Acensbart Excellent but underrated film

Tedfoldol everything you have heard about this movie is true.

SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Jason Daniel Baker Dodgy spiv record promoter Danny (Daniels) appoints himself manager for spunky but homely and not particularly talented New Wave singer Kate (O'Connor), fires her band and recruits a new one dubbing them 'Breaking Glass'. Immediately a spark ignites and Kate's position is improved as she finally has a band worthy of backing her. But that is far from all that is needed.Harried by drunken club goers, skinheads, police, striking workers and the excesses of the music industry they find their niche. Having sold out to a record company they are gradually played against each other by music executives and a sly producer (Finch). Danny is induced to quit. Gradually the rest of Kate's band quits or are fired and her music becomes more commercial but completely insincere.This examination of life in the recording industry from gruelling bottom to lonely top is very satisfying in a lot of ways. The inside dope on how record companies manipulate chart position is particularly amusing.

Graham Ellison Breaking Glass is an excellent movie which has suffered from neglect and wholly inaccurate political associations. This movie was written and made in 1978 and 1979 and released in 1980. Therefore it couldn't possibly be: "A truly excellent portrayal of 80s Britain".Nor does it depict life in: "Thatcher's Britain".In fact Breaking Glass depicts Callaghan's Britain, which was characterised by a deplorable catalogue of industrial disputes, strikes, high unemployment, and collapsing public services during the winter of 1978-9, dubbed the 'Winter of Discontent'.What this movie is, is one of the best kept secrets in British cinema history. And although Hazel O'Connor enjoys second billing to Phil Daniels who had just done Quadrophenia to great acclaim, she is one of the greatest talents we've ever produced. Indeed, Hazel shines as the real star throughout, possibly drawing on her own personal experiences growing up in Coventry following the break-up of her parent's marriage, which lead to her running away to Europe at the age of 16.I saw this film in the cinema the week it was released in the UK and I was stunned by both Hazel's singing and acting talent as well as that of the saxophonist superbly played (and dubbed) by Jonathan Pryce. That solo is a classic all on its own. Every feeling I felt at the time whilst watching this stark portrayal of human nature and the workings of the music industry has stayed with me until today.In many ways Breaking Glass suffers from being too current. All stories of social history work best when set in the past. Quadrophenia worked because it spoke of a previous period of disruptive British history - 20 years in the past. Also, there was already an undercurrent of opposition to Thatcher, but the country the Conservatives inherited from Labour on 4th May 1979 was a wreck. So it was perhaps convenient for some to use it as a metaphor for the greed and excess that was in fact still yet to come.See this movie and enjoy it for what it is: a landmark in British Cinema history and a brilliant one-off performance from everyone involved. And catch Hazel on the net, where she sells much of her music, and live on stage where she's still gigging.

Ambbrit I have watched this movie and although it is dated and low budget there is much more to this movie than "A low budget post punk Star is born!" There is the main story about a rebellious anti-establishment singer "Kate" played by Hazel O Connor who in order to "make it" has to give up control of her music and is forced on to the record company "bandwagon". This results in her losing the bands manager "Danny" (brilliantly played by Phil Daniels)who feels he is losing control of the band! But more than this, the movie is an accurate reflection of the post-punk anti-establishment feeling in England which I lived through at the time. The lyrics of Hazel's songs depict this and still have something to say today regarding Government and establishment control! However, the greatest irony is the climax of the movie where Kate (Hazel O Connor) is singing the song "Eighth day" as a protest against the establishment when she herself is having to "fit in to the establishment" to perform the song. Well worth another look!

sphinx-7 I first saw the film when it landed on US cable a year after it came out. It blew my little head away, I was only 16 and it was the first new wave music I'd heard, having been a strictly folky, classical kid growing up. The music mesmerized me, as did Hazel O'Connor's amazing look and charismatic vocal performances, and Phil Daniels' tough but soft Cockney manager just stole my heart. But I think my favorite character was Jonathan Pryce's drugged out sax player. He was so out of place in the band and so harmless and pathetic, he just begged for sympathy. Favorite scenes, the performance when the lights went out, and the love scene on the train.Okay, so the movie isn't the Rose! But it was really excellent for its limited budget and for its portrayal of the Britain of the early 80's, exploding with rebellious youth, looking for a way out of the dole queue. I went to Britain only a couple of years later and found the movie to have been very reflective of the atmosphere I found when I was there.If you get a chance to, see it. It is a great movie, with some wonderful performances, and the music will blow you away.