Matcollis This Movie Can Only Be Described With One Word.

Limerculer A waste of 90 minutes of my life

Ketrivie It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

Bergorks If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

TheLittleSongbird Boris Karloff was my reason for seeing Devil's Island, and when I did see it I found myself liking it very much. Of Warner Archive's Boris Karloff Triple Feature collection, it is easily the best of the three films, having liked West of Shanghai and hated The Invisible Menace(Karloff is the best thing about both those films though). Devil's Island, to me, is not without its faults either, the beginning did seem rather tacked on and the music was annoying and often not really appropriate. Devil's Island however is an atmospherically shot film and the settings are suitably moody. The dialogue is thoughtful and to the point, also written in a way that allows you to care for the characters, while the story is well-paced, sustains the short length(in the way that The Invisible Menace failed to do), is tightly structured and sticks like glue to its subject rather than going on a tangent. The acting is good, very good in the case of the two leads, the supporting cast are not faced with sketchy characterisations like with West of Shanghai and there is no annoying comic relief like in The Invisible Menace. James Stephenson makes for an understated and urbane villain, something that he seemed very well-suited for, while Boris Karloff is forceful and dignified in a role different to what we are used to seeing from him. All in all, a very impressive film, worth checking out. 8/10 Bethany Cox

Michael_Elliott Devil's Island (1939) *** (out of 4) Gritty prison drama from Warner Bros. features Boris Karloff as a brain surgeon who is sent to Devil's Island, although he's innocent. Once there he sees the torture brought on by the warden and plans on doing something about it. I was really surprised by how good this one was. The film would have benefited by a longer running time and some deeper scenes but it's still highly entertaining. Karloff was the best of the horror actors in my opinion but he could sleepwalk through roles every once in a while. Here he gives one of the best performances of his career outside the role of the monster. He had a burning energy throughout the film that was a lot of fun to watch. The ending doesn't work but this would be a good selection for Vol. 2 of the Controversial Collection since this film was originally banned in France and had the French government put a ban on all Warner films for a couple years (so I read).

MartinHafer This Boris Karloff movie was very entertaining though it seemed strongly inspired by the earlier film, THE PRISONER OF SHARK ISLAND since there were so many similarities between the two movies. SHARK ISLAND is an account of the real life man, Dr. Samuel Mudd, who was sentenced to a harsh American prison in the Tortugas after he gave medical treatment to a fleeing John Wilkes Booth. Whether or not Mudd knew that Booth had just killed the President is debatable--especially since word of the assassination may not have reached Mudd's home in rural Maryland.In much the same way, Boris Karloff plays a doctor who attends to a seriously injured man. Although Karloff knows the man was guilty, as a doctor he'd taken an oath to heal and couldn't just let the man die. As a result of his kindness, he's arrested and sent to Devil's Island, where he is abused and treated like an animal. What happens next you'll have to see for yourself, but I was very impressed by this simple film that wasn't really a horror film but a film about the human spirit and justice. Karloff, in particular, did a nice job in his role as the hapless doctor, though the script was also very good--making the viewer really care about these men in prison.The only negative, and it's a small one, is the prologue. Because the war in Europe was just beginning, the producers wished to distance themselves from condemning this French institution and so they tacked on a nice prologue saying that this film didn't represent the French people of today. This seemed rather unnecessary, as other prison films don't have similar introductions.

MARIO GAUCI DEVIL'S ISLAND proved an interesting change-of-pace for Karloff but one which, I agree, is hampered by its second-feature status: as it stands, potentially controversial issues like miscarriage of justice, as well as prison brutality and corruption, are not dealt with in much detail and the expected showdown between Karloff and the callous warden (James Stephenson, who would die only 2 years later and whose best role was his Oscar-nominated turn in William Wyler's THE LETTER [1940]) never occurs. Instead, we're made to believe that the warden's wife is so grateful for ex-brain surgeon Karloff's having saved their daughter's life that she is perfectly willing to see her husband's ruined by reporting his mistreatment of the prisoners to higher authority - when, prior to the girl's accident, she didn't seem to bother much with them since she used to frequently ride up to the labor camp, in her finest attire, as if going on a Sunday picnic! A brave and well-made B-movie all around but, ultimately, it doesn't really tread new ground and certainly doesn't carry the sheer emotional power of I AM A FUGITIVE FROM A CHAIN GANG (1932).