Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Kodie Bird True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Yash Wade Close shines in drama with strong language, adult themes.

alexanderdavies-99382 This follow-up comedy to "The Belles of St. Trinian's" is not too bad, considering that most sequels aren't usually too good. It is a good thing that Terry Thomas is given "leading man" status as he was an effective lead. Alastair Sim reprised his role of Miss Fritton from the previous film and only has a few minutes of screen time. For those who know the plot, the girls of that notorious school manage to con their way into going on an exchange trip to Italy. Once there, the usual shenanigans result. Lionel Jefferies does well as the convicted father of one of the schoolgirls. George Cole and Joyce Grenfell reprise their respective roles and it's good to see them. The laughs are a bit thin but the cast make this one worth the viewing.

Leofwine_draca BLUE MURDER AT ST. TRINIAN's is the 1957 sequel to THE BELLES OF ST. TRINIAN'S and a definite improvement on the first stodgy movie. Alastair Sim is missing (for the most part), but his absence is more than made up for with a whole host of British comedy stars making this something of an ensemble affair. It's also a globetrotting adventures, taking the unruly pupils out of their school to wreak havoc on the continent instead.BLUE MURDER boasts a decent pace, plenty of workable gags and some inspired direction from Frank Launder, who seems to have had a shot of adrenaline pumped into his arm since he helmed the first flick. There are some great set-pieces here, including the water volleyball match and the robbery, all strung together by a preposterous but amusing narrative.While the likes of George Cole happily return to the fold, the real fun comes from the new stars present: a typical turn for Terry-Thomas and an inspired bit of cross-dressing from Lionel Jeffries, no less. Plenty of familiar faces appear in little roles too, including Terry Scott and Michael Ripper, and as a whole the production has the same lightness of touch and tone as the CARRY ONs of the era.

bob the moo With Miss Fritton locked away in the school basement, and the army laying siege to the school grounds (with a great deal of resistance), Flash Harry is abroad promoting the `St Trinians Marriage Bureau' to a wealthy Italian Prince. However he has to visit the Prince with the girls. He manages to cheat in a competition that allows the school to tour to Rome and they're on their way. However one of the girl's Dads is a diamond thief who tries to escape capture by dressing as their headmistress and smuggling himself out of the country, bringing the attention of the law to bear on the already suspect group.Not one of the best of the series of movies, but still this stands up as a good British caper movie, with a strong cast of British comedians on board. The plot is thin at best and relies on the fact that no-one can tell the difference between sexes after a little bit of cross dressing…..well, I suppose Shakespeare did it all the time and it worked for him! Much of the comedy draws from slapstick or seeing girls fight, but there are some good lines and characters – Michael Ripper's working class liftman is my favourite.George Cole plays Harry well – in fact he was born playing cockney rogues (eg Cottage to Let), kept playing them (St Trinians ) and got old playing them (Minder on TV). The wonderfully British Joyce Grenfell is good again as Gates, while the support cast is rich in talent – Terry Thomas, Lionel Jefferies, Terry Scott and Alistair Sim. The girls are a little iffy , the young ones are clearly children and play rough little warriors, however the older girls (i.e. 16-18) are played by women of early/mid twenties. They're all dressed up in uniforms with stockings and suspenders showing and using their sexuality for all they can get – not more so than the great Sabrina. However in today's climate where any hint of teenage sexuality or pedophilia sparks a media frenzy, this sits a little uncomfortably – there's certainly no way this could get made today!Overall it's enjoyable if basic – there are better movies, but it's worth watching once.

Bernie-56 Not the strongest film in the ‘St Trinians' series, but nevertheless enjoyable for fans of mid-50s British comedy. It tends to slapstick at times, particularly the scene where the policemen are looking for the diamond thief – a straight lift from `The Pirate of Penzance'. The caste is the cream of British comedy at the time. Two mentions: a young George Cole, who went on to make a career of playing Cockney spivs, and Joyce Grenfell as Sgt Ruby Gates. The latter is a standout performance. Joyce Grenfell must surely be on of the finest female comedians of all time and the film is worth watching for her performance alone.