ManiakJiggy This is How Movies Should Be Made

Sharkflei Your blood may run cold, but you now find yourself pinioned to the story.

Clarissa Mora The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Cassandra Story: It's very simple but honestly that is fine.

bkoganbing Hercule Poirot, Agatha Christie's Belgian sleuth, is brought up to modern times in Dead Man's Folly. Normally Christie stories are better set in the period that they were written, but in this case no harm is done. Her detectives are quite eternal.Peter Ustinov returns as Poirot with Jonathan Cecil as the ever dependable Captain Hastings and he's been invited to another one of those English estates by American mystery writer Jean Stapleton. She's giving one of those mystery hunt games at the estate and the invited guests are going to be the contestants. It gets really out of hand when three real murders are discovered in the course of this film. A young girl from the village, an old estate caretaker and the wife of the Lord of the Manor Tim Pigott-Smith. And they are connected though how you will be surprised.I will give you two clues the former owner of the estate Constance Cummings knows a lot more than she is revealing and the arrival of Jeff Yagher from America upsets a lot of well laid plans.You'll enjoy figuring this one out if you can.

Neil Doyle There's plenty to admire in the costumes and settings for DEAD MAN'S FOLLY, most of which takes place at a handsome English villa in the countryside where a murder party game is being prepared by mystery writer Ariadne Oliver (JEAN STAPLETON). Unfortunately, Stapleton plays her role as broadly as she did Edith Bunker and there are times where her strident voice and manner becomes almost unbearable.Elegant settings aren't enough to bring this one up to the standard of PETER USTINOV's theatrical movies DEATH ON THE NILE or EVIL UNDER THE SUN. However, the color photography is impressive and everything looks worthy of a theatrical showing--except that none of the cast members have roles that are really fleshed out. As a result, the identity of the murderer is one of those "it could have been anybody" sort of things because, as is usual with Christie, there are almost too many red herrings among the suspects.Never a favorite of mine, this version has the heavily overweight Ustinov strutting around and putting Hastings down with some blunt remarks--mostly for comic value. JONATHAN CECIL plays Hastings with a humorous slant--far different from the Hastings in the David Suchet series--but his contribution is an entertaining one. NICOLETTE SHERIDAN as Hattie is delightful as the dim-witted lady of the manor.Not the best of the Ustinov TV adaptations, but it's good enough entertainment to pass the time.

gridoon2018 Yet another one of Peter Ustinov's made-for-TV Hercule Poirot mysteries. These movies are a far cry from his theatrically released "Death on the Nile" and "Evil Under the Sun" in almost every way (cast, production values, scripting, etc.), but taken on their own they have their moments. "Dead Man's Folly" doesn't have too many of those moments, though. As the music score (which would be more appropriate for a slapstick comedy) quickly signals, this movie is played too broadly. Ustinov takes the comedic aspects of Poirot just a step too far in this one - he does a lot of mugging and even some double-takes. Hastings is not as idiotic here as he was in "Murder in Three Acts", but Hugh Fraser is much better in the David Suchet series. Jean Stapleton is OK as Mrs. Oliver, but again, Zoë Wanamaker was better in Suchet's "Cards on the Table". The cast on the whole is not bad, and there are a couple of real stunners in it (Nicolette Sheridan, Caroline Langrishe). But the direction is bland, and the result is a murder mystery more trivial than thrilling. (**)

Movie_Man 500 Ustinov going thru the motions one time too many as Poirot seems bored here. And adding Hastings to the plot really makes you feel like you're watching a cheap adaption. I loved Stapleton as Edith Bunker but as Miss Oliver the daffy mystery writer, she seems out of place. And by God is the killer easy to spot or what? Nicolette Sheridan gives an awful performance and may hold the title as worst actress ever to star in an Agatha Christie movie. She's really hard to take. Even in silence, which alas is never long enough.