Matcollis This Movie Can Only Be Described With One Word.

Ensofter Overrated and overhyped

Winifred The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.

Phillida Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

jackcwelch23 The most cinematic looking Australian film I've seen, considering it was dirt cheap to make that just shows the ingenuity and resourcefulness of the filmmakers to keep us engaged and not get wound up on the little things. The film is shot in an unconventional, hypnotic style similar to (good) Terence Malick films and contains moments of nightmarish surrealism. The audience is successfully implanted into Len's mind state, with his nihilistic viewpoints burrowing under our skin and confronting us with the messy, confusing playground that is life. The absurdness and harmful elements of the idea of masculinity (bullying, peer pressure, risk taking behaviour) are hurtled towards us like asteroids, like all the memorable films, it doesn't cutely slip in its message with smugness but delivers it with sledgehammer force. The film is ugly, unpleasant, and unflinching, but that is exactly the point of it so those really can't be used as complaints. If it made you sick, it has done it's job. Homophobia is not a cute issue and should never be treated as such. There are sprinkles of dark humour in it too for those who need a bit of relief, but you won't have much time to breathe, it will pull you back in before you can. If you want to challenge yourself and your viewpoints, give it a watch, make sure it's on a big screen too.

Phil C This was an emotionally dark film that is very difficult to watch due to it's provocative and confronting nature. Nonetheless, Drown is rich, compelling and very relevant in addressing an important issue in our current society. The cinematography was beautifully executed, with strategically laid out jumps to different areas in time that keeps the viewer engaged. Many of the low scores seen on this page are due to the confusing nature of the movie itself. I have to admit watching the film a second time made all the difference. Only on my second watch did I really learn to appreciate how brilliantly strategic the time line jumps were placed.A bit of background knowledge in human body language and psychology is required to fully understand and appreciate this wonderful film. Any individual who are used to overstimulated and simple movie plots would otherwise find this flick very disturbing and distasteful.The movie follows three lifeguards. The main character, Lenny, is a closeted gay man who was raised by a physically, mentally, and emotionally abusive father. His father taught him to suppress his sexuality at a young age and the only way to survive is through rage and abuse. As a result, Lenny grew up to be a bloke with low self worth. He became a raging alcoholic who is afraid of his own feelings and sexuality. Externally, he puts on a persona of a bully and an alpha male that overachieves to cover up and compensate for the void he feels within. Meat, the second lifeguard, is Lenny's emotional co-dependent best mate. Their self worth are heavily depended on the action of the other. Meat was made fun of for his oversize "member" by the other boys when he was young and Lenny was the one friend that stood up for him and told him he should be proud not ashamed. In many way, Meat was Lenny's shadow doing everything Lenny told him to do. He's there for Lenny's emotional support and to inflate Len's ego whenever it is needed.Along came Phil - a new member of the lifesaver club - who saved a little boy on his first day on duty and became an instant threat to Lenny. Phil became more and more a threat to Len's masculinity as he gradually takes over his spotlight. Not only that, Len is physically attracted to Phil, making his feelings toward Phil a mix of both admiration and hate.Although Phil has a boyfriend, you would be blind not to see that he was becoming a moth to the flame that is Lenny. He would lie to protect Len despite being bullied by him. He would turn down a romantic dinner with his boyfriend to go out with Len. There's more than enough steamy sexual tension and homo-eroticism between these two throughout the film to start a sauna. Unfortunately, despite his hot for Phil and the fact that Phil was slowly falling for him too, Lenny was unable to reconnect to his long disconnected feelings and instead his inner shame was intensified by what's going on. Lenny's shame was turned up a notch after he finds himself receiving oral from a feminine guy at the gay bar and got caught by Meat. This led to a series of unfortunate events at the beach where Len humiliates and buries Phil alive the same way his father humiliated him and how he has been burying his feelings all these years. In the midst of all the nonsense, Meat confronted Len on how he has been secretly fancying Phil and has a disturbing way of showing it. Len challenged Meat to a swim off to prove his manliness. Huge symbol here: Phil is buried in the sand on shore to be drowned by rising tide and here you have Lenny swimming towards the ocean, far far away from him. Lenny's low self worth. The threat to his image and reputation of a champion. His feelings and sexuality. These are the things Phil was a symbol of. Lenny would rather drown than face his own demons and face who he really is within. This was result of the huge impact that his upbringing and hyper-masculine environment has on him.If this film isn't rich, I don't know what is. You can call it distasteful, a disgrace, and a perverted way to depict homosexuality, etc.. In reality, Drown is a one of a kind film that makes people think. Not necessarily with our own sexuality per se, but maybe with feelings that we have long abandoned; shames and dramas in childhood that we sometimes would rather "drown" than to face. I don't know. Just a sincere thought.All in all, a lovely film it was. There's something crazy alluring about a sexy tough guy that is emotionally messed up. Maybe I can see what's in the core of people that they themselves can't see? Matt Levett not only did an incredibly convincing job as Lenny, but he's oozing sexiness which was such a treat. This is a rare gem and easily one of the best Aussie films out there, especially if you are a fan of dark visceral materials. Highly, HIGHLY recommended.

Paul Creeden I assume the low average score for this title is due to the difficult and realistically portrayed subject of sexual confusion stemming from paternal abuse. Matt Levett, as Smithy, does an impressive job conveying the internal turmoil of a conflicted young man. The editing of some key scenes was awkwardly done, adding confusion about time lines. But Levett's acting maintained my interest. He carries the film.I appreciate the film's ability to make sexy Smithy's dysfunctional sexuality stand out against the upbeat backdrop of a bustling gay entertainment district. This was an intelligent element. Less intelligent was the overly prolonged beach scene toward the end of the film. After a while, it had the flavor of bad soft pornography, while too subtly touching upon Smithy's victimization (presumably by his brutal father) which he appears to be acting out with Phil. Phil's passivity hints at his own possible history of sexual abuse. The use of the Meat character as more neutral observer wasn't really effective.

hddu10 Drown is set in one of the most arguably regressive "Western" societies on the planet, Australia. While it's 'parent", the UK has become the opposite extreme of being ultra-liberal to the point of intolerance for anyone with an opinion contrary to the status quo, Australia continues to lag behind in attitudes and tolerance towards homosexual men. This is evidenced in the dynamics between the two protagonists; one a gay man, Phillip and another what seems to be a type-A closeted gay man, Len. While it appears Len has some repressed sexual attraction to Phillip, the fact that Phillip is younger, better looking and ultimately better athletically causes Len to resent and eventually take out his aggressions on him. The plot eventually devolves into a story-line as old as "Billy Budd", also played out in the French film Beau Travail. Although unlike those examples, there really doesn't seem to be any logical reason for Phillip to continuously tolerate and accept the increasing abuses from Len (i.e. he is not a subordinate), other than for us to surmise Phillip is secretly a hard-core masochist. And the revelation that Len is in fact homosexual is not at all a revelation since it is alluded to throughout the film, which makes it anti-climactic. Mildly entertaining, but certainly anachronistic to any Western standards.