Charlotte Sometimes

2002 "Sometimes the truth is in the lie."
6.3| 1h25m| en| More Info
Released: 11 March 2002 Released
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Official Website: http://www.charlottesometimesthemovie.com/home.html
Synopsis

Michael, a young mechanic, is forced to choose between a daring tryst with an alluring stranger and the habitual comfort of his bittersweet obsession: his beautiful young roommate.

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Reviews

Alicia I love this movie so much
LastingAware The greatest movie ever!
Flyerplesys Perfectly adorable
Skyler Great movie. Not sure what people expected but I found it highly entertaining.
email4eric "Charlotte Sometimes" addresses questions of love, intimacy and sex in ways that I've never seen before. The movie's characters say more by what they DON'T say rather than what we do.Like the best movies, the script is cut to a minimum so that we may drink in how the characters are reacting rather than what they are saying. Sure, it's not a perfect film but it's very good.
leparrain5 I just watched this slow plodding go nowhere film, it put me to sleep. Maybe I was expecting something else from this indie wonder, a plot perhaps, something more than one note acting perhaps. Matt Westmore set as the "hunk" comes off like a dull ghost on the screen. Eugenia Yuan is quite attractive and shows some emotion and depth but she is up against the wall with nothing and NOONE to work with here. Jacqueline Kim seems as though every other line is a throw away, she never gives us more than the words on the page of the script. Michael Idemoto shows some signs of something happening but it never comes.. and I mean never. How sad. Why such hype on this slooooooooow indie that goes nowhere not so fast and I mean that. Is this what we have to look foward to out of the indie scene, lets hope not. ONE BIG YAWN!!! Ugghh, it was so frustrating to watch this one, the female actors here come off like brats and the male actors dull wimps. Save the three bucks on this rental. Maybe we will one day see Yuan in something worthy of watching again like THREE.
dhash77 Charlotte Sometimes can be hard to watch at times because it feels like very little is happening. What I like about the movie is that there are moments when you can feel complete empathy with the characters, even though they do not always express their emotions in words. Through pacing, acting, story, and directing, the audience is allowed to feel the emotional impact of every action and absence of action. If you can allow yourself to imagine the internal tensions of the characters and forget about the details of the story, you might just enjoy Charlotte Sometimes.
Chris Knipp 'Charlotte Sometimes' is another highly accomplished Asian American movie released in 2003. Unlike the enjoyable, more mainstream high school black comedy 'Better Luck Tomorrow,' which MTV publicized and distributed, this one is quiet and subtle and focuses on relationships and choosing a mate. Michael (Michael Idemoto) has inherited his garage from his Japanese American parents. He lives in the top half of the family house and rents the bottom half to an Asian girl and her half Asian boyfriend. The couple has noisy sex every evening and loner Michael, who otherwise spends most of his time reading, goes to the local bar to avoid hearing. When he returns, the girl (Lori, Eugenia Yuan) comes up to watch a video and have a chat and a cuddle -- amenities the boyfriend doesn't seem to provide. Lori seems to have a purely sexual relationship with the hunky Justin (Matt Westmore, who's half Asian, like Eric Byler, the director of this movie).Lori wants them to double date with a friend of hers, but Michael refuses, saying "I'm not afraid of being alone." He does his reading. He works in the garage. That is his life. He seems cool with himself, content with this. On Sundays he hangs out with a relative, following a traditional obligation that he neglects during the affair that's about to begin.Next time he's at the bar he sees an attractive Asian woman (Jacqueline Kim). He leaves, then comes back. She talks to him. The non-committal Michael denies he came back for her, but when she leaves he runs out, admits he is interested, and invites her to his house, where they have some drinks, and then some more. He tells his story, but she reveals more, remaining mysterious. She says she's just visiting. She tells him her name is Darcy. When Lori comes up for her post-coital cuddle, Michael turns her away saying he's with someone. Darcy says that she's only there for a few days, she wants a quick sexual affair. Michael can't accept that -- he's probably too interested and too needy to get his mind around the idea of something temporary -- and he puts on the brakes. She spends the night, but they sleep separately.Darcy has a secret, which Lori knows and which soon is revealed when Justin comes up in the morning to have help opening the shared garage and Darcy suggests that all four have lunch. Lori doesn't reveal anything to the group, but in the ladies' room we find out that the two women are old friends, and Darcy, whose real name is Charlotte, was the other women Lori wanted to double date with. She has lied in refusing any interest in Michael, and has lied to Michael about who she is and presumably about where she lives. In being mysterious, she's playing the femme fatale, and Lori knows she's dangerous and not to be trusted. She warns Darcy/Charlotte to steer clear of Justin because "he may be the one I will want to marry."Eventually Michael finds out the secret and that changes everything. Lori challenges Justin by impulsively demanding after sex that he take her up to Monterey for the weekend. When he refuses she accuses him of being a "user." Stung, he storms out of the bedroom to leave, but later comes back and takes her on the trip. While they're away Michael goes into their place and finds old photographs that reveal Lori and Charlotte's friendship going back to their childhood. When Darcy/Charlotte next appears, Michael turns her away ruefully, deeply hurt to have been deceived. Charlotte runs into Justin in a coffee shop and disobeys Lori's request by letting him come on to her. They go to a motel to have sex. Lori realizes Justin has left and throws out his things and goes up to Michael again. This time it's no longer just cuddling and they kiss as the film ends. Clearly it's turning out that the feelings they had for each other were more than friendship all along, and their previous matches were the wrong people.'Charlotte Something' is as much about choosing the right mate as a Jane Austen novel, but it's all done with suggestion instead of elaborate speeches and analyses and a there are just a few repeated patterns of scenes instead of many chapters of narrative. The roles are also reversed. Justin, who's part Caucasian, is the sex object rather than Lori, and Darcy is a girl. Michael's laconic nature doesn't mean he isn't desirable or strong. Because all the characters hold back, but know what they want, and because the director and writer know what they're doing, every word and every shot count. The movie shows rather than tells, and never shows much, but it's amazingly rich and fresh considering the simple raw materials of four people and a house in Glendale. Michael's moment of final disappointment with Darcy is powerful and Charlotte's scene with Justin is shocking. The reunion of Justin and Lori is a denouement. The resonance of the loaded scenes continues long after one has left the theater. Everyone in the film is Asian, so that isn't an issue--except perhaps for Justin, who's only half. His non-Asian side seems to be what brings out the stereotypical pattern of seeing his Asian girlfriend as a sex object, but with the paradox that this is what he turns out to be. An emotionally loaded and thought provoking piece, 'Charlotte Sometimes' is subtler than the nonetheless excellent and more popular 'Better Luck Tomorrow', which has had wider distribution due to its MTV imprimatur.Michael's moment of final disappointment with Darcy is powerful and Charlotte's scene with Justin is shocking. The reunion of Justin and Lori is a denouement. The resonance of the loaded scenes continues long after one has left the theater.

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