ChicRawIdol A brilliant film that helped define a genre

Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Cody One of the best movies of the year! Incredible from the beginning to the end.

Coventry Any movie that opens with a montage with typically nostalgic images of life in the 1950's, and to the wondrous tunes of "All I have to do is Dream" by The Everly Brothers, is half of a winner already in my book. I instantly presumed that Jonathan Demme's "Crazy Mama" would become a massively entertaining 70's road-movie/parody exploitation flick, full of memorable highlights and delightfully eccentric characters, but that turned out a little bit disappointing to be entirely honest. The movie kicks off energetically and tremendously joyous, but runs out of steam surprisingly fast. When evicted from her Californian beauty parlor, enraged mother Melba mobilizes her daughter and mother to head back to Arkansas and reclaim the family farm grounds that were violently taken from them in 1932. Hiking along are daughter Cheryl's surfer boyfriend and a trio of a flamboyant weirdos the gang picked up in Las Vegas, including macho hunk Jim Bob, gambling addicted senior citizen Bertha and greasy biker kid Snake. The deranged motley crew leaves a trail of armed robberies and kidnap conspiracies from West to East, but the biggest confrontation with the law awaits them in Arkansas. In spite of the speedy pace, "Crazy Mama" is overall rather dull and repetitive. I also would have preferred the film to be more violent and gritty, instead of comical and trashy. The performances are pretty lackluster, with Cloris Leachman not really fitting her role and Don Most being a bleak imitation of the characters Ron Howard played in the sixties and seventies. Stuart Whitman is cool, though, and Linda Purl depicts a lovable 70's exploitation wench. The only aspect that remains brilliant throughout is the soundtrack full of golden oldies, like "Lollipop" and "Running Bear". "Crazy Mama" is the third and final feature in trash-producer Roger Corman's unofficial Mama-trilogy, with "Bloody Mama" and "Big Bad Mama" as its predecessors. I'm surely going to track down those, because they look a lot cooler than this "Crazy Mama". Director Jonathan Demme has had one of the most uneven careers in Hollywood, for sure! From the sloppy Women-in-Prison flick "Caged Heat" onto exploitation flicks like "Crazy Mama" and "Fighting Mad" and towards more serious thrillers like "Last Embrace". In the 80's, Demme directed a few TV-movies, popular comedies and a lot of Neil Young videos before hitting it big with Academy Award winning blockbusters "Silence of the Lambs" and "Philadelphia".

gavin6942 Jonathan Demme directs this joyous unrelentlessly kitschy celebration of 50's America: opportunity, rock'n'roll, and the road. He follows three generations of women and the men they pick up, for a crime spree from California to the old family homestead in Arkansas.hat do we have here? The film debut of both Bill Paxton and Dennis Quaid. And Dick Miller appears! Oh, and it is directed by Jonathan Demme (his second feature) and produced by Julie Corman? Excellent! The actual film is pretty silly, with bank robbery and general hijinks that seemed par for the course in the mid-1970s, at least in the world of Roger and Julie Corman. What I enjoyed most about this film was actually the soundtrack -- a great use of classic songs in this movie, which probably took much of the budget.

Woodyanders Flighty'n'spunky Melba Stokes (a wonderfully zesty performance by Cloris Leachman), several members of her kooky family, and a couple of wacky misfits join forces to embark on a colorful crime spree in the 50's. Director Jonathan Demme, working from a sharp and witty script by Robert Thom, ably crafts a spirited and affectionate tribute to the gloriously kitschy 50's: Sparked by a nonstop zippy pace, a first-rate soundtrack of choice golden oldies, engagingly quirky characters, a very funny sense of off-the-wall humor, and a few exciting and well-staged action set pieces, this movie crackles with a certain infectiously bubbly energy that's a total treat to behold. Moreover, the cast play the campy material with tremendous joy and gusto: Ann Southern as Melba's feisty mother Sheba, Stuart Whitman as amiable cowboy Jim Bob, Linda Purl as Melba's sweet, pregnant daughter Cheryl, Don Most as Cheryl's dippy surfer boyfriend Shawn, Bryan England as tough greaser biker Snake, Merie Earle as spry nursing home escapee Bertha, Sally Kirkland as Jim Bob's ditsy wife Ella Mae, Jim Backus as ruthless businessman Mr. Albertson, and Dick Miller as bumbling cop Wilbur Janeway. Popping up in quick bits are Dennis Quaid, Bill Paxton, and Will Sampson. Bruce Logan's sunny cinematography gives the picture a nice bright look and makes cool use of wipes. Snotty Scotty and the Hankies supply a twangy and flavorsome score. An immensely fun flick.

funkyfry Entertaining 1950s era ganster mama movie emulates the best points of Corman's previous depression-era genre films. Demme does a solid job, succeeding particularly well in creating a feeling of casual cameraderie among the bandit women and the men they drag along with them as they go on a spree enroute to the family farm in Arkansas. Creates reasonably good characters who are often not used to their full potential, but a good time film (good 6 pack film) is the result. Leachman and Sothern make an effective pairing, and castaway Jim Backus makes a brief appearance as the first of many men the trio of Southern beauties will take advantage of along the way to their broken down dreamland.