Lucybespro It is a performances centric movie

Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Isbel A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Edgar Allan Pooh . . . that title reference character Ralph Phillips is generally confined to his family's DISAPPOINTMENTS ROOM. Has he been bitten by a Zika Mosquito, and come down with Microencephaly? No. Has Lon Chaney tried to cast him as Lon Chaney III by bathing his face in acid? No. Was Mrs. Phillips knocked up by a Pachyderm, turning Ralphie into a budding ELEPHANT MAN? No again. Young Ralph is doomed to inhabit a metal cell in a turret because he cannot stop thinking like a Looney Tuner, envisioning the 21st Century Calamities, Cataclysms, Catastrophes and General Apocalypti in store for America. First, BOYHOOD DAZE features an ISIS Guerilla Gang trying to serve up American Tourists as Cannibalistic Hors D'Oeuvres. Then our Chinese nemesis attacks the U.S. with aircraft so advanced that they must be depicted as UFOs for 1950s theater audiences. Finally, an adult Ralph is thrown into a Maximum Security Federal Pen (after he's implausibly outgrown his DISAPPOINTMENTS ROOM). Wouldn't you want to chop down a few of the Trojan Horse-like Pearl Harbor cherry trees if all of this happened to YOU?

utgard14 Chuck Jones brings back his wonderful Ralphie Phillips character (voiced by Dick Beals) in this funny short. Ralphie previously in the classic From A to Z-Z-Z-Z, where he daydreamed in class about various heroic adventures. This time he breaks a window and is sent to his room, where his imagination once again takes over. A fun cartoon from one of the masters. Everything about this clicks. The writing is smart and funny, with a protagonist anyone who was ever a kid can relate to (sadly that doesn't cover everyone; some people were born old and miserable). The music accompanies the action perfectly. The voice work is flawless. The animation is crisp, colorful, and creative. Jones would use Ralphie again in the Adventures of Road Runner TV pilot. This is a beautiful classic, from both artistic and entertainment perspectives. Chuck Jones is my favorite of the Golden Age animation greats and cartoons like this are why.

rlanceceaser Perhaps it's just me and I wouldn't want to point fingers, but does anyone notice a remarkable resemblance between Ralphie Phillips and his daydreams in the old WB cartoons, and the Jean Shepherd character, Ralphie Parker, in the 1983 Bob Clark holiday pic, A Christmas Story? Seems to me that the daydream sequences in A Christmas Story may have been suggested or inspired by the cartoon... or was Chuck Jones influenced by Shepherd's writing? What came first?I was glad to see that the old cartoons had not been lost to the mists of time: I'd almost started to believe that I had concocted these cartoons and amalgamated them with the daydream aspects of Christmas Story.

boblipton Here we have yet another rarely-seen and under-appreciated cartoon classic by Chuck Jones. Ralph Phillips' three fantasies after he gets sent to his room for breaking a window are exactly the the sort of thing that any imaginative nine-year-old would think of, and the script is chock full of screwy lines like "My insurance will pay for the the window and use whatever is left over to buy yourself a catcher's mitt" and "You are being pursued by Martians who all got "A"s in Arithmetic" -- just the sort of vengeful daymares that every child who is regularly laughed at by his classmates would dream. It was so good that Jones managed one and a half sequels. Keep an eye out for this one.