Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Teddie Blake The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Kodie Bird True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Griff Lees Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

Michael_Elliott Classified X (1998) *** (out of 4) Melvin Van Peebles hosts and narrates this 50-minute documentary that takes a look at the history of blacks in cinema. I'm going to start off by saying that I really wish someone would come along and make a three, four or even five hour documentary about this subject because there's so much to cover and there's just so little time here that you can't help but feel that so much is missing. Overall, this is a good introduction to the issues that raged in cinema. Of course, THE BIRTH OF A NATION is brought up but the documentary does a good job at noting that this wasn't the first film to show racist images. From here we see how blacks were played by whites, were given roles of maids or slaves and how things started to change after WWII. Again, this documentary is way too short because it often hits on a subject that you wish would be explored more but instead we just jump to the next scene. There are a few issues I did have with the movie including how Melvin Van Peebles said that he never saw anyone playing the maid in his neighborhood so the movies were making this image up. Well, with the recent excellent film THE HELP, we learn that that type of image was going on during these times and I'm guessing Van Peebles' South Chicago neighborhood just didn't have some of these Southern images. The documentary also shines a light on "black cinema" that was going on in the 20s and 30s but it points out that these films too were often full of racist stereotypes. One strange thing is that Sidney Poitier's name never comes up yet the film does slam movies like THE DEFIANT ONES and GUESS WHO'S COMING TO DINNER. We finally get to the blaxploitation pictures, which is showcased as people black artists striking back but throughout the entire documentary there's nothing but talk about equality yet these films were just as racist towards whites that all the other films were against blacks. By the end of the film Van Peebles says that nothing has changed from the start of cinema until today. Everyone in Hollywood are racist and they're the ones with the money and the power to make movies.

rzanders I saw this documentary and thought that it was well presented. It raised issued long past forgotten. Although he did not mention new directors we must understand that the majority of viewers at the time was White America and the treatment of Black Professionals was being portrayed as "Stupid". To compare this I recommend "Scandalize My Name" which comments on the "Black List" and how it affected the image and careers of famous black American. The director newcomers did not have the fight that was being waged in early cinema, their achievements are the results of past battles. The Black image was being shaped and forged through the most influential mode-Cinema. Nowhere could you stigmatize, demoralize and stereotype a people than the cinema.

lexdevil Melvin Van Peebles is never short on opinions. I'd find it a lot easier to accept them if he weren't responsible for the vastly overrated Sweet Sweetback's Baadassss Song (forgive me if I omitted any 'a's or 's's from the title) and cinematic atrocities such as the racist, sexist, and plain awful Identity Crisis. Nonetheless, this is a fascinating and frequently dead on documentary about Hollywood's treatment of African American filmmakers.

goat's milk A compelling movie. Van Peebles provides a lot of interesting historical information. He argues that while the portrayals of black characters have changed over the years, they are still as racist as ever, and that Hollywood suppresses black filmmakers. I find it a bit difficult to sympathize with him since he seems to think that the only movie in history that had any value is one he made himself. He barely gives Spike Lee and John Singleton a passing mention.