Boo

1932
5| 0h10m| en| More Info
Released: 01 December 1932 Released
Producted By: Universal Pictures
Country:
Budget: 0
Revenue: 0
Official Website:
Synopsis

A wisecracking narrator mocks footage featuring Frankenstein's monster and Count Dracula.

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Reviews

Ensofter Overrated and overhyped
SoftInloveRox Horrible, fascist and poorly acted
Tacticalin An absolute waste of money
Brennan Camacho Mostly, the movie is committed to the value of a good time.
preppy-3 A purportedly "funny" short. It uses footage from the silent "Nosferatu", Universal's 1931 "Frankenstein" and "The Cat Creeps". It shows these various monsters terrifying people as they do things. The narration is lame...very VERY lame! It's all supposed to be funny but it's not. The lines are supposed to be humorous but they're downright embarrassing. There's not one even remotely funny joke here and they're taking vicious jabs at the monsters themselves. To make matters worse they are CONSTANTLY repeating the same footage again and again and AGAIN until you're ready to scream. Each time it's introduced with some more terribly unfunny jokes. This is real cringe-inducing that is just insulting to horror fans and painfully unfunny to everybody. Universal should have kept this buried in its vaults.
utgard14 Corny short film put out by Universal that gently mocks Nosferatu and their own Frankenstein. There's footage from both of those films included. Why Nosferatu instead of Universal's recently-released Dracula, I don't know. They also include some bits from The Cat Creeps (1930), which is now a lost film. That's fun for classic film buffs. There's kind of a Pete Smith vibe about the short but it's not as funny as one of his. I'm sure it was a lot more amusing in 1932 than it is today. To be clear, I'm not saying it's bad. It's a pleasant enough way to spend ten minutes. If you're a fan of classic horror films, you will probably enjoy it more than most. But there's nothing special about it beyond the clips from The Cat Creeps.
Hot 888 Mama . . . knowing that with today's copyright laws designed to make rich people richer and put gazillions of bucks into lawyers' pockets from the scant savings of ordinary people and entrepreneurs, he could have SUED Universal Studios for COPYING HIS VOICE and speaking cadence in this 9 minute, 29.9-second horror movie spoof, BOO! (think an ancient template for the SCARY MOVIE franchise)? Under current law, anyone with the money for legal fees (think rich people and their corporations) can trademark catch phrases such as "Please!" or "Holy cow!" as well as ANY distinctive speech variation that deviates from a flat monotone as well as any jumble of letters forming a made-up syllable as well as any quirky body movement such as the "moonwalk" as well as any musical combination of two notes or more as well as most of the first names in the baby moniker tomes (think "Cher" or "Madonna") as well as any line of computer code AND SUE THE PANTS OFF any college kid's parents if the kid has any access to computers! Further, Hollywood has single-handedly gotten what was already an arguably too generous copyright period--originally 28 years--extended to 88 years and counting!! That's the irony of BOO!--Hollywood would not dare to make it today, due to its own crazy rules designed to terrorize the rest of us!
TheLittleSongbird To say Boo! is an oddity is an understatement in itself. This is a perfect example of something that is so bad it is good as it pokes fun at Frankenstein and Dracula(Nosferatu). It is true that Boo! is cheesy and lame somewhat, the pacing is rather rushed, the editing dated and the reference to woman automobile drivers rather on the sexist side, not to mention the enthusiastic if rather overdone narration. Nonetheless, it is a curious watch for the final line "you can milk a cow but a lobster is very ticklish", the so-bad-it-was-funny type of jokes and the corny haunting music. Plus it was nice to see archive footage of Frankenstein(hooray for Karloff!) and Nosferatu. Overall, by all means worth watching, but not something I would recommend highly. 5/10 Bethany Cox