Bergorks If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

Mabel Munoz Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Teddie Blake The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

classicsoncall If you want to see Spencer Tracy in a Western, you'll have to take what you get here in this story of a land baron who alienates his sons but expects their undying loyalty at the same time. Don't get me wrong, Tracy's good here in his role, but the story is a bit convoluted with the renegade sons, and relies on youngest half-brother Joe (Robert Wagner) to take the fall for his father's going off half cocked at a copper mine and destroying a good portion of the company's assets. I couldn't help but feel a little more work could have gone into the story line, and yet it won a 1955 Oscar for Best Writing. Go figure.Just going by the cast list, this should have been something special. Richard Widmark, Hugh O'Brian and Earl Holliman portray the older three brothers, born of Matt Devereaux's (Tracy) first wife, but their characters were never really developed to any significant degree. All we get is that Ben (Widmark) is the strong willed oldest brother, and Denny is the whiny, sniveling sibling who has a penchant for being disagreeable. Quite honestly, I don't know why O'Brian was even needed in the story, did he even say anything throughout the picture?Actually, it seemed like Katy Jurado was the force that kept the momentum of the picture on track as Matt's second wife and mother of Joe. Funny, but apparently she didn't have her own name in the story, she just went by Senora Devereaux. The more I see Jurado in these kinds of roles, the more I seem to like her. I guess I'd have to say I enjoyed her best in 1952's "High Noon", a movie that's just about on everyone's favorite Westerns list.Told in an extended flashback manner, the story eventually catches itself back up in real time to find Matt Devereaux attempting to wield his authority one last time to prevent his sons from selling off parts of his empire to fund other interests. Senora Devereaux uses her influence with son Joe to stop him from seeking revenge on his older brothers, though there is a neat fight between Ben and Joe near the top of a rocky outcrop. My vote for best performance goes to the two stuntmen who filled in at that point; the way they rolled down the side of that mountain looked like it would have been mighty painful.

vincentlynch-moonoi I've been watching in order as many of the Spencer Tracy films as I could as I read the new biography about him. When you pop this film into the DVD player from that perspective, you realize that even though Tracy had starred in a good many great films, with this film he entered truly modern film making.Here you had wide screen photography, on-location shooting, rich -- but realistic -- Technicolor (I believe this was only his second color film, the first being "Northwest Passage", 14 years earlier), and what I'll call realistic modern (aka gritty) acting by the principals.There were so many times while watching this film that I thought to myself, "God, what a great actor Spencer Tracy was". And, surprisingly perfect for this particular role. His many years of playing polo, though in the past, made him look very natural in the saddle. As a man, I hate to say this, but his beautiful gray -- almost white -- hair made him look the part of tough western father so perfectly. And his diction, whether being rough on his foolish sons, or tender with his Mexican wife. Even though I had this on my DVD shelf, I'd only watched it once before, but I would have to say this was one of Spencer Tracy's finer performances, and actually a very different role for him.It's been said that Tracy liked the then young Robert Wagner, who plays the favored (though racially mixed) son in this movie. I've always been rather neutral about Wagner -- liking him in some films, and not so much in others. Here he does an admirable job and manages to look the part. On the other hand, Richard Widmark, who had to suffer through 4th billing on this film, is a wonderful actor, but his scenes in the first half of this film are minor, weak, and his role is just too negative to like his character at all. His stronger scenes come later in the film when you begin to see how impressive his acting could be. Jean Peters and Katy Jurado are excellent, although make no mistake, this is a man's picture. The two other sons -- Hugh O'Brien and Earl Holliman have minor roles -- often in the frame, but with little significant dialog. There were a number of films where Earl Holliman was a whining-son type, and this is one of them...very unlikable type of role, and not demonstrative at all of the level of work he was capable of. Another notable character actor here -- E.G. Marshall -- plays an important role, and does it well, though he does not have much screen time.There was a time, of course, that Westerns were a dominant force in both motion pictures and television. And, when I was young I loved them. But Westerns are passé, and it is a rare Western that can hold my attention today. This is one such film. It isn't often that I give an "8", but I will here. This is a extremely fine motion picture that deserves a place on your DVD shelf.

