Elmer Elephant

1936 "An elephant is ashamed of his trunk until he saves his friend with it."
6.8| 0h8m| G| en| More Info
Released: 28 March 1936 Released
Producted By: Walt Disney Productions
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Little Elmer Elephant has a crush on Tillie Tiger and his affection is reciprocated. Trouble is, the pint-sized pachyderm is beset by bullies who ridicule his trunk and make his life miserable. Then a conflagration breaks out at Tillie's tree house.

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Reviews

ada the leading man is my tpye
Boobirt Stylish but barely mediocre overall
Tedfoldol everything you have heard about this movie is true.
Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.
OllieSuave-007 Nice little Silly Symphony about Elmer, the kid elephant, who was making fun of because of his trunk by the other animals during their friend's birthday party. However, they soon had to have a new viewpoint of the elephant because of his courageous acts during a fire. A pretty exciting plot and a good lesson to be learned here about appreciating what you have been given in life and about treating everyone with kindness. Grade B
Horst in Translation (filmreviews@web.de) "Elmer Elephant" is an American 8.5-minute cartoon from 1936, so a bit longer than usual and this one had its 80th anniversary last year already and even if it is in color, this means it is certainly among the earlier days of the Golden Age of Animation. But this Disney production nonetheless includes several big names like director Wilfred Jackson and voice actors Nash and Colvig who were really defining for both the genre and the company for many years to come. This one here may not include the ducks and mice and dogs everybody loves until today, but it includes a little elephant. He visits his little tiger friend for her birthday and he brought her flowers. But sadly, the other visitors aren't friendly to him at all and make fun of his nose and ears etc. So he leaves the party, but meets some real friends who give him solace and eventually also help him when a fire puts Tillie's life at risk.That's one thing I liked that it was not some kind of superhero performance, but that the giraffe and pelicans etc. made it a team effort for Elmer. And honestly animation-wise this was way ahead of its time, certainly a contender for best 1936 short film. On a side-note: This was the year that the Olympics were held in Berlin. Anyway, back to the film: I also liked the love to detail, such as the ways in which the animators breathed life even into those little fire creatures and it was also smart as this takes away from the tension and drama and makes sure it's not too serious for younger audiences to watch too as after all most of the characters in here are their age. Many anti-bullying films from recent history can learn a lot from the heart put in this one and maybe if the filmmakers actually would have watched this one, then their work would not have turned into such forgettable mediocrity (in the better cases). And finally, also a word on the really sweet ending that shows us that we should not pay too much attention to what breed everybody is in here. A cute kiss and little Elmer could not be any happier. His ears finally serve a purpose too. A strong cartoon with a slightly superior second half, I very much recommend checking it out to everybody. For cartoon lovers, it is a must-see and such a shame Elmer was forgotten quickly. I would have loved to watch more films starring him, no matter if short or long. Such a cute, charming and likable character.
Hot 888 Mama . . . because even the children of normal Americans might stir up a ruckus with the neighbors' Grope Openly Party (G.O.P.) tykes if they reveal how Walt Disney uses ELMER ELEPHANT to blame these Right-Wing "Conservative" Dumbos for America's then on-going Great Depression. In this animated short, Disney depicts Elmer as a Total Loser, Cluelessly skipping through the daisies while everyone else shows up on time for Tilly's Sixth Birthday Party. When the other critters present mock Elmer for always sticking his Ginormous Facial Appendage into Private Places where it clearly doesn't belong, Disney suggests that Elmer torches Tilly's Treehouse in an Arsonous Fit of Spite. Elmer than does his best to fan the flames toasting Tilly, just as his Real Life cohorts in America's Pachyderm Party did with their deplorable Smoot- Hawley Tariffs Act. Disney implies that Elmer is like the Teflon Don: he could probably gun down Girl Scouts and Brownies at HIGH NOON in Times Square, and get away with it like Gary Cooper!
Ron Oliver A Walt Disney SILLY SYMPHONY Cartoon Short.Little ELMER ELEPHANT has a crush on Tillie Tiger & his affection is reciprocated (don't try to figure it out). Trouble is, the pint-sized pachyderm is beset by bullies who ridicule his trunk and make his life miserable. Then a conflagration breaks out at Tillie's tree house...A very cute little film, very nicely drawn, with a sound moral message. It could have been the start of a series of Elmer Elephant shorts, but, alas, that was not to be and Elmer & his friends went into almost immediate cartoon oblivion.The pelicans, for those too young to know, are spoofs of Jimmy Durante.The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most interesting of series in the field of animation. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.