during dialogue scenes which makes dubbing a lot easier. Blaze is all physical presence, with little personality and way too much make-up. Look for a cameo appearance by Doris as one of Blaze's agents.
CharlieHearse I never fully realized the pressures of being an actress. The story obviously hit so close to home that Blaze Starr just plays herself. Anyone who feels exhausted and disenchanted with their job or life in general will relate to Blaze's circumstances. The attention paid to the details is astounding. Never has a film stretched the musical montage sequence and make it work so well with the theme. This movie is nearly perfect. The only flaw was that it was too short.