Bright Lights, Big City

1988 "It's 6.00 am. Do you know where you are?"
5.7| 1h47m| R| en| More Info
Released: 01 April 1988 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A disillusioned young writer living in New York City turns to drugs and drinking to block out the memories of his dead mother and estranged wife.

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Reviews

YouHeart I gave it a 7.5 out of 10
Lumsdal Good , But It Is Overrated By Some
Sharkflei Your blood may run cold, but you now find yourself pinioned to the story.
filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
mtckoch Bright Lights,Big City is one of Michael J. Fox's better dramatic films, in my opinion. Why? Because we gradually see that while his character,Jamie Conway, seems to be holding it together, he is dying on the inside. We start out at last call at a nightclub, where we learn Jamie's wife left him to model in Paris. As time goes on, we see Jamie fall apart, losing his job, dignity, and nearly his sanity in a desperate, hopeless attempt to keep up appearances and fool everyone around him,and himself, into believing everything is alright. The disjointed feel, repetitive flashbacks, and haunted tone of his actions show the viewer that this is a man who seriously needs help to get out of the hell his life has become. Although it might like this was excessive in response to his wife leaving, in the end, we find out what started all this:his mother's long illness and death. She had died a year before, and the drugs, booze, and work fixation had been Jamie's, destructive, way of denying his pain and grief. I will admit this is a hard movie to watch. However, Fox's portrayal of the dark side of the fast lane and self destruction is excellent. As someone who has lost a parent young, I can say it realistically depicts the true damage that grieving can cause, especially when denied for so long. If you want to see Michael J. Fox in a serious movie, watch this.
gangstahippie Bright Lights, Big City is a 1988 film starring Michael J Fox as a cocaine addicted newspaper editor.The movie shows him and his friend played by Keifer Sutherland, the partying & the coke that they do together, plus some parts of the past.Apparently he does cocaine to forget about how his wife left him and how his mother died.It has been a year since this has happened.There is also some messed up part with a coma baby, which he has a dream sequence about.The acting is fairly good from Fox and Sutherland.There are some fairly powerful dramatic scenes, also one funny scene involving a ferret, also the 1980's soundtrack was fairly good as well, especially "Century's End" by Donald Fagen.But other than that, the film was fairly boring.It was realistic as a lot of business-types were doing cocaine.Movies/Video Games such as "Carlito's Way", "Grand Theft Auto Vice City" & "American Psycho" will show this.I have never read the book and only heard of the author when he was mentioned in Ellis's semi-autobiographical novel "Lunar Park".I personally thought "American Psycho"(another movie which is partly about business types in the 1980's) to be a better movie.This is a decent film, it was just sort of boring.
thecure-1 Throughout the story Michael J Fox (Jamie) reads about a "Coma Baby" who does not want to leave the womb. Also throughout the movie, people are constantly screaming "Can You Hear Me???" or "I cant Hear You!!!" The symbolism is obvious... And as you know by now, Jamie wants to hide the pain, kill the pain, run from the pain, avoid the pain. Be in a Coma himself. Nothing better than Coke to escape. And the loud (great) New Order's "True Faith" can cover any hope to have a conversation where you might have to deal with what you are trying to avoid. I loved the 80's ... I lived the 80's ... And this movie is a good enough rendition of that time. The time when you have money before you have responsibilities. The final scene has him eating freshly baked bread with the World Trace Center towers in the distant background... An amazing metaphor for us in America today... As he says there, "we have to learn it all from the beginning again"...
fingertyps You guys have got to be kidding---this is one of the worst movies ever made, for one simple reason: not only does Michael J. Fox's character not give a crap about anyone but himself, but he is aided along by the fact that every other character in the movie cares ONLY about him! None of them have lives; all of their lives revolve around HIM, and for no reason, since there's nothing interesting about him. A typical example of how outrageous this can be is when he calls the character played by his real-life wife Tracy Pollan on the phone at 3am on a weeknight, and she's not even annoyed that he woke her up. She's all bright & bubbly & "Oh Hi Jamie, what's up? What can I do for you?" Everyone feels overwhelming sympathy for him just because he was (justifiably) fired from his job as a magazine fact checker, for heaven's sake. WHO CARES?? BTW there is another film w/William Hurt called "Accidental Tourist" that has the exact same problem: no one cares about anything except the self-absorbed character, who is boring beyond belief. Avoid these films like the plague!