Maidgethma Wonderfully offbeat film!

SoftInloveRox Horrible, fascist and poorly acted

WillSushyMedia This movie was so-so. It had it's moments, but wasn't the greatest.

Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

soymilk If there's any single short out there that marked a real defining point for those claymation whiz kids down at Aardman, I'd say 'Creature Comforts' is the one. The debut piece of the now legendary Nick Park (who'd go on to create a series of captivating short films featuring a certain cheese-loving inventor and his well-read canine cohort, whose names I'm sure you don't need me to spell out for you here), it's now a widely-regarded classic in stop motion animation history, and there are some pretty good reasons for that. No other Aardman project, great as they frequently are, has managed to combine such high levels of whimsy, charm and poignancy quite as deftly as this one. The bright idea of taking real-life recordings with members of the public and aligning them with talking plasticine animals in the style of vox pop interviews (in this case, zoo animals commenting on their general living conditions, as extracted from discussions with residents of retirement homes, council housing and student halls) was so fresh, so ingenious and so delightful that the five minute running time designated here simply wasn't enough. It was a concept which begged to be extended, and it spawned a much-deserved franchise in the early 90s with TV ads for the UK's Heat Electric and, more recently, a long-awaited TV series in 2003. A franchise which in turn helped to establish Aardman's now-firm reputation for colourful, offbeat cosiness, as opposed to some of the more downbeat and sombre shorts they'd been working on for much of the 80s (many of which were good enough in their own right - Peter Lord's 'Going Equipped', which debuted alongside 'Creature Comforts' in the Channel 4 series 'Lip Synch, in particular is more than worth a look).Compared to a lot of the output that followed it, the animation here may look a little primitive by today's standards (the depressed gorilla, for example, is quite clearly riddled with the animator's finger prints), but it's an easily forgivable fault, and doesn't detract from the visual joy that this short is swimming in from start to finish. Get a load of all those wonderful sight gags - the elderly bush-baby's gigantic magnified pupils, the unidentified birds with beaks held on by elastic bands (the antics of the non-speaking characters hovering about in the background have always been something to keep an eye out for in the 'Creature Comforts' realm), the treadmill-running terrapins, the dozens of shrieking, flailing baby rodents…all of it gold. Earning Nick Park an Oscar in 1990 for his efforts, it's endearing and comical to the bone - and yet there's also a mild tinge of sadness to it that I doubt 'Creature Comforts' would have been nearly as memorable without. For all the quirky cuteness that those clay-built critters possess, the anguish of a few of the original speakers remains persistent in their voices, and shines through in their pertaining characters quite dynamically. Most of the animals, it would seem, are perfectly contented with their lives in captivity, but there are a few who feel the sting of alienation, the homesick wild cat from Brazil being the standout personality on this one - the high range of exaggerated mannerisms that Park uses to bring him to life are unforgettable.A lovely film and a wonderful concept, what makes 'Creature Comforts' such a striking experience is, in part, how it touches upon some of the helplessness and frustrations of having to live in a world you feel out of place in. It's also a whole lot of fun too.Grade: A

gowing Creature Comforts (1989) sets a standard for "claymation," for animal welfare and animal rights issues, for integration of real life and animated action, and for subtle and outright funny humor. After finding it by chance on a PBS station in the early 1990s, I've tried to track it down, and was pleased to learn that a new version has been made, which I have yet to see. Wherever Nick Park's figures appear -- be they animal, vegetable or mineral -- in advertising or movies, it's a sure bet that they'll be funny and memorable.In Park's full-length films featuring Wallace and his dog, Grommit, he endowed these two "stars" with such mundane domesticity that, no matter what country the viewer calls home, we can relate to their comfortable behaviors, e.g. knitting (Grommit), cheese and crackers, reading the paper in the comfy chair. When the bizarre occurs, as it does with Wallace's inventions, we can imagine that we're all capable of such flights of fancy. The same is true in Creature Comforts. We've seen enough TV interviews and talking heads that this seems like another such program -- but funnier.

runar-4 This is an excellent cartoon, except for two things: first, it shows up in so many compilations that people like me who seek out quality animation have seen it more times than we can count on our fingers, toes and teeth combined; second, EVERY film that Nick Park and Aardman Studios produces, whether a short, a commercial or a full-length feature, has characters with upper and lower jaws that have different curvatures - the lower teeth are in a nearly straight line while the uppers are properly curved. For me, that is a distraction that takes away from the content, and that is why I have never bothered to see Chicken Run - I would not be able to stand watching mismatched jaws for an hour and a half.

bob the moo An interviewer goes to a zoo in order to interview the animals there. Her subjects include polar bears, big cats, an ape, a turtle and others. The subjects of conversation include the weather, their living conditions and what they like to eat.One of the very first projects from Nick Park and it is still very funny now. The animation looks a little dated but the idea is the same so it's not too bad. My understanding is that real people were interviewed for the voices and the animals were matched up to them – i.e. these aren't scripts.The end result is hilarious – the animals are matched to their accents and their subject matter really well. By themselves the words would be dull for the majority, while the animation would be merely cute. Together the film is very funny. Some of it is wise and slightly touching but really it's just funny to hear animals talk about their conditions as if they were humans!This was used for adverts in the UK to great effect and it is responsible for starting Nick park's path to Wallace and Gromit and Oscar fame. Overall a simple idea is turned into a wonderfully bright little short that is worth seeing for anyone who has seen Wallace & Gromit.