BootDigest Such a frustrating disappointment

Fairaher The film makes a home in your brain and the only cure is to see it again.

Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Jordan Barrett This is a really good movie and again I probably liked it more than most people. If you read my review for disturbing behavior you know I like a real good group or individual who is the villain and the cullians certainly are that. They are evil individual but when you get them together they are even worse. This movie shows what money can do to people maybe in a non-realistic way but it still did. If you like action and drama rolled into one then this movie is for you. I guarantee as you watch the movie you will not be able to wait until the cullens get whats coming to them and I am not going to reveal if they do or not you are just going to have to watch it. Great actors and a Great simple plot that is easy to follow. This movie is another favorite of mine so that is why in my opinion it deserves a 9/10

lost-in-limbo Around the same time as Sean Cunningham's similar in vein "The New Kids", came director Paul Lynch (the original "Prom Night", ''Humongous'' and ''Cross Country'' to his name) with his Canadian produced mean-spirited, brutal and intense small rural town revenge / vigilante thriller. Quite grippingly bold, dangerously impulsive and competently made, making it just as good if not better than Cunningham's feature. It won't win any awards for its simple, routine plot, but it's pulled off with such exploding ticker and vigorous verve in really exploiting its primitive thirst for violence and control. There's no holding back, but what really makes this one work are the villains of the piece. The Cullen family (well the father and three sons) are a really hateful bunch of intimidating psychos that will always get their own way, until the city folks the Morris family arrive on the scene. While passive at first to the Cullen's strangle hold over the town, the Morris' soon begin to question the Cullen's on-going harassment until one unpleasantly scarring incident occurs that really tips the once mild-mannered father over the edge and the fear is turned around for a bloody confrontation. This is when it opens up to a thrilling last half, which is excitingly electrifying and dark. Bill Croft crafts a dominating presence as the father Ben Cullen. Bernie Coulson, Adrien Dorval and William Nunn are solid as sadistically nutty sons. Then you have the drop dead gorgeous Olivia d'Abo as the unlucky sister, who numerously finds herself at the wrong side of her father and brother's aggression. The Morris' are likeably played by Stephen Hunter (who mightily grows in the role), Janet-Laine Green and Jonathan Crombie as the tough, determined lad Matt. Dehl Berti is appealingly good as somewhat a mentor figure for Crombie's character. Especially those talks of the spiritual side of his people and you can't go pass the spearing skills he taught him that did come in rather handy outside of just fishing. The relationship and lessons formed between the characters (mainly between Crombie and Berti and Crombie and Hunter) might be old-hat, but remain thoughtful in its character drawings to make the gruelling situations even more stirring. It's emotionally driven by its characters, which are helped by the convincing performances when everything erupts. Lynch's grounded style keeps it edgy and well-paced in a technically sound production, blending the dynamics of its atmospheric score and picturesque mountainous backdrop. The latter having many stunning background shots.

birchall-1 Olivia D'Abo in a wet T-shirt is the only thing this movie has going for it. Other than that, this Canadian production about a man taking out a vicious band of hillbillies is not worth anybody's time. The writing is bad, the acting is poor and the direction is sub-standard.

Tito-8 It seems to me that perhaps the incessant violence in this film is what saves it, and what ruins it. I have to confess, the first scene of senseless violence got my attention in a big way, but after a while it began to get rather repetitive. There were just too many beatings, and there was too much intimidation for the film to be enjoyable. Was it interesting? For the most part, yes. Unfortunately, anyone who has seen a film before would know that this family would eventually be put in their place, so the interest was only maintained by waiting to see who would be attacked next.