Jeanskynebu the audience applauded

Titreenp SERIOUSLY. This is what the crap Hollywood still puts out?

Yash Wade Close shines in drama with strong language, adult themes.

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

m2mallory Even those with a high tolerance for 1940s rubbish films will have a hard time getting through "Crazy Knights" (aka "Ghost Crazy"). It was poverty-row studio Monogram's attempt to create a viable comedy team in the wake of the success of Abbott and Costello, and the continuing popularity of The Three Stooges. The idea was to team the ubiquitous Billy Gilbert with Shemp Howard (who at the time was between his stints with the Stooges) and Lennie-like boxer Maxie Rosenbloom. The three don't act as a trio; Gilbert (who is costumed exactly like Oliver Hardy) and Shemp work as a team, and Rosenbloom joins in about half-way through. The rest of the cast in this haunted house "comedy" is largely unknown, save for John "Perry White" Hamilton, who at this point in his career was bouncing back and forth between major and minor studios. Oh, and since this is a 1940s scare farce, there's also a gorilla. Gilbert--who acts as both slap-happy straight man and overacting, spluttering comic--Howard--who plays it with a tough guy edge--and Rosenbloom pull out every stop to try and get a laugh, but the script (the fault of Tim Ryan, who also plays the detective), the premise, and the utter cheapness of the film defeats them all. Seen today, the picture is a time capsule of the kind of no-budget, no-talent movie-making that existed during the Golden Age, but it's awfully hard to imagine audiences so starved for entertainment that they'd actually pay to see this.

MartinHafer Back in the late 1920s and early 1930s, the Three Stooges were a stage act called "Ted Healey and His Stooges". They consisted of Moe Howard, Shemp Howard and Larry Fine. However, for some reason Shemp wanted out as he wanted to be a solo act...and his timing was terrible as the team was discovered and went to Hollywood fame. It was only after Curly's stroke in 1946 that Shemp returned to the team. In the interim, he appeared here and there in films and also starred in a few very low budget comedies. Here in "Crazy Knights", he's paired with other familiar supporting actors--Billy Gilbert and Maxis Rosenbloom--and they oddly go by their actual names. When the film begins, Billy is doing a traveling act with a gorilla. However, much of the time it's really Shemp in a gorilla costume. Obviously they aren't much of an act and as they're traveling to the next town they meet up with Maxie and his employer, Mr. Gardner (John Hamilton). Someone is trying to murder Gardner and the three morons decide to help the guy. With help like this, you pretty much assume Gardner is a goner!The three stars of the film all are what you might expect--rather loud and about as subtle and sophisticated as strippers working at a Baptist barbecue! Normally in films, they are supporting characters but here they are the show...and it's a mix that might not appeal to many viewers. Overall, it's about what you'd expect from a haunted house film starring three idiots and with a budget of about $857.93! Not exactly brilliant nor a film for anyone who isn't VERY patient with their tiresome and mostly unfunny antics.

mark.waltz Groucho Marx once asked Boris Karloff how much he charged to haunt a house. He should have asked Minerva Urecal that as she played sinister looking housekeepers in so many haunted houses that pretty much everything but the name remained the same. In fact, many of them came from the same company (Monogram), same director (William Beaudine) and same producer (Sam Katzman) and are virtually indistinguishable. This entry focuses on circus performers Billy Gilbert and Shemp Howard who end up in a house of mystery with their trained gorilla and all sorts of other odd characters including dim bulb chauffeur Maxie Rosenbloom and screenwriter Tim Ryan as a stereotypical dumb private investigator. While the camaraderie between Gilbert and Howard is very funny, there is an obvious predictability to the silly story. The sets seem recycled from dozens of other Monogram movies and the script is filled with clichés. Reactions to this are going to vary as to the viewer's exposure to the many similar movies that all of the poverty row studios were rushing out by the dozen for the cost of a dime.

Randy H. Farb Billy Gilbert and Shemp Howard teamed up to make so-so comedies, and Ghost Crazy is an amusing film, although it's a shame that the director, who went on to direct other horror comedies, didn't improve on his lighting techniques. Some scenes are filmed too brightly to see what's going on, while other scenes are filmed too darkly.Anyway, Billy and Shemp, along with their friend Don are circus performers who get caught up doing good deeds because of Don's romantic interest in the leading lady. The film has moments that resemble scenes from "The Gorilla" and "The Blue Room". Abbott and Costello, and indeed, Laurel and Hardy might have done a better job, but this film is watchable.