Tedfoldol everything you have heard about this movie is true.

Infamousta brilliant actors, brilliant editing

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Sanjeev Waters A movie that not only functions as a solid scarefest but a razor-sharp satire.

John The Smith Well, here we have a typical "exploding huts" film, which starts off with a bunch of 'Nam veterans living casual lives. When in a bar, they see a POW returning from Vietnam camp through diplomatic efforts, 10 years after the war has ended. The bunch then proceeds to team up and return to Vietnam to rescue all the the American prisoners of war. Mind, all of this happens within a day or two (!). They then arrive somewhere in Indochina, near Vietnam (although the street scenes feature the "Jeepney", traditional Philippine public transport vehicle). According to their "well-thought out plan" they acquire weapons provided by a priest, and head out into the jungle, where, like someone else pointed out, Vietnamese army continues to patrol the woodlands despite war ending years ago. Dozens of killed extras later, the team manages to infiltrate deep into enemy territory, where they finally find a POW camp. While examining the place in order to make a plan on how to seize the place, one of the "commandos" just starts blasting away, and others follow. scores of Vietnamese soldiers burst out of the huts through one door, only to be mowed down by one guy. The camp is free. POWs in blue uniforms "visibly distrustful and worried" try to get a grasp of the situation while one of the heroic bunch yells at them that they're free, and that they need to get aboard the truck - something very odd happens at this moment - 8 POWs jump on the truck, while 3 are still standing near the prison building, staring quietly. They don't move, nobody persuades them to come, nobody mentions them. The truck drives away, and they are left there without a second thought (!). A couple of shootings here and there, including a Vietnamese woman, victim of Napalm bombings killing one of the heroic bunch out of vengeance, we come to the second mystery - When two Vietnamese helicopters (which are in fact American Huey choppers) begin assault on the empty village that Americans sought refuge in, POWs and the heroic bunch escape before all the huts explode - but, without a reason or explanation, two of the POWs are never to be seen again. It all goes downhill from here. The remaining 6 POWs are being killed at an alarming rate, up until only one, which has an injured knee, remains.The finale is ridiculous, not because of silly shoot-outs, but I'll leave you to see that for yourselves;)

dbborroughs Three old army buddies are brought together again at the wedding of one of them. Going out for a drink afterward the men go to look up an commanding officer to talk over old times. The officer was drummed out of the military for insisting that there were still soldiers in Viet Nam. The buddies needing something to believe in head to Southeast Asia and with the hep of a radical french priest, head off to rescue the Americans still being held. Good exploitation film echos Uncommon Valor and Rambo 2 keeps moving fast enough that the silliness of it all falls by the wayside. The action is good enough that you end up wanting to know what happens. Definitely a film to watch when you want mindless action while you curl up on the couch. Between 6 and 7

Volstag Boy, oh boy. This movie came very close to becoming my favorite unintentionally hilarious b-movie ever. The first half was priceless (after a slow start). The 2nd half, however, prevented this movie from enjoying a spot in my Bad Movie Top 10.What makes the first half of this movie so awesome? Well, to put it bluntly, it's so inept that it's nothing short of (unintentional) comic gold. Basically, we have four Vietnam veterans who become increasingly agitated by the fact that there are known POWs still languishing within prison camps inside of Vietnam. They develop a "plan" to return to Vietnam to rescue the aforementioned POWs. What's insanely amusing about their "plan", is that there really isn't a plan at all. They simply up and leave their families and jobs and fly to Vietnam. Once in 'Nam, they walk around until they bump into someone who has sensitive information concerning the whereabouts of POWs. If this movie is any indication, just about everyone in Vietnam knows sensitive information about POWs and POW camps.Our stalwart veterans keep bumping into folks with sensitive information, and keep referring to their nonexistent plan. Through a series of nearly incomprehensible, and comical, events, they obtain a large cache of weaponry. Now suitably armed, they begin their trek into the jungle via boat and truck.From here the movie becomes standard action movie fare. Like most action movies of similar ilk, our heroes display remarkable... nay, supernatural... abilities when it comes to open combat. They never miss, they're never hit, and they have no problem even when grossly outnumbered. The "ambush" segment is priceless: our heroes waiting in the brush, clearly visible to the horde of advancing enemies (who, apparently, thought they were merely approaching foliage eerily shaped like Vietnam veterans armed with M16s). At the decisive moment, one of our heroes yells "Fire!". The end result: 30+ dead assailants, and 4 unscathed Vietnam veterans.This begins the desultory second half of the movie. From here, our heroes encounter more enemies, refer to their mystery plan, and, ultimately, locate a POW camp -- which they summarily destroy, rescuing all the POWs in the process. In a surprising twist, one of our main characters, Mark (Ethan Wayne), is killed by a jilted Vietnamese woman.Our heroes, with POWs in tow, begin the process of extracting themselves from Vietnam. As you can imagine, this involves several combats involving imbecilic opponents, and super-human accuracy on the part of our heroes.Near the very end, our heroes are informed that all their work was for naught -- due to some bizarre political arrangement, the POWs must remain in Vietnam, and know one can know about their existence.The end.Bad movie score: 7/10 Good movie score: 5/10.

Michael A. Martinez Perhaps the main appeal in watching De Angelis's films (for me) is in coming in with low expectations and every now and then being surprised by how well some of the elements work. COBRA MISSION is a weird example because it features an excellent cast of B-movie stalwarts and even some cameos by Enzo G. Castellari, Luciano Pigozzi, Gordon Mitchell, and possibly Dardano Sacchetti. Francesco De Masi composed a moving, yet jarring and unmemorable orchestral score for the film but it is seldom used in favor of stock music from De Masi's previous films with De Angelis (a good call maybe, but distracting).There's lots of action and explosions but most of the time it's ruined by veteran producer Fabrizio De Angelis's budget-minded approach to filmmaking. At times the film is edited and shot in a very hands-off and lazy fashion. For some reason De Angelis likes to end his scenes with something exploding, but unlike in THUNDER WARRIOR uses his slow motion really infrequently. Some of the non-slow-mo explosions don't look very dramatic at all, and it seems like an incredible waste considering how much De Angelis must have dished out on the transportation and production costs associated with making the Philippines look like Vietnam.Maybe the most surprising aspect of the film is its fairly well-done downbeat ending. Christopher Connelly does some pretty hilarious scenery chewing, but in the end the audience really does feel sympathy for Ethan Wayne as the soldier that got left behind. The final shot of Wayne kneeling in the field while the camera pulls away from him to reveal a huge army of advancing Vietnamese soldiers surrounding him is one of the best and most memorable shots I've seen in a low-budget action movie.As is the case with DEADLY IMPACT, THUNDER WARRIOR, and THE MANHUNT, it's a mid-80's De Angelis film which I know is bad, but for some reason I just love watching it over and over.