Maidgethma Wonderfully offbeat film!

Ketrivie It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

mraculeated The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

Payno I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

speterson-44529 Very disappointing. Only ever saw one worse movie: Called "Baby the Rain Must Fall". Should have checked IMDb before investing my time. Could have saved some cred. if they'd found husband's remains off the cliff. Had hope when she found rock pile and after police chief shared security video with her. Those were just teases.

iieeef FILM: Claire in Motion DIRECTORS: Annie J. Howell, Lisa Robinson RATING: 3/10This film follows Claire and her son in the month after Claire's husband goes missing. Judging from the performance by lead actress Betsy Brandt though, you'd believe Claire never actually met the man as she has so little invested in his disappearance. With its deadly pace and quiet landscape, this film never quite picks up enough steam to level a feeling of honesty about the missing, and possibly dead, husband. Instead the co-writing, co-directing team get so distracted with a relatively uninteresting wife/mistress rivalry between Claire and her husband's colleague, that this turns into another story of an emotionally unavailable wife pitted against a younger woman who feels herself a bit too much. The husband's disappearance, it ultimately seems, is an absurd catalyst for a cliché set of circumstances. Deemed so unimportant by the writers in fact (SPOILER ALERT), the husband's disappearance is never even solved. With an underwhelming emotional landscape and a maddeningly unsatisfying ending, this film manages to bring very little to the table.

Joel Dodd This is a very thoughtful story that some people may have difficulty coping with, as it has no special effects, no major reveal or build to a climax that answers all questions. No, this is not like that. It is a study of human experience, a section of the lives of a wife and son left behind by the disappearance of the husband/father. As she encounters strangers who knew her missing husband, she comes to realise how much she did not know about the one man whom she was supposedly closest to. People have their secrets, sometimes purposefully hidden, sometimes open to those who can see them but unknown to those who have lost their focus. On the whole the characters were believable, although a couple were clearly under- developed devices to help the story along. The photography was well executed, despite the frequent lens flare, and the use of lighting and variable exposure levels were a subtle enhancement of the woman waking slowly to the harsh reality of abandonment. Yes, the execution is flawed in places, but the movie flowed along well enough. There are a few levels that can be unpacked in the story and how the characters interact, but if you prefer facile, strictly linear formulaic movies with action, body counts, CGI etc, then this is not for you. If you appreciate a "slice of life" approach with sensitivity to shifting emotions and neglected relationships, then this is worth a watch.

David Ferguson Greetings again from the darkness. A math professor and an art professor are apt to view the world discordantly, but it doesn't mean they aren't capable of a strong personal relationship together. After planting a morning kiss on the cheek of his wife, Paul sets off on a one-man survival hike through the hills and forest. When he doesn't return, the mystery begins. Only it's not really a mystery, and it's certainly not the thriller it seems to be disguised as. Rather, it's a character study of how a rational mind works to make sense of a world that can't always be explained logically.Lisa Robinson and Annie J Howell have co-written and co-directed this story that gives Betsy Brandt a chance to really spread her dramatic acting wings after her time on "Breaking Bad". Here she plays Claire, a math professor, wife, and mother to Connor (Zev Haworth). Being of sound mind and structured thought, Claire immediately starts trying to find the logical reason for the disappearance of her husband. What she discovers is her husband often secretly veered from the structured life she so valued. This leads Claire to an awkward meeting with Allison (Anna Margaret Hollyman), one of his grad students. It turns out Allison and Paul had a pretty close connection over an upcoming art project.By now, you are probably sure you have this movie figured out. Fortunately, the filmmakers ensure it's not as predictable as you might think. It's not a thriller like Gone Girl or Deceived. We watch Claire re-trace Paul's steps on a path unfamiliar to her, and this evolves into a self-realization that she had been sleep-walking through life: doing her job, raising her kid, going home each day. There's a key moment when she's watching an old video of herself and Paul, and he says "look at me". It's at this point she begins to understand – and it's enhanced by a chance meeting in a bar with a former student. Maybe Paul isn't the only missing person.Son Connor probably doesn't get the screen time his character deserves. Like his father, Connor has some secrets of his own. His friends don't know he enjoys knitting, and he intends to keep it that way. It's one more indicator that no matter how close we are to someone, we don't know or share all. Finding and discovering one's self can be a torturous process before it ever reaches enlightenment, and though the story short-changes the process of grief, we do understand not to mindlessly nod when someone says "you know me".