agriking970
Country was filmed in Dunkerton, IA. My grandpa owned the farm before and after the movie was made. There was a L shaped 120 acres around it. My dad's 1977 F-150 pickup was even in the scene when Gill goes to the FMHA office. We have a lot of news articles that people gave to us and what my grandma collected during that time. The movie was made long before I was born, but it's interesting to hear stories from my dad and my grandma. We have a video of my dad and grandpa burning down the house in the Spring of 1989. I live just a mile and a half from where the site is. All that is there is just the well from the house. Went up there and a took a brick that was laying on top with a pile of rocks.(probably from the barn)Its a great movie for todays generation to show how horrible these times were in the 1980s, that is wasn't all fun. A lot of farmers dissapered in these yrs......
moonspinner55
Iowa farm family, unable to turn a profit, is faced with foreclosure on their land by the bank; the husband--his pride bruised--slips into despair while his resilient wife (Oscar-nominated Jessica Lange) does her best to salvage whatever she can to keep the family together. She coddles her father (who blames her husband for losing the grip on the farm), she rallies other farmers for a peaceful protest...she even tries talking a neighbor out of committing suicide. A story on the loss of human dignity and self-worth, intensely felt and well-acted if cinematically pedestrian. The music score (with solemn piano solos) tells you what you're in for: a despairing portrait of our economic times. The point comes through, and yet the film isn't really moving or all that memorable. ** from ****
Steve Skafte
In 1984, there were three films produced about farm life in the midwest. The first, and best film, "Places in the Heart" showcased an older form of life, a world where the farmer's only real enemy was nature; human or mother. The second two - "The River" and this film, "Country" - focused on the modern (for 1984, that is) struggles of farming the land. Of those two films, "Country" is the better. The real curious problem with "The River" is that it failed to show the average person's life. It felt more like a disaster movie, and the farmer seemed more like a poor, pathetic loser than a noble man trying to stay alive.The main thing that holds it all together is Richard Pearce, a director who makes personal, legitimate films as opposed to big events and images. Five years earlier, he covered similar ground in his first film, "Heartland". I'm a firm believer that great cinematography can make a great film. If something is worth looking at, the first steps are already covered. It's not that David M. Walsh is necessarily shooting in a mindblowing, new way, but Pearce gives him wonderful things to photograph. There's so much time given to just let things happen. The final scene is a perfect example. The wordless, drawn-out connection of two humans. It seems to go forever. This film lets you watch at the most perfect, crucial moments.The actors. What can I say about them? They're utterly convincing, and that's got to be the main and almighty concern for any film-goer. Jessica Lange, Sam Shepard, and Wilford Brimley are all more human than some of the bigger stars that might have been picked to act in such a film. They still have that sense of not being watched, at least enough so that they can live a character untouched. Lange, who I've seen in several films, never quite impressed me like she does here. Brimley, the glorious character actor who made a career in the 1980s playing 'that guy' in quiet dramas, is very much welcome here. In fact, I can't ever remember an instance when I regretted seeing him on film. He adds needed personality to the mix. The children (played by Theresa Graham and Levi Knebel) don't ever feel less than perfectly real.There are a lot of parts to this film, passages and images. In fact, that's what most makes it all work. If one thought feels out of place, humanity strikes again like lightning. Yes, there is the obligatory Big Statement scene, where the music swells and all poor farmers rise up against the Man. And yes, it is almost that bad. But even though it might make your eyes roll, there's far too much real life and human subtlety on display in "Country" for such a tired scene to crush it.Richard Pearce directs true, quiet dramas. If you want more of what you felt watching this, seek out these other films by him - Threshold (1981), The Long Walk Home (1990), A Family Thing (1996).
renodj
A sobering look at farms in crisis. Shows how farmers tried to hide herds from government lenders, the human cost of financial strain, the hopelessness shown by families who have reached the end of their financial rope. Sam Shepard and Jessica Lange anchor a strong and capable cast that effectively portrays the plight of U.S. farmers in the mid-1980s. Cinematography well done, with Kansas and Nebraska location shooting. Auction scene is heart-wrenching, as a farm held by generations of one family is auctioned to satisfy debtors. To watch the bidders converge on the equipment lined up for sale is a powerful image, repeated many times throughout the Plains states during that period.
