City Baby

2013
4.7| 1h28m| en| More Info
Released: 02 March 2013 Released
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Synopsis

Sexy. Style-conscious. Extreme love affairs. Complicated friendships. Life happens all too quickly when Cloey is reluctantly plucked from her comfort zone and complete reliance on others is overturned – a secure relationship with her boyfriend unravels, her childhood best friend is moving away and daddy’s (Daniel Baldwin) checkbook closes. City Baby comments on the ladder-climbing mentality of always reaching for the next bigger, better thing – relationship, city, job – when sometimes what's right in front of us is just fine. Scattered with cameos from Portland musicians like Stephen Malkmus of Pavement, live musical performances by Glass Candy and Starfucker, and a thoughtful soundtrack featuring all Portland bands and musicians, City Baby depicts a playground for semi-adults, revolving through the lives of cool kids.

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Reviews

WasAnnon Slow pace in the most part of the movie.
Glucedee It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.
HottWwjdIam There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.
Mabel Munoz Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?
bjarias "In every man's heart there is a secret nerve that answers to the vibrations of beauty." If you go to www.bing.com.. you will see from the numerous images of her, she is even much more beautiful than in the majority of the City Baby film. But as for the movie itself, it's really just okay... the majority of reviewers got it right. As such, she'll have to wait for another opportunity to prove her acting talent. And some voice lessons in the meantime could be useful as well... there's many scenes in the film where just the sound of her voice becomes extremely irritating. Part might have been determined by the role she's playing, and if it's all put on, well then maybe she really does have some talent. (But having such a beautiful young woman play at times such an irritating character, well if that's what ur going for).
Liffey Finn I know I've seen a good film when it leaves me wanting more when it's over. That's "City Baby." I'd love to see more of Cloey and Paige. I had the pleasure of interviewing the actresses behind those characters, Cora Benesh and Jillian Leigh, and they could not have been any cooler or fun. I love a good indie film and this is definitely one. I want to have a beer with this movie (and Cora and Jillian). I would love to see them in another project together. Daniel Baldwin is great in his few scenes too. There's some good improv, music, and attitude to this film. So watch the movie and read the interview here! http://thedodgy.com/2014/04/25/city-babes/
cfelipe44 For the most part I agree with some of the others, just maybe not as harsh. The main criticism I have is that the movie looks a whole lot better than it is. Thirty years ago a film like this one would have been made with a super eight camera or even on home video, but today, because of the easy access to Canons and Red and Epic cameras, it's fairly easy for even the greenest of new filmmakers to make a movie that looks pretty good if only on the surface. Bottom line, there's way too much attention given here to composing a slick look and not enough to imagining a passionate story with convincing, memorable performances. The music helps you get through it.
patweiss66 It is really hard to like anyone in David Morgan's me generation debut film about absolutely nothing. With all the people dropping dead in Africa and Syria where do people come off making movies as meaningless as this one. The lead female part, played by a Portland model, can't carry a film, and the character of the stupid gay theater manager, played by City Baby producer Timothy Whitcomb, feels like someone dug up from the 1970's trying to be Nathan Lane. The camera work is competent, but it never rises above antenna television. Production design was okay too, but nothing to write home about. I love indie movies and watch a lot of them, but this one felt really out of touch. Honestly, I couldn't tell you what this is about.

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