Brief Crossing

2001
6.8| 1h24m| en| More Info
Released: 10 October 2001 Released
Producted By: ARTE France Cinéma
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Budget: 0
Revenue: 0
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Synopsis

A young French man and an older English woman spend one night together on a ship.

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ARTE France Cinéma

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Reviews

IslandGuru Who payed the critics
TaryBiggBall It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.
HottWwjdIam There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.
Ariella Broughton It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
writers_reign I almost gave this one a miss having seen a couple of Breillat films that were virtually hardcore porn with mainstream actors - Francois Berleand, Amira Casar - and been underwhelmed. However, compared to things like Romance and Anatomy Of Hell, Breve Traversee is Rebecca Of Sunnybrook Farm. Okay, there is a sexual encounter and yes, it is fairly graphic but no more so than stuff we can on TV nowadays. Breillat takes a lot of time building up to the encounter, giving us time to get to know and perhaps like and/or empathise with one or both protagonist. It's fairly basic; a channel crossing, two people travelling alone, a chance meeting, then a second one, an evening spent together over a meal and a couple of drinks, mutual attraction growing subtly - not a word I thought I'd ever use in the same sentence as Breillat - stronger until the inevitable coupling in the cabin setting up an ending as poignant as that in its almost namesake Brief Encounter. In sum: the finest work I've seen from Breillat.
Jon 80 minutes, and it felt twice that long! Brief Crossing is not brief enough. Indeed, the first 50 minutes or so consist almost entirely of a dialogue (more of a monologue, really) of a woman approaching middle age, tediously droning about "men," disappointment, sex, aging, and her recent breakup, to a French teenager she met in the ship's cafeteria.The tedious monologue continues as they go to duty-free shop, and to a bar, where finally her self-involved rant pushes him away. The "story" can't end there, of course, so she persuades him to listen to her drone on more as she brings him to her cabin.What little romance, sex, or for that matter, anything at all this film has besides bitter rantings is hardly enough to justify the price of a rental unless you are one of those who love dramas where nothing interesting happens at all. Yes, the ending is very nicely done, but it is scant reward to subject yourself to what amounts to a turning your living room into a virtual therapy session with a narcissistic whiner.Of course, some people like it. I could be wrong.
Subhamoy Sengupta After watching "Romance" and "The Anatomy of Hell", I felt like I had reason enough to believe, Catherine Breillat prioritizes sex and depressing visuals so much, the subtle things she tries to prove take backseat. But after watching Brief Crossing, my conception underwent a drastic polarity shift.Thomas is a 16 year old seemingly typical French boy. Alice is probably British, and is around 30. Looks like she had a lot of dimensions to her that she lost from a years long slow heartbreak. Thomas thinks the usual social institutions like boyfriend-girlfriend relationships can't inhibit the French from satisfying their carnal needs any longer. Seems like he does not readily realize the gravity of what he says.Sometimes, when a child is born in a battlefield and brought up in the neighbourhood, he looks at wars with the eyes of an innocent. He sees deaths, but does not realize what it is that seems so obvious like the sun and the moon. One day, a bullet hits him and the next moment, he is not innocent any more. Brief crossing is one such crossing. Crossing from sight to comprehension. Crossing from ideas of pain to pain itself. Crossing from Innocence to Awareness.Brief Crossing, like a few others of its kind like "The Man from Earth" or "Broken English", depends solely on a few people's expressions. Not even an extra penny has been spent on refining anything that is not totally essential to help the movie reach its end. Of course it's not for everyone to watch. But those who like it once, will not forget it ere long.Not recommended for general viewers or cinegoers. Highly recommended for "those" few.
dfs-2 I saw this at the Auckland International Film Festival this year and with so little spare time I had to really be picky and selected what I thought was the 10 best films including `Y tu mama tambien' (which received critical acclaim). Personally I thought this was the best.This film is set on an overnight ferry trip across the English channel, it begins with a chance encounter between two lone travellers, namely a 16 year old boy Thomas and a middle aged woman Alice. Seasoned lone travellers will know that keeping company with other lone travellers is a good way to pass time. This is how their relationship develops. Thomas wants what most young men his age want, a sexual encounter. Alice on the other hand portrays herself as a sophisticated yet vulnerable woman surviving a mid life crisis. Sounds like a volatile combination right? Well you will have to see this film to the end, which has one of the best endings I can remember.Now some notes about the cast and crew. This film introduces Gilles Grippon (Thomas) and he plays his role well, a teenager trying to be cool yet unsure of himself and impressionable. Sarah Pratt was absolutely gorgeous and stunning as Alice. She really held together those scenes sans the dialog when the couple were just exchanging glances. This film is not wholly a French language film as English is almost equally spoken throughout. Sarah has an excellent command in both. I am surprised so little is known about this beautiful and talented actress. I hope to see her in more films to come.This is the fourth Catherine Breillat film I have seen and the best so far. Like all her other films she deals with the character's sexual intricacies but it does not have the pornographic taint of `Romance', the violence found in `A Ma Soeur!' or any of the disturbing scenes found `A Real Young Girl' (one of her early films but only recently released because it had been banned). Also well translated on screen especially with the use of lighting is the feel of being on the channel ferry. Having been on one myself it brought back memories.I would love to own this on DVD if it ever comes out. 10/10