TrueJoshNight
Truly Dreadful Film
Phonearl
Good start, but then it gets ruined
Neive Bellamy
Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
frantastika
I'm a chess player and somehow I imagine that the film will be about chess after reading the description. Well, the truth is that chess does show a little here and there; the chessboard and the game itself is very little shown and I considering that many people may not know chess is reasonable to keep a balance.. but they sincerely could have done better. The main characters are hard to like, due to little construction and the acting is way over the top with "Pavius"the young one. The personal dramas were interesting but presented in a sort of confusing way that there was not time to understand what was going on. Frankly, if you are interested in chess and films you may see it for curiosity but not for quality or entertainment. Chess is fascinating and Im sure that you could a good movie out of this one, maybe a remake?
elshikh4
Finally a close to perfect work. This film got it all. The conflict, thank god, can be read through more than one dimension, it's how to be rich as a drama, and a thought-provoking film too. One can read it as a brilliant chapter in the cold war's time; the original Soviet communist vs. the Lithuanian enemy of the proletarian revolution. As if it's the eastern block vs. the western world. Then it's a battle of minds between the old generation who believed in something and fought for it, and the young one who rebelled against the first, fighting for the opposite. So it is, as well, the wise old vs. the riotous young. The differences between the 2 main characters are catchy and well-made. One is mystic who loves to unite with nature (great scene, with only music, for him enjoying sailing as if it's a spiritual fun). And the other is more materialistic, with hot pace and temper (enough to remember his leather jacket and motorcycle). I loved the pace, it's meditative and exciting in the same time; which is very hard to achieve by the way. Still the scene of seeking help by external factors to affect the players is smartly comic to the max (that Indian guru, who controls minds, is pure comedy). The 2 lead actors played their roles in iconic way if you will. However nothing is better than the end of it. Simply this film wins immortality by not relaying only on the cold war situation back then, yet it dives into deeper layer to make it essentially a conflict between just humans, who wants to assure themselves in the thing they love. Notice well how it doesn't eventually choose a winner or a loser too, because the game is on and the conflict is forever between the older and the younger. It's how the film – so intelligently – will live for more and more; being suitable to watch anytime or anyplace (it outlived the cold war itself already). So it is satisfying whether as politically, philosophically, or – and that's the most important – as a good effective drama in the first place; where you can watch it only as a thrilling movie about a crucial game of chess between the smartest 2 guys on earth! Naturally, this is one of the best films I have ever seen. Or in another word, this is how films must be made.
AndrePhilidor
A well filmed movie of the tense contest for the World Championship between Soviet player Akiva Liebeskind (undoubtedly modeled after International Grandmaster Akiba Rubenstein, a magnificent master of the endgame, originally a rabbinical student in Poland who never quite made it to the World Championship level and declined into mental illness), and Liebeskind's challenger, Grandmaster Pavius Fromm (almost certainly named after "From" of the From's Gambit in chess). Fromm, a Lithuanian political exile from behind the Iron Curtain, is an arrogant dislikeable pawn of the Soviets who have kept his wife prisoner. Virtually unrecognizable are their wives, the once lovely Leslie Caron and Swedish star Liv Ullman who have little more than bit parts.Personally, as a chessplayer who has been struggling to find the secret of chess for almost 30 years, it was made clear that Grandmasters of chess see farther than us ordinary mortals when Liebeskind analyzes his strategy to win the next game with the final coup by moving a Rook to the square G10! (The chessboard has only 8x8 squares.) Many incidents from the real history of chess are keyed into the script. When analyzing a game with his team, he objects to a player putting a cigarette to his mouth. "But it is not lit!" his friend replies. "Yes," says Liebeskind, "but it is well known that in chess the threat is greater than the execution". A quote right from Emmanuel Lasker, World Champion for 27 years. And this actualy occurred in a top level chess match when a player put an unlit cigar in his mouth, and his opponent protested.When each player's team brings in a parapsychologist to stare down or even hypnotize his the opponent, there are vigorous protests. Exactly what happened in a match in Baguio City, the Phillipines when World Champion Anatoly Karpov's team brought parapsychologist Dr. Zharkov from Moscow to stare down the challenger, dissident and escapee from the Soviet Union, Viktor Korchnoi. (Korchnoi lost the match.)In the end, I found the script of this move poorly written, disappointing in the ending, well acted and portraying the world of chess and a World Championship contest reasonably well. One jarring note was the large number and rows of empty seats in the auditorium where the World Championship was being played. In the real world, every seat would have been taken and overflow audiences would have been in auxiliary rooms watching on TV with commentary from other GM's unheard by the players. Did the producers just try to save a few pennies but not hiring enough extras to fill the seats? Hard to understand when clearly this was an expensive and lavish film portrayal of a World Chess Championship.Almost a good movie. As a long time chessplayer, I am glad I watched it. I cannot recommend it as worthwhile for general audiences.
dbdumonteil
Or not?"La diagonale du fou " was extremely well received at the time of issue -it won the prestigious "prix Louis Delluc" and AA- . With hindsight,it's now difficult to understand what the enthusiasm was all about.Heavily symbolic,the movie had high pretensions :the cold war on a chessboard.I must admit that for someone like me who cannot play chess at all,it's pretty tedious.But the biggest bomb is the female parts:what's the point of casting two legendary actresses (Leslie Caron,star of Minelli's musicals " an American in Paris" and "Gigi"and Walters' "Lili",and Bergmanian Liv Ullmann) and giving the first one barely five or six lines ,and the Swedish thespian a fifteen-minute walk -on part?