Bullet to Beijing

1995 "The Ipcress File's Harry Palmer is back.... and the Cold War is heating up again!"
5.4| 1h41m| en| More Info
Released: 20 December 1995 Released
Producted By: Harry Palmer Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

When long-time British agent Harry Palmer loses his job because the Cold War is over, he's promptly approached by a Russian bossman, Alex. In St. Petersburg Alex tells Harry of his plan for Russia's future, which is threatened because a deadly biochemical weapon called the Red Death has been stolen from him. He'll pay Harry handsomely to retrieve it. An ex-spy friend tips Harry off that it's being sent to Beijing by train, aboard which we begin to learn whose side everyone's really on.

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Reviews

Dorathen Better Late Then Never
KnotStronger This is a must-see and one of the best documentaries - and films - of this year.
Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
gridoon2018 Michael Caine slips comfortably and amusingly into one of the most famous roles of his career, Harry Palmer (AKA the anti-Bond), after a 30-year break. The film itself is both pleasingly old-fashioned (much of it takes place on a train, by far the most traditional means of transportation in this genre), and successfully updated to be relevant in the mid-1990s, post-Cold War era, where spies from all over the world are suddenly labeled "redundant" by their governments. And yet, the murky, complicated games of espionage still go on, only with new objects and new players now (but old friends and old enemies as well). The story is slightly meandering in the middle but it has its surprises too, and the film is well-produced (especially for a TV project); the relatively (in comparison to James Bond) small scale of its action sequences generally works in their favor. It's been a long time since I last saw the final theatrical Palmer film, "Billion Dollar Brain", but I think "Bullet To Beijing" is superior to that one at least. **1/2 out of 4.
Jolasveinar Although it's always a pleasure to watch Michael Caine -- even in stinkers such as "Blame It On Rio" -- there was little fun in this lame attempt at resurrecting the under-paid and melancholy British agent of the 1960s Harry Palmer. "Bullet to Beijing" has holes in the plot you could drive the Trans-Siberian Express through, with little of the humor and none of the style of "The Ipcress File" or "Funeral in Berlin". Poor Harry deserved better than this.
Bilstein I first broke into the Harry Palmer series when I thought Midnight in St. Petersburg sounded like a good film in the TV guide, and it had Michael Caine in it. Since then (realising there was more of it)I've become quite a fan of the series, not really minding if it was the vintage 60s or the modern 90s.Bullet to Beijing was the fourth film out of the five that I've seen (I've yet to see the somewhat rare Billion Dollar Brain) and I thought it was a good film, certainly worthy of at least a 6.5 rating on IMDB. I know fans of the vintage 60s were somewhat opposed to this even being made, because it was obviously not going to be as good as The Ipcress File.And it's not. The Ipcress File is still the best of Harry Palmer, but I thought this was the second best of the series. I found Funeral in Berlin to be mind-numbingly tedious, and Midnight in St. Petersburg didn't quite live up to this one.First thing, I'm going to address a few issues regarding plot holes or continuity. Make no mistake, this is one of those films you'll probably have to watch twice or even three times to fully comprehend all that's going on. You have to concentrate on it, you can't watch it and talk on the phone at the same time. So most plot holes are probably down to something the viewer missed (I certainly thought that the first time I watched it).This certainly isn't vintage Palmer, and I give it credit for not trying to be. Palmer is on the verge of retirement anyway, and so he's not going to be as quick or sharp as he once was (at least they didn't try and pretend he was still young!). Even so, he's still somewhat quick-witted and amusing, the milk in the tea joke being my favourite. He doesn't run from danger, something present in all the movies, even when he's being followed by the mafia, he's fairly daring once he's got away from them.As for the film itself, it's very fast-moving and fluid. There are a LOT of twists and turns in the plot, but I like the fact that's it's all within the time limit of the train arriving in Beijing, who's going to make it there etc. The trouble with something like the Ipcress File was the amount of free time Palmer had, and so it would sometimes seemingly stand still, whereas the train journey here gave it an edge.That's my humble opinion anyway, maybe I'm just uncultured. This certainly doesn't have the class of the 60s, but it makes up for it with the action, humour and plot-twists.8.5/10Incidentally, if you can get hold of it, there's a special edition DVD where Sue Lloyd has a slightly bigger role than a voice on the telephone.
Gary-161 Return of Harry Palmer is not as bad as expected and is occasionally amusing. The fact that I can only recall a funny car chase scene with falling apart Russian cars is ominous, though. Someone mentioned a boat chase and I vaguely remember it although what it was about, I don't know. Certainly, it's sell out to modernity with violent shoot-outs and deaths seems incongruous to the originals. palmer only shot one person the entire trilogy, If I recall correctly.The Palmer of those films was something of a blank page. An ironic and detached observer of the self interest around him, surviving on a combination of quick wit, luck and a lack of an ideological axe to grind. His inability to be tempted into corruption at various stages was surprising seeing as he was originally a tacky fraudster in the army but perhaps it's unwise to try and do an analysis of comic book characters, they're basically tosh. The Palmer of 'Bullet' has lost that sixties cool and it's hard to recognise him. He's more like an ex-football or pool hall manager with a drink problem or simply Caine being more his working class self. The effect is rather curious viewing, whimsical but rather sad, as cinema itself is in decline nowadays. Some of the old stalwarts remain, such as Harry meeting 'old friends' who turn out to have no qualms in dispensing with him altogether in the terminal sense. The sequel fizzles out altogether. 'Bullet To Beijing' is only to be viewed as a last resort, that is you have been made redundant, your wife has left you and your TV license is about to expire with no money left in the kitty to renew it.

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