Hellen I like the storyline of this show,it attract me so much

Billie Morin This movie feels like it was made purely to piss off people who want good shows

Ava-Grace Willis Story: It's very simple but honestly that is fine.

Francene Odetta It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

FilmBuff1994 Boomerang is a very poor movie with a storyline that never really goes anywhere or gets very interesting but a good comedic cast.I felt like they thought they were being a very different and unique romantic comedy,and while it isn't like any other one I've seen,thats not particularly a good thing.It goes on for way longer than it needs to and I didn't feel a lot of sympathy towards Eddie Murphys character,which is difficult because we follow him for the whole film and are expected to like and feel sorry for him.The best parts were the scenes between Eddie Murphy,David Alan Grier and Martin Lawrence,they seemed to enjoy each others company and clearly got to improvise their lines together,which was great because the scripted scenes are not very funny.It has some good moments,but Boomerang dosen't succeed very much as either a comedy or romance and I wouldn't recommend it to anyone. An ambitious,womanizing ad executive meets his match when he gets involved with three different women.Best Performance: Eddie Murphy Worst Performance: Eartha Kitt

brooksduane54 The Eddie Murphy romantic/sex comedy "Boomerang" is, quite simply, a thorough and total joy. Murphy portrays longtime womanizer Marcus Graham with his usual charm and poise. Halle Berry is absolutely appealing and absolutely warm as the girl who prompts Marcus to clean up his horny act. Martin Lawrence and David Alan Grier provide ingratiating and stylish buddy-support. Lela Rochon and Eartha Kitt are, respectively, magnificently kittenish and magnificently cougar-ish as women with whom Marcus scores. Yet the film's greatest asset, its leading lure is Robin Givens's portrayal of Marcus's boss/female counterpart Jacqueline Broyer. She is by turns sexy and stylish, sultry and commanding, seductive and polished. We immediately see why Marcus falls under her spell and, when she dumps him, not only do we not turn against her, we admire her independent spirit and her no-bullshit attitude. Really and truly, by and of itself "Boomerang" is a sexy, charming, absolutely joyous romantic/sex farce; with Robin Givens on board, however, it achieves genuine cinematic greatness.

elshikh4 What this movie is about? The story of a liar who lives a lying world then finds truth finally? A lover man who's torn between 2 different women? The friendship of 3 guys? Actually the movie itself doesn't know otherwise it could've been more coherent, enjoyable and complete.OK, it's a story of a man who sells everything until he himself becomes a merchandise to be sold. And as a romance, supposedly romance !, the movie pushes this lead to learn about himself as lost person without real love in his life. BUT this movie so lousily sinks itself in a lot of details, un-comic characters, many conversations before hitting the right nerve.It was too late for (Halle Berry) to discover that she loves (Eddie Murphy) or that he loves her; it seemed a desperate attempt for making a third act more than being the movie's main core for god's sake! Not to mention, the matter of so ugly (Robin Givens) on screen, portraying a femme fatale as well ??!! The inhumanly dreadful sight of (Grace Jones) who's one of a few emetic people I've watched in my entire life. The long conversations scenes which with the tepid, nearly dead, direction so the truly dull pace the whole thing looked close to pointless for most of the time. Many characters like (the mail-boy "Chris Rock", the mad model, the French artistic director, the old-deceived neighbor, the friend's parents, or even the annoying employee of the clothes store…) all of them took more time on the screen than what the original story, any original story, did take or should've taken.I pitied the charming and talented young (Berry). Although, she was a perfect princess of innocence, but this dumb script and that endless digressions wasted her utterly. The movie didn't give her space to appear right, or to appear right as someone would love the lead (she advised him how to seduce her boss by Jazz !?). I think that it must've been clear to her, so somehow us, how she got something for him from the very start, and how she must take over the screen at least since the second half. Instead of that they threw some real naive stuff to her (like the clueless first dialog between her and Murphy), and treated her like minor character (the heroine's sidekick) all along to suddenly remember her just before the very end! Although the intense performance that she delivered at the scene of her emotional explosion was the best, most strong anything, of this movie.. still one of the worst movies she was in!After many hits in the field of action and comedy, why not (Eddie Murphy) takes on romance. It was a bold attempt. Yes, he's a good actor along with being big star, but the movie wasn't that good (the word is : broken up). I think it got something with (Murphy) himself as the story's writer, and maybe his fear that the movie could be just romance without comedy, to end up as jammed comedy with not-real-laughs that belated the romance if not suffocated it. I loved a few of his moments here; on their top of course is the shot in which he finds the money for his "fatigue" besides the bed from his female version who's now treating him like a whore, notice how Murphy – silently – pulls the sheets on his chest, sad with weak feminine look in his eyes; actually with wicked little reactions he mastered like these, he's one of few comedians who can make comedy brilliantly with or without talking.Anyhow, it seemed like many incomplete movies in one, or boring stray comedy. I know that it could've been nice romantic comedy but what I've watched was an ideal example for underdeveloped one or a movie with dysfunctional personality. I read opinions about (Boomerang) as "smart movie"… please, it's anything but smart! P.S : at one scene (when the lead was being dumped) we see the lights go off at the top of one skyscraper. At later scene (when the lead hugs his friends) we see the lights go on at the same skyscraper !??... Naaa.. Don't bother, it's part of this movie's naivety !

Isaac5855 One of Eddie Murphy's best performances in one of his least seen films was the 1992 winner BOOMERANG. This smart and sophisticated romantic comedy stars Eddie as Marcus Graham, a womanizing advertising executive who loves the thrill of the chase where women are concerned, but once he has completed the chase, he is ready to move on. His sexual exploits have made him the center of his circle of friends (Martin Lawrence, a paranoid racist, and David Alan Grier, an insecure milquetoast)who live vicariously through him and admire his style as the ultimate player. Everything changes for Marcus when he acquires a new boss named Jacqueline (Robin Givens), Marcus is enamored of Jacqueline, but is completely thrown by the fact that Jacqueline is a female version of himself, a player who avoids commitment and uses Marcus when it is convenient for her. Throw into the mix another co-worker of Marcus named Angela (Halle Berry) who is nuts about him, but he doesn't know she's alive. Everything works here and it is so refreshing to see a movie with a predominately black cast where the characters are people with brains and real jobs. Murphy exudes mass amounts of sex appeal in one of his best roles and Halle Berry, though allegedly playing a plain Jane, just couldn't come off that way if she tried. There are some wonderful comic bits contributed along the way by Grace Jones, Geoffrey Holder, Tisha Campbell, and the legendary Eartha Kitt, memorable as an aging cosmetics queen with the hots for Marcus. A winning and original take on the Battle of the Sexes that is entertaining from start to finish.