Edge of the City

1957 "Tense drama of frightened men!"
7.2| 1h25m| NR| en| More Info
Released: 04 January 1957 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

An army deserter and a black dock worker join forces against a corrupt manager.

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Metro-Goldwyn-Mayer

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Reviews

Linbeymusol Wonderful character development!
BroadcastChic Excellent, a Must See
Organnall Too much about the plot just didn't add up, the writing was bad, some of the scenes were cringey and awkward,
Staci Frederick Blistering performances.
Richie-67-485852 Quality entertainment that gets to the point and stays there. We get to visit with the docks back in in the 50's and the nonsense some serious some not that goes on there. Working at the docks is simple enough but the people make it not only interesting but in this case dangerous too. Enjoy Jack Warden who always delivers his characters true to life and is so good at representing the average man or point of view even if unpopular. John Cassavettes is not to be missed and who can ignore any film with Sidney Poitier in it? Lumped all together, we get a nice little glimpse and taste of human natures, life in the trenches and we get to see up close for ourselves what makes a man or a mouse as well as an ani-male and be better for it. Nice portrayal of the age old omerta type law of the underworld where if one sings like a canary, they are branded a rat. But the question begs this: What if one should tell what happened because it is the right thing to do? What then? This is the true test of manhood or the lack thereof and we are introduced to this dynamic in this movie which is reason enough to watch it. This is an excellent movie for eating a sandwich, chips and a tasty drink. This may not be edge of your seat entertainment but edge of you life also known as real life....
Boba_Fett1138 The reason why this movie isn't any better known and more appreciated to me seems because of its subject. Because of its controversial subject this movie never got a proper big release and still remains a fairly unknown one to this very day. Not that it's subject is that controversial now anymore though.Basically in essence it's a movie about a white man befriending a black man. The friendship does not seem forced or unrealistic but the way it gets portrayed in this movie makes it all feel very real. We see these different ethnics mingle in with each other, as if it's just completely normal. Unfortunately of course back in those days it really wasn't regarded as anything normal. Seeing a black man talking to a white girl and just having fun with her as a friend must have been an hard thing to watch for instance for some proportions of its 1957 audience.You can really understand why Sidney Poitier has always been and still is being respected so much by the Hollywood society and the black-community in general. Of course it's one of the reasons why he also received an Honorary Award at the Oscar's, in 2002. In his movies he often fights against discrimination and prejudiced issues, with of course "In the Heat of the Night" as the best example of this. A real role model, that certainly has inspired many Afro-American actors, to this very day. But on top of that, he also was a great actor. Yes, he is still alive but he has pretty much retired completely from movies now it seems, since his last credited role is from 2001.This movie was Martin Ritt's directorial debut and he also wasn't given too much movie to spend on his movie. The studios were probably also a bit reluctant mainly because of its concept and/or because it was Ritt's first movie. Or perhaps it was simply due to the fact that MGM just wasn't that big anymore and it had left its best days behind them. Ever since the '50's on Metro-Goldwyn-Mayer sort of had the reputation of making not too great and cheap movies, while in the early years before that it was really one of the biggest studios with lots of stars and acclaimed directors attached to it, who made many award winning classic movies. Luckily for them their reputation is starting to change again and whenever the MGM-logo appears at a movie people are no longer expecting a lesser-movie anymore.Anyway, even with its restrained budget and limited resources they managed to make a great movie out of this one. The movie is very simple, with only a few characters and a simplistic plot in it. The movie however still manages to capture you with its story and subjects, without ever starting to become preachy or anything about it. It makes the movie an effective one as well with its subjects.Really a movie that deserves to be seen.8/10http://bobafett1138.blogspot.com/
kaehnea This is an excellent movie that tackles the issue of racism in a delicate and balanced way. Great performances all round but absolutely outstanding acting by Sidney Poitier.He makes this movie breathe and alive. His portrayal of a guy who struggles against discrimination and violence is simply mind blowing. His acting is forceful and delicate and subtle at the same time. Truly worthy of an Oscar, Poitier had to wait (because of his skin colour) for many more years before the sheer brilliance of his acting was recognised by the Academy.Cassavetes turns in a great performance too, withdrawn, troubled and realistic as it has become his hallmark. He and Poitier contrast inimitably the forces of cowardice, courage and human transformation through friendship.The movie is enjoyable and at the same time deeply haunting in its portrayal of racism in the US. The irony is that it somehow mirrors the realities under which Poitier had to work.
ZAelonyRep This is a powerful film which seems to have never re-arisen after the Joe McCarthy censorship period. It influenced me as a Jewish teen-ager who had friends of various colors and whose father's family had suffered under the Fascist regimes in Europe during the second quarter of the Twentieth Century. Unlike the later rip-off, "On The Waterfront" which seemed to take some of the same themes and twist them to fit the enforced Hollywood political correctness of the time, it told its story direct and with respect for the characters and for the reality it fictionally reflected. It was an antidote to "Gone With the Wind", "Birth of a Nation", "Triumph of the Will" and so many other glorifiers of hatred and violence. I would place it alongside the recent German film (also virtually hidden in the US), "Rosenstrasse."I remember that the TV version, also black and white in format as well as story, was blacked out by some stations because the black hero's wife appeared white. As a young civil rights worker, it produced a conflict for me because on the one hand I was opposed to smoking cigarettes and on the other opposed the boycott in Georgia of a sponsor of the TV show, a major tobacco company (I no longer remember which one -- does anyone else?).I would love to find a CD of either the film or the TV show to let my sons see something that informed my opposition to racism universally (as opposed to only fighting racism against Jews) and recognition of the inherent connection between racism and militarism.