Luis Guillermo Cardona Edward Dmytryk was a skilled director. He showed plenty of memorable titles as in "Murder My Sweet" "The Caine Mutiny," "Warlock", "Raintree County"... where he showed narrative skill, a most correct direction of actors and impressive staging.The one that concerns us: "Broken Lance" is, for our taste, one of his best films. Told from a long flashback that begins after Joe Devereaux returns to his old home after spending three years in prison, the narrative focuses on the eventful life of the landlord Matthew Devereaux (a superb and brilliant Spencer Tracy) and his difficult relationship with his children and unhappy with the environment that surrounds it. Matt is a man who loves nature and respects animals. It is also a just and loving husband with his Indian wife (Katy Jurado's always accurate Oscar nominee for this role), loves much the son she had with her (Joe), but the children of his former wife, now deceased, is intolerant and demanding. Their conflict develops into a crescendo that prevents us from a storm that seems inevitable. Dmytryk will recreate every nuance of arrogance and the film emerges as a psychological portrait of great importance. Matt is contrasting as day. Defend the Indians and some even work for him. Your home is an earthly paradise and think, clearly, a man of privilege.But as in all light is usually a shade to Matthew is impossible to get along with their children and this makes the paradise into an inferno. The river that crosses his land is a symbol of the flow of life: sometimes calm... sometimes with rocks impeding the flow. Sometimes of course... and sometimes murky. Remake of "House of Strangers" by Joseph L. Mankiewicz, the story of "Broken Lance" refers to "King Lear" by William Shakespeare and even "The Brothers Karamazov" by Fyodor Dostoevsky. Materials, all of these, essential in the cultural baggage of any human being. "Broken Lance" can also be made in any list of classic western movies.

Spikeopath With both it being based on Shakespeare's King Lear and being a Western remake of Joseph L. Mankiewicz's tasty film noir, House of Strangers, Broken Lance had fine sources from which to work from. Throw in to the mixer that it stars Spencer Tracy, Richard Widmark, Katy Jurado, Robert Wagner and Earl Holliman, and that Joseph MacDonald was director Edward Dmytryk's cinematographer of choice, well it's all set up to be a highly accomplished piece.And it is!Dmytryk's film tells the story of how the Devereaux family came to implode. Father Matt {Tracy}, is a tough no nonsense pioneer who after finding a copper smelter has polluted his water, illegally raids the copper mine with destructive vengeance. Matt has four sons, his three eldest are a disappointment to him, but his youngest, Joe, from his latest marriage to a Commanche woman {Jurado}, is untainted by his own bitterness. But it's Joe who takes the rap for the copper mine raid and gets sentenced to three years jail. When Joe comes out he finds that his brothers have driven his mother away and all but destroyed the family empire, including his father. Joe {Wagner} has scores to settle, especially with the oldest, and nastiest brother, Ben {Widmark}.The screenplay comes from Richard Murphy, who, reworked Philip Yordan's House Of Strangers screenplay, bagging Yordan the Best Writing Oscar at the 1955 Academy Awards in the process. And it's not hard to see why. Murphy and Dmytryk have fused together a number of intelligent strands in their picture. Not merely a tale of vengeance that dallies with black sheep of the family like thematics, it also serves up racial prejudice issues, and those of greed and corruption. It's for sure what one would term a talky piece, tho the copper mine raid itself is a pulse raiser, but it's with the talk and how it's put together that makes Broken Lance worthy of its place on any "Adult Western" list. For its court room sequences and a memorable scene involving Tracy and Widmark alone it deserves praise from the genre faithful.Acting wise there are very few disappointments. Tracy is terrific, as is Widmark, while the youthful Wagner gets away with the obvious problem of him playing a half Indian, by bringing an emotionally honest integrity to the role of Joe. Katy Jurado, who was Oscar nominated for supporting actress, is sweet and showing deft sadness in the thankless role of wife and mother, Señora Devereaux. The itches are with the others, thru no fault of their own really. Both Holliman and Hugh O'Brian as the other two brothers are practically observers in proceedings, both men never really getting to add some weight into the family drama. Jean Peters as Joe's love interest, Barbara, is an important character in the story, yet she's never fully formed. Minor problems aside tho, this is an engrossing and gorgeous picture. So with Leigh Harline's lyrical score complimenting MacDonald's sumptuous Arizona photography {the film was shot in Technicolor CinemaScope and sound mixed in 4-Track Stereo} try and see this on the best system you possibly can, because it's worth it. 8/10