Matcollis This Movie Can Only Be Described With One Word.

Steineded How sad is this?

SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

winstonchurchill-93755 No one suffers more in movie after movie than Ann Harding. The suffering is gloriously acute, intense and wonderfully relentless.

boblipton The idea behind this movie -- that Ann Harding, who loves Leslie Howard absolutely, can put on glasses, a bad wig and a stage accent, work in Howard's house as nurse to his motherless son for months, and be unrecognizable to everyone but Robert Williams -- is ridiculous. I write this as someone who once sat opposite my father in a bus station, where he was to pick me up, and neither of us recognized the other for almost half an hour.It's one of those sentimental movies that RKO made in the early 1930s, based upon some novel or play about upper-class Londoners, and except for Miss Harding, would have lost money. It is arch, coy, obviously calculated and insincere. Mr. Howard remains eyeless in Gaza until he gets drunk with Miss Harding in her proper persona (i.e., in an evening gown), whereupon he loves her, too, and his wife turns up. This is the cue for Miss Harding to suffer nobly. It wouldn't be an Ann Harding picture unless Miss Harding suffers in a noble manner. That Man might wind up in the White House, but Miss Harding will suffer!Naturally, I loved it. Not because I am so enamored of piffle or wish Miss Harding to suffer -- why couldn't the top brass at RKO have given Dorothy Lee a vacation and cast Miss Harding in a Wheeler & Woolsey picture as a change of pace? -- but because Miss Harding can noodge someone into drinking a cup of bouillon at 2AM so charmingly; Mr. Howard can toss a salad like a headwaiter in love; and Mr. Williams can be so cynical and so kind at the same time. Howard Hawks was once asked what made a great movie. He replied "Three great scenes and no bad ones." This movie may have a plot that didn't excite the audience at the time and looks even more foolish today, but it meets those criteria, thanks to those actors.

ksf-2 Robert Milton directed all of eleven films, and this was somewhere in the middle. Ann Harding stars as the prim and proper governess, who is only taking the job to be near Mr. Trent, a successful lawyer. Trent is played by Leslie Howard, who is slow to catch on, even when he is introduced to "the governess" out of costume, and without her wig. Harrington is played by Robert Williams, who would die quite soon, after making "Platinum Blond" with Jean Harlow. It's all well done, but moves quite slowly. There are complications, of course, and nothing is easy. Enjoyable enough, but so predictable. Harding was nominated for her part in Holiday; Howard was nominated for TWO oscars. and the awesome Alison Skipworth is in here as Mrs. Coggins... she had worked with W.C. Fields in FOUR films! great cast!

Jimmy L. What a bore. Every bit the "creaky early talkie", DEVOTION (1931) is stagey and the soundtrack is full of dead air and awkward silences. The story concerns "wallflower" Ann Harding disguising herself as a middle-aged governess in order to get closer to Leslie Howard (whom she secretly loves).The movie is a chore to sit through. I've never really been a fan of Ann Harding, and she looks ridiculous in her old lady disguise. Seen nowadays, the movie is so preposterous and overdone as to be unintentionally funny. Harding's whole plan comes off as really creepy to a modern audience.And why is Harding, a daughter in a fairly well-off family, doing chores with the servants while her parents and sisters entertain guests in the parlor? Is she the black sheep of the family? Is it a Cinderella situation?The movie's not a total loss, however.Robert Williams's naturalistic acting practically jumps off the screen, in contrast to the rest of the cast. Williams's bright future in Hollywood was cut short when he died shortly after this film's release in 1931. He had a natural way of delivering his lines that really stands out in DEVOTION, even though he only has a few scenes. If nothing else, this film gives viewers a rare chance to see Williams at work.