Death Warrant

1990 "He loves a good fight."
5.7| 1h29m| R| en| More Info
Released: 14 September 1990 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

The Canadian policeman Louis Burke is assigned in a jail to investigate the murders of prisoners and jailors. When in jail, Louis, using his outstandings martial arts skills, is able to save his life and make himself respected in that violent world. At least, helped by two another prisoners, he succeded in finding the truth about the dreadful crimes. In a violent and corrupt prison, decorated cop Louis Burke must infiltrate the jail to find answers to a number of inside murders. What he finds is a struggle of life and death tied in to his own past.

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Reviews

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.
Celia A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
Sandcooler Let me cut right to the chase here: the only reason to watch this movie is The Sandman. The poor guy barely gets to be in this, but when he gets his moment of glory he totally delivers. The Sandman is one of the most ridiculous villains I've ever seen, and therefor also one of the most entertaining. When he shows up the movie immediately looks better, because up until then there really isn't much going on. Van Damme investigates some mysterious murders in a prison, but it's pretty obvious what's going on so the moment where you're supposed to gasp at who's behind everything doesn't work. Also, while it's a good thing Van Damme is less of an egomaniac than Steven Seagal and actually lets himself get hit once in a while, this movie pushes it too far to the other side. Van Damme takes about a thousand punches throughout this movie and is on the ground for most of the running time, in fact he only wins the end fight (talk about a spoiler!) by dumb luck/opponent. Obviously this makes more sense than a fighting machine taking down dozens of prisoners at a time, but who the hell wants a Van Damme movie to make sense? "Death Warrant" gets a pass because again, The Sandman is great, but it definitely isn't Van Damme's best.
utgard14 Canadian cop Louis Burke (Jean-Claude Van Damme) goes undercover in California (?) prison to solve series of murders. Then a serial killer called the Sandman (Patrick Kilpatrick) shows up there. Burke put the Sandman away so they have things to discuss. It's a JCVD movie, so you pretty much know what to expect: kicking, kicking, and, not surprisingly, more kicking.By-the-numbers Van Damme actioner. Every prison movie cliché is on display. It's watchable enough. You get what you pay for. Robert Guillaume is good as the older inmate who helps Van Damme out. Cynthia Gibb is the requisite love interest who gets her pipes cleaned by the "muscles from Brussels." Cartoon-faced Art LaFleur is hard to take seriously as the sadistic prison guard. First movie from screenwriter David Goyer.
lost-in-limbo A husky sounding Jean-Claude Van Damme is a typical Canadian mounted maverick cop who goes undercover in a maximum security prison to investigate the random deaths of certain prisoners. Surprisingly "Death Warrant" seemed to focus on Van Damme actually acting than more so on just busting body parts. The sadistic violence (and its good to see Van Damme is only human copping a battering or two) plays second fiddle to the brooding dramatics of this undercover investigation. Still the over-the-top, knuckle cracking sequences were excitingly well-done, especially when Van Damme goes up against his nemesis a maniac performance by Robert Kilpatrick as the dangerous Christian "The Sandman" Taylor. When the two come to blows (after the first being landed by a large spanner), hell erupts. Kilpatrick's character might no have much to do with the central plot, but his rousing inclusion (the atmospheric first encounter in the prison) was a memorable one. Van Damme goes about trying to make friends with the inmates, but instead sticks out like a sore thumb by finding himself in glaring competitions, asking numerous questions, using his mopping skills on unexpected victims and he can't seem to hang around with his own kind. From this he catches the eyes of the prison guards. Art LaFleur stands out as the rock-hard prison Sergeant. Robert Guillaume is good as a grizzled inmate and Cynthia Gibb as an outside contact. Also showing up in smaller parts are George Dickerson, Abdul Salaam El Razzac, Joshua John Miller and Armen Shimerman. The simplistic plot is a routine genre piece, which opens up a can of worms involving a secret conspiracy… although a predictable structural development unfolds with some uncanny acts. While it might be clichéd with its characters, circumstances and anxiety (things not entirely going to plan), director Deran Sarafian's tidy handling crafted some tough suspense and simmering visuals from its sordidly dark and testosterone laced surroundings. Sarafian has gone on to much bigger things. A commendably taut Van Damme action drama vehicle blast."Here no evil, see no evil".
lastliberal Jean-Claude Van Damme is definitely a guilty pleasure for me. I don't go looking for fine acting and a great script. I want action and lots of it! Van Damme is a Canadian cop who goes undercover in LA to find out what is going on in a prison. He is made for this type of role, as he will have plenty of opportunity to display his considerable martial arts skills.He isn't in prison long before he ticks of the Hispanic gangs and has to continually fight to stay alive.Cynthia Gibb provides the essential "babe" in these flicks, even if she wasn't completely satisfying. And, when does a prisoner in the hole get out for conjugal rights? I always enjoy Robert Guillaume, and he didn't disappoint. Patrick Kilpatrick made a formidable foe and the final bout was well worth the time spent getting there.A guilty pleasure, but a pleasure nonetheless.