cotties
This movie took me back to the years when i used to work with
trans gendered and cross dressers .. man i miss those days
this is severely the best drag movie i have ever seen
laugh out loud funny the whole way
I will be watching this again and i don't do that often
after seeing only two stars on google i had to review this with 10 stars
and this is the first review i have ever made about a movie
thank you all so much for the laughs i really needed it much love xo
ELDAFYRE XOXO www.eldafyre.com
arfdawg-1
The "Plot" Cherry Pop! is a crazy night in the life of a small local bar's drag show. It's about a newcomer struggling with being the outcast on his first night. And a legend coming to terms with life after her last night in drag. And it's about a bunch of other back-stabbing queens with their own problems who just plain can't stand each other. Even the stories of some of the patrons play a part in the chaos. Cherry Pop is a real-time roller coaster ride where you better be strapped up, tucked in, and ready to go!Well that's the official plot. In truth this is a boring no action story about a bunch of flammers who dress up like women but never actually LOOK like women so they can lip sync to horrible songs that should only be played in a Chelsea apartment alone.It is a borefest from the first second. The guy g=who gave this a negative 5 rating was being kind. It is a negative 10
scottbwright
I'm going to go out on a limb here and say: if you are going to make a film about drag performance... include some phenomenal drag performances. It's not that hard to do. Yet this film manages to completely ignore showing them while at the same time trying to be an inspirational film about drag. I'd give it -10 if I could. It fails just on it's basic premise.
xatian11968
SPOILERS! The Best performance of Ave Maria you'll hear this year.This delightfully care free film by screenwriter Nick Landa is warm and comfortable throughout. Along with its inviting cinematography this film is a fun one for those with an evening to relax and laugh - you want to visit this place, if not for its lively backstage drama. And at the height of its success, is the performance by Lars Berge, a newcomer to film, but certainly not to song. Cherry Pop is not the film you may think it is. And although it rests squarely in a dive drag bar just off and on the other side of the railroad tracks, don't let that distract you, this story is honest as it is frank in what is the 'always on going battle' between gay and straight community. The cast performance did a fabulous job, each delivering a real experience that didn't border on gay or straight stereotype – surely most everyone was in drag, but this film was full of the community that exists outside the dressing room and off the stage. The ladies-in-drag's talent off-screen translated into delivered performances, of performers, just trying to get on with their lives. Their costuming was done with taste and flamboyance, which can be missing on Main Street. For those of you, unfamiliar with stellar 'drag queens', these contributing actors in Cherry Pop make the pop that becomes this cherry. But this film isn't so much about the drag queens, and really is, much more a PFLaG convention, seen from the "P" and the "F" vantage, and not so much the LaG (which may confuse the lgbtq folk, but doubt not in Nick Landa). Nick Landa's story and his success in Cherry Pop is that he has taken the discussion full circle, where straight males and drag queens, doting mothers and frustrated sons, find some middle ground. This film is also a great love story, about lost love, current love, and love that comes and goes. But Nick Landa has presented a plausible question for all of us, as Allusia Alusia's Dellusia's fashion forward approach in her role presents. On the other hand, Nick Landa has reminded us that a dedicated partner will see us through to the end, and the love that Lars Berge's Cherry shares in music and life will see mainstream heterosexual drag films relegated to the outdated bin. The treatment the story receives by Director Assaad Yacoub is a fresh take on an old story, and the story Screenwriter Nick Landa invites you on is "an experience", and much of it will have you saying, this is a film even Ann Coulter would enjoy. 'Benedicta tu in mulieribus' – blessed art Thou among women. Cheers!